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Clint Eastwood

10 Forgotten Clint Eastwood Movies That Deserve More Love

This year marked the 30th anniversary of Best Picture winner Unforgiven, one of Clint Eastwood’s most acclaimed movies. It stands alongside other highlights from Eastwood’s legendary career, including The Good, the Bad and the Ugly and Dirty Harry. But even with his status as a Hollywood icon, Eastwood has some notable movies that have been overlooked.
From some of the missed movies that highlight Eastwood’s charm as an actor to the ones that allowed him to show off different sides of his persona, these forgotten Clint Eastwood movies can finally find the recognition they deserve.
Space Cowboys (2000)

Space Cowboys Cast

Eastwood is an actor who fans have watched age over decades in movies and he has always embraced that. One of the best examples of this is Space Cowboys where he is joined by some other great veteran actors.

Eastwood joins Tommy Lee Jones, Donald Sutherland, and James Garner in the adventure comedy about four aging astronauts called into one last mission. The movie might strain realism but it is a blast seeing all these legends having a fun time on screen together.

The Dead Pool (1988)

Clint Eastwood as Dirty Harry in The Dead Pool

Though Harry Callahan is seen by many as Eastwood’s coolest movie role, his final outing as the character is generally forgotten compared to the other installments. The Dead Pool finds Harry investigating a betting pool of celebrity deaths that starts to get very accurate. The stakes are raised when Harry himself is included on the list.

Some fans might have stumbled across the movie confusing it with the Marvel character, but it is generally regarded as the lesser of the Dirty Harry movies. But what was once seen as cheesy and goofy now seems like the franchise and Eastwood himself allowing some humor into these movies making it a fun departure while still delivering the thrills fans expect.

A Perfect World (1993)

a perfect world 1993 clint eastwood

Eastwood also directed this underrated crime drama but takes a smaller supporting role on screen. A Perfect World stars Kevin Costner as a runaway convict who kidnaps a young boy and heads out on a cross-country getaway with Eastwood’s lawman on his trail.

Costner excels in a more gritty and villainous role than some fans might expect from him. But the unexpected bond between Costner and the boy as well as the tense crime story makes this a thrilling ride to take part in.

Two Mules Of Sister Sara (1970)

Shirley McClaine and Clint Eastwood looking in the distance in Two Mules for Sister Sara

Certainly, when fans think of Eastwood’s career in movies, it is hard not to think of his many legendary westerns. But given how many westerns he appeared in, it is not surprising that some of them slipped past fans, like Two Mules for Sister Sara.

The movie stars Shirley McClaine as a nun on the run in Mexico who is saved by Eastwood’s heroic soldier. As the two form a friendship, Sara hides the secret about why she is really on the run. The fun dynamic between the stars really sells that movie and elevates it beyond just another Eastwood western.

Tightrope (1984)

Clint Eastwood stands by a dangling handcuff in Tightrope

While there are plenty of movies about serial killers, Tightrope is a solid entry into the genre that doesn’t get much attention. Eastwood plays a cop investigating a brutal killer targeting women. But when he starts to get too close, the killer begins targeting those close to the cop.

The movie is a thrilling police procedural with a clever script and a great performance from Eastwood in a leading role. Though it didn’t find as much success as later movies like Sea of Love and Basic Instinct, fans of those movies will find similar thrills with Tightrope.

The Beguiled (1971)

John McBurney seducing Edwina in The Beguiled

Though The Beguiled was remade in 2017 with Nicole Kidman and Colin Farrell, this original version with Eastwood deserves to be seen. He stars as an injured Union soldier who seeks refuge at a Confederate girls boarding school where his presence soon causes tension.

The movie’s initial failure was likely due to audiences expecting the typical Eastwood fare and being given something very different. However, the unconventional and shocking nature of the story is what makes it so thrilling to revisit.
The Eiger Sanction (1975)

Eastwood is one of the greatest action stars in movie history and The Eiger Sanction is one of the best displays of his skills in the genre. He plays a covert assassin who takes one last dangerous mission in which he must infiltrate a mountain climbing crew to determine the Russian criminal amongst them.

There are some truly thrilling action sequences in the movie with Eastwood putting his all into the demanding action role. It is an edge-of-the-seat ride that uses its simple premise to deliver a great adventure.

Thunderbolt and Lightfoot

While Eastwood is usually the man alone in the spotlight, he helped create one of the best buddy movies alongside Jeff Bridges in Thunderbolt and Lightfoot. Eastwood plays a bank robber who has a chance run-in with a young conman (Bridges) leading to the two new friends planning a heist together.

The two iconic actors have wonderful chemistry together, making for a charming duo. The caper is also hilarious with so many laugh-out-loud moments and a thrilling heist story at its center.

Escape From Alcatraz (1979)

Clint Eastwood in Escape from Alcatraz

Eastwood had made five movies in his career with Don Siegel. Though Escape from Alcatraz ended up being their last, it may also be their best collaboration. Eastwood plays an inmate at the titular prison who plans a daring escape.

Along with being one of the best prison movies of all time, the movie is also a hugely entertaining caper as audiences see the plan for escape planned out carefully and put into action. Eastwood excels at making fans cheer for the criminal and antihero.

The Gauntlet (1977)

Clint Eastwood wearing sunglasses and looking off with a girl in The Gauntlet

Eastwood is an actor who stuck quite close to his iconic persona in many roles and audiences seemed to love it. But that made it more interesting when he would sometimes break away from the norm like in the wild action movie The Gauntlet.

Eastwood plays a much less heroic and competent cop than usual as he is tasked with delivering an eye witness to a mob trial. Of course, they run into their share of obstacles along the way with many hilariously over-the-top action moments. It is one of the more ridiculous movies Eastwood has starred in which is part of what makes it so much fun.

Clint Eastwood

Caped Clint Eastwood? Raquel Welsh? These famous actors were almost Superman and Lois Lane

It’s a bird . . . It’s a plane . . . It’s Dirty Harry?
Forty-five years after dashing newcomer Christopher Reeve’s caped flight to stardom in 1978’s “Superman” movie, a NYC auction house is listing rare documents revealing the other leading men the studio cleared to be cast in the iconic role, including Clint Eastwood, Jack Nicholson, Robert Wagner and then-closeted Richard Chamberlain.
Auction house Metropolis Collectibles revealed the names of 24 leading men and 23 actresses DC Comics officially approved to be Superman/Clark Kent and Lois Lane, characters ultimately played by the relatively unknown 26-year-old Juilliard alum Reeve, and established 30-year-old Margot Kidder.
“This has been a well-loved topic over the years and for the first time we have confirmation” about the approved list of actors “DC was comfortable with, as far as their public image,” said J.R. Taylor, a researcher for Metropolis. “The casting has always been the most talked about thing and this list has names no one ever knew before.”

Margot Kidder and Christopher Reeve, seen here in costume as Superman flies the reporter through the air, ultimately won the roles of Lois Lane and Superman.

10Margot Kidder and Christopher Reeve ultimately won the roles of Lois Lane and Superman.©Warner Bros/Courtesy Everett Collection
The celebs who coulda been contenders were:
CLINT EASTWOOD:

Clint Eastwood in the 1966 film "The Good, The Bad and The Ugly."10Clint Eastwood in the 1966 film “The Good, The Bad and The Ugly.”Courtesy Everett Collection
The caped crusader with a deadly squint?
“A lot of actors probably weren’t thrilled at the idea of playing Superman. This was a time when starring in a comic book movie certainly sounded like a risky proposition,” said Taylor.
ROBERT WAGNER:

Robert Wagner headshot10Robert Wagner was known more for his roles in television.Courtesy Everett Collection
The veteran actor and husband of Natalie Wood (whose name was on the list for Lois Lane) would have been 48 when the movie premiered on Dec. 15,1978.
“At that point he was a television actor,” said Taylor.
JACK NICHOLSON:

Jack Nicholson in "Chinatown."10Jack Nicholson as Jake Gittes in the 1974 film “Chinatown.”Courtesy Everett Collection
The “Chinatown” actor and “Cuckoo’s Nest” Oscar winner with the unnerving grin would ultimately go on to play the Joker in 1989’s “Batman.”
But he was no obvious Superman, said Taylor.
“You can see DC probably was considering nothing more than people who they considered to be bankable” stars, but he would have brought “baggage” from his previous eccentric roles.
MARLON BRANDO:

Marlon Brando in "The Godfather."10Marlon Brando in “The Godfather.”Courtesy Everett Collection
The brooding bad boy ended up playing Superman’s father Jor-El, despite Brando famously trying to convince producers that the role should be portrayed by a green suitcase.
“His logic being that if they were aliens, there’s no way of knowing what Superman’s father really looked like, perhaps hoping to be paid for voiceover work,” said Taylor.
RICHARD CHAMBERLAIN:

Richard Chamberlain in 1974's "The Towering Inferno."10Richard Chamberlain in 1974’s “The Towering Inferno.”©20thCentFox/Courtesy Everett Collection
“He’s the only actor on the list, besides Rock Hudson, who’d have been a closeted gay actor in the part,” said Taylor.
RAQUEL WELCH:

raquel welch in a orange bra and underwear in 196710Sex symbol Raquel Welch wouldn’t have been believable as Lois Lane.©20thCentFox/Courtesy Everett Collection
Not in “one million years” could people see the international sex symbol as the Pulitzer Prize-winning “Daily Planet” reporter.
Though the sexy starlet went on to star as vampy villain Diana Pride in the TV series “Lois & Clark: The New Adventures of Superman” in 1995.
SUE LYON:

Sue Lyon in 1962's "Lolita."10Sue Lyon in 1962’s “Lolita.”Courtesy Everett Collection
“This is probably the biggest surprise here,” said Taylor of the starlet who found overnight fame in the title role of 1962’s “Lolita,” but who “relied on drive-in movies and small TV turns by the time of Superman’s production.”
JANE SEYMOUR:

Jane Seymour in 2005's "Wedding Crashers."10Jane Seymour in 2005’s “Wedding Crashers.”©New Line Cinema/Courtesy Everett Collection
The former “Live and Let Die” Bond girl later turned up in the Superman series “Smallville” on The CW and named one of her children after her close friend Christopher Reeve, said Taylor.

NATALIE WOOD AND SISTER LANA WOOD:

Natalie Wood, left, and her sister, Lana Wood, in the 1960s.10Natalie Wood, left, and her sister, Lana Wood, in the 1960s.Courtesy Everett Collection

“Natalie’s name has come up, but no one’s ever mentioned her sister Lana, primarily known as a ‘Bond girl,’ being approved for the role,” said Taylor.

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Clint Eastwood

“Bobby suffers, Clint yawns”: Clint Eastwood Was Decimated After Being Called Inferior To Robert De Niro

Clint Eastwood was once a veteran actor who later entered the field of directing. Starring alongside other notable actors, Eastwood has had his fair share of enemies and jealousies with other actors and directors throughout the years.
Working alongside director Sergio Leone in the 1966 film The Good, The Bad, and the Ugly, Clint Eastwood had grown to resent the director by the end of the filming. In his later years, Leone would go on to compare Eastwood with a block of marble while hailing Robert De Niro as an actor!
Clint Eastwood in The Good, the Bad and the Ugly

Clint Eastwood in The Good, the Bad and the Ugly
When Sergio Leone Compared Clint Eastwood To A Block of Marble!
Arguably becoming famous for starring in Western spaghetti movies, Clint Eastwood essentially became famous for portraying the role of Man with No Name in Sergio Leone’s Dollars trilogy. The actor, however, was fed up with working with Leone by the end of the 1966 film.
robert de niro in the irishmanRobert De Niro in The Irishman
Being very tight around his films, Eastwood learned his sense of perfectionism from Leone himself. However, the trait became heavy for the actor when the director behaved very strictly in his movies. After starring in 1966’s The Good, The Bad, and the Ugly, Clint Eastwood never worked with Sergio Leone again. In a 1984 interview with American Film, Leone went on to compare Eastwood to a block of marble!
“Robert De Niro throws him­self into this or that role, putting on a personality the way someone else might put on his coat, naturally and with ele­gance, while Clint Eastwood throws himself into a suit of armor and lowers the visor with a rusty clang.”
The director further continued,
“East­wood moves like a sleepwalker between explosions and hails of bullets, and he is always the same — a block of marble. Bobby, first of all, is an actor. Clint, first of all, is a star. Bobby suffers, Clint yawns.”
Although his character of Man with No Name became iconically famous, the mysterious persona around the character wasn’t always so. It was actually Clint Eastwood who came up with that idea but had to argue with Sergio Leone in the process!
Clint Eastwood Had To Argue With Sergio Leone
Clint Eastwood in Cry Macho'Clint Eastwood in Cry Macho
Before the iconic character of Man with No Name was created, Italian director Sergio Leone had a different idea in mind. Giving the character dialogues and a backstory to explain his motives, it was Eastwood who advised the director to go the other way. Eastwood revealed in an interview with Ric Gentry (via Slash Film) how the iconic character finally came to be.
“Sergio argued with me, though he did agree in a way, but it was just much harder for the Italian mentality to accept. They’re just used to so much more exposition and I was throwing that out.”
Well, it seems that Eastwood eventually won over and the Man with No Name came to be. As for the strained relationship between the actor and Sergio Leone, the duo never worked together after 1966.

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Clint Eastwood

‘High Plains Drifter’: The movie that began the feud between John Wayne and Clint Eastwood

It’s well-known that John Wayne seemed to hate almost every actor other than himself, but there were a few figures within the film industry with whom The Duke had serious and bitter feuds. Most notably, Wayne held a particular distaste for Clint Eastwood, the western movie icon who looked to take Wayne’s position as the most prominent performer to spread their wings in the genre.
While Wayne could seemingly find a bone to pick with any of his contemporaries or successors, the feud with Eastwood arose from his second movie as a director, the 1973 western High Plains Drift, written by Ernest Tidyman. Following on from his debut feature in the boss’ chair, Eastwood’s second effort saw him play a mysterious stranger who looks to deliver justice when he arrives in a frontier mining town rife with corruption.
The film arrived not too long after Eastwood had completed his work with Sergio Leone and his Dollars Trilogy movies and was greatly inspired by the legendary Italian director, as well as by Don Siegel. The likes of Verna Bloom, Mariana Hill, Jack Ging, Stefan Gierasch and Mitchell Ryan are all featured in the movie, which was shot on location at Mono Lake in California.
Eastwood once noted the issues that Wayne had with the movie, writing in the book John Wayne: The Life and Legend, “John Wayne once wrote me a letter saying he didn’t like High Plains Drifter. He said it wasn’t really about the people who pioneered the West. I realised that there’s two different generations, and he wouldn’t understand what I was doing.”
The actor went on to add his justification for his movie and provided an explanation of how Wayne had got his intentions all wrong. “High Plains Drifter was meant to be a fable,” Eastwood added, “It wasn’t meant to show the hours of pioneering drudgery. It wasn’t supposed to be anything about settling the West.”
High Plains Drifter was well-received by critics upon its release. It sees Eastwood’s character come to a small town’s rescue when he is persuaded to protect them from a deadly gang of outlaws. The unnamed stranger is a golden-gilded gun-slinger, so his arrival is initially met with fear by the townsfolk, but when they witness his skill with a pistol, it’s not long before they turn to him for help.
The screenplay by Ernest Tidyman was loosely inspired by a real-life murder in Queens in 1964, during which several eyewitnesses were said to have stood by without action. There’s an element of black humour within the movie, too, which comes primarily from the way that Sergio Leone used the device to fill in plot holes in his own works.
Eastwood’s second effort as a director (and the first in which he both starred and directed) remains a classic of the western genre, although it was not well-met by John Wayne. After all, Wayne’s films tended to rely on a well-trodden trope of good vs. evil, whereas Eastwood’s were more ambiguous in their morality. Throw in the kind of violence that Wayne was not welcoming of, and it’s easy to see why The Duke found a distaste for Eastwood and his cementing of his position as the new outlaw in town.
Check out the trailer for High Plains Drifter below.

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