Connect with us

John Wayne

The Western Genre’s Real-Life Showdown: Clint Eastwood & John Wayne’s Feud Explained

John Wayne and Clint Eastwood are easily the two names best associated with the Western film genre, but the two of them never starred alongside one another in a picture and actually experienced something of a feud from the 1960s. Whereas Wayne had been a mainstay in the genre since his acclaimed breakthrough role in John Ford’s Stagecoach (1939), Eastwood – nearly 25 years Wayne’s junior – didn’t arrive until his unveiling as a leading man in Sergio Leone’s Dollars trilogy (1964 – 1966). The apparent succession was difficult for Wayne, who was also dismayed by the dark transition that the genre was making, coinciding with Eastwood’s rise to fame.
Though it would not be fair to blame Eastwood for the emergence of the gritty spaghetti Western subgenre which refuted the classic Western’s unending romanticism for its depicted era, his elevation to gunslinging mainstay was only possible because of Sergio Leone. Just as Wayne and Ford are forever synonymous, as are Eastwood and Leone. In fact, it was with such momentum that the Western pendulum swung in the 1960s that Wayne outright condemned the evolution, refusing to star with Eastwood in a later film despite that Eastwood was eager to work with him. Because the two subgenres were never reconciled, it meant inevitably that Wayne and Eastwood would never be either.
RELATED:1 Classic Clint Eastwood Western Has A Sequel No One Has Ever Heard Of
John Wayne Hated Eastwood’s Take On The Western

Clint Eastwood stands in the desert in The Good, the Bad, and the Ugly

John Wayne and director John Ford together epitomized the early 20th-century dedication to portrayals of the Old West: charming, starry-eyed, and probably a bit out of touch. Though many from the era were still alive by the time of the genre’s golden age, its most popular additions were stubbornly inaccurate and over-idyllic. When Clint Eastwood – and the spaghetti subgenre with which he was best associated – came along, the ideals of unambiguous morality, American Exceptionalism, and Manifest Destiny were torn apart. Wayne, perpetually patriotic and conservative, was opposed to such progressiveness and was particularly irritated by Eastwood’s rising star, which arguably came to surpass his own for a time in the ‘60s.

Clint Eastwood & John Wayne Represented Two Different Generations

john wayne in the big trail

The landscape of the Western had changed drastically by the end of the 1960s. Not only had the revisionist subgenre (whose durability would carry it all the way 21st century, best exemplified by the 2016 miniseries Godless) captured the hearts of audiences, but spaghetti Westerns especially had rewritten the laws of the genre entirely. A Fistful of Dollars (1964) – a shot-for-shot remake of Kurosawa’s Yojimbo (1961) marked the dawn of a new age of cowboy pictures, spearheaded by Eastwood, Charles Bronson, and Franco Nero. The new generation preferred a grittier, bloodier, and more unapologetic depiction of the Old West, contradicting the great works of Wayne, who came from an old generation of Western romantics.
RELATED:15 Great Western Movie Stars That Aren’t John Wayne Or Clint Eastwood

John Wayne Refused To Star In An Eastwood Movie

Western movies john wayne clint eastwood

B-movie director Larry Cohen envisioned Wayne and Eastwood would work together on a Western that he was writing, The Hostiles, which began coming together in the early 1970s. There’s not much known on the script – other than that it focused on a young gambler and an older man – but Wayne saw it as a continuation of the spaghetti Western trend which he believed was plaguing the genre. In particular, he had been unimpressed by Eastwood’s directorial debut High Plains Drifter (1973), a cynical, aromantic illustration of the Old West. The dispute was unsolved because Wayne’s view of the era – one of nobility and mystique – could not be reconciled with the new interpretations that Eastwood pioneered.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

John Wayne

John Wayne heartbreak after pleading for one last film before death: ‘Hope to hell I do’

The crowning moment in his acting life came in 1970, when he earned his only Academy Award for Best Actor, as a result of his role in True Grit.

But one project that sadly never made it to life was Beau John, a film Wayne hoped would be his last.
Author Scott Eyman, who wrote ‘John Wayne: The Life and Legend’, discussed what Wayne wanted the project to be like, as well as the confession he made before he sadly passed away.
Eyman noted that Wayne’s wish was made at the end of 1978, just under a year before the western icon died in June.

Wayne reportedly felt directionless without any film work as he’d spent the last years in recovery with health issues as opposed to being behind the camera.
That year, Wayne received the Utah Film Festival’s John Ford Medallion, though he was unable to travel due to his health.
Instead, friend and director Peter Bogdanovich went to accept the award on his behalf, and when the pair were reunited Wayne asked if he’d consider the film he proposed.
Bogdanovich said: “It’s kind of a half-western thing, it’s not cowboys and Indians, you know, it’s — oh, the humour and the wonderful relationship between this grandfather and the son and the son-in-law and the grandson.
JUST IN: John Wayne was buried at unmarked grave with a beautiful message

“Wayne said, ‘I hope to hell I live to do it. Just a wonderful story’.”
His friend reassured Wayne he’d do the project, were he alive long enough to commit to it, and in his later life it became the Oscar winner’s main focus in life.
As he grew even more ill, Wayne then proposed the project to director Ron Howard, though he didn’t want anyone but the dying star to be in it.
According to the book, Wayne told Howard: “I found a book. I think it’s a movie. It’s you and me or it’s nobody.”

John Wayne died in 1979

John Wayne died in 1979 (Image: GETTY)

But sadly for Wayne, he died before anything could be done to start the movie.
Howard added: “It never got past the verbal stage.
“And at that point, he was showing signs of not being well. I was a little doubtful.”
Wayne passed away in 1979 as a result of stomach cancer, and was buried in the Pacific View Memorial Park Cemetery in Corona del Mar, Newport Beach.
His legacy was secured when the American Film Institute chose him as one of the greatest male stars of classic American cinema.

He was among a select group of stars who managed to negotiate their way from the silent film era of the Twenties, into the talkies that followed.
He had seven children in total, and was married three times.

Continue Reading

John Wayne

John Wayne battled crippling injuries and heartbreaking loss on Rio Lobo set

The sight of The Duke thundering across The West on horseback remains one of cinema’s most indelible images.
Meanwhile, “Get off your horse and drink your milk” has frequently been attributed as one of John Wayne’s most famous ‘quotes.’

Despite some claims that it came from an advert he shot, it is actually almost certainly an urban myth, most likely started by comedians doing drawling impressions of the Hollywood Westerns legend.
Sadly, though, by the time the star came to film 1970’s Rio Lobo (a blatant remake of Rio Bravo) towards the end of his career, he was in so much pain struggled to get on and off his horse.
In fact, the entire film shoot was surrounded by personal tragedies for the actor.
DON’T MISSJohn Wayne revealed his own three favourite films from his career

John Wayne on horseback in Rio Lobo

John Wayne on horseback in Rio Lobo (Image: GETTY)

John Wayne starred in Rio Lobo
John Wayne was in agony in Rio Lobo (Image: GETTY )

It was director Howard Hawks’ final film and the third film he made with John Wayne about a beleaguered sheriff standing against outlaws.
In a 1971 interview Hawks said of Rio Lobo: “The last picture we made, I called him up and said, ‘Duke, I’ve got a story.’ He said, ‘I can’t make it for a year, I’m all tied up.’ And I said, ‘Well, that’s all right, it’ll take me a year to get it finished.’
“He said, ‘Good, I’ll be all ready.’ And he came down on location and he said, ‘What’s this about?’ And I told him the story. He never even read it, he didn’t know anything about it.”

Famously, when Wayne realised it was a remake of Rio Bravo and El Dorado, he quipped: “Yes, he said, ‘Do I get to play the drunk this time?”

Hawks was less jocular after the film bombed and blamed it on 63-year-old Wayne being too old and out of shape for the role.
Critics and audiences agreed and the film took just over $4million against a production budget of $6million plus all the extra promotional costs which are often the same again.
Wayne’s physical difficulties were not due to his age, however. He had piled on weight for 1969’s True Grit and then while filming The Undefeated the same year, The Duke fell from his horse and fractured three ribs, leaving him unable to work for two weeks.
Later in the shoot, he tore a ligament in his shoulder. With no movement in one arm, he had to be filmed only from the other side.

John Wayne with a rifle in Rio Lobo
John Wayne with a rifle in Rio Lobo (Image: GETTY)

Wayne came into Rio Lobo in considerable pain, out of shape from True Grit and still suffering from a torn shoulder.
Most of his fight scenes had to be filmed with stand-ins or carefully from restricted angles. Some fights even happened off-camera. And he struggled greatly getting on and off his horse.
He also suffered two devastatimg personal blow when his mother died during filming and then his younger brother Robert E. Morrison lost his battle with lung cancer the month after filming ended.
But there was one shining moment of happiness also.

John Wayne in True Grit
John Wayne in True Grit (Image: GETTY)

Always a dedicated workhorse on set, no matter the physical injuries or personal pains, Wayne took a rare break from filming.
He had a very good reason, since it was to attend the 1970 Academy Awards. After exactly 40 years on screen, The Duke finally won the Best Actor Oscar for True Grit.
Touchingly, when he returned to the Rio Lobo set, he was greeted by the cast and crew all wearing eye patches like True Grit’s Rooster Cogburn.

Continue Reading

John Wayne

Ann-Margret recalls ‘gentle’ and ‘welcoming’ John Wayne who did her a big favour

Legendary actress Ann-Margret turns 80-years-old today on April 28, 2021. The singer, dancer and performer made quite the name for herself in Hollywood in a number of films during the early 1960s, including Bye Bye Birdie and State Fair. She is perhaps best known for her epic performance in 1964 hit Viva Las Vegas alongside Elvis Presley, with whom she shared a passionate love affair. Shortly after working with the King, she joined wild west star John Wayne in his 1973 movie The Train Robbers.

Ann-Margret played the lead in the movie – one of her first lead roles – Mrs Lowe.

The story followed her character after her husband had been killed, leaving her half-million dollars.
Mr Lowe had acquired this money from robbing banks in the wild west, however, she was keen to return it to the government to clear her name. John’s character, Lane, had different ideas. He wanted her to help find the money and claim a reward for it.
Ann-Margret recently gave an interview about her time on the silver screen, where she touched upon working with the legendary John.

Ann-Margret continued: “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.
“I was friends with him forever. He was never [pretentious]. He had so many friends and every single person loved him.”
Ann-Margret also previously praised John for doing her an enormous favour in her time of need.
During the filming of The Train Robbers, Ann-Margret was up for an Oscar alongside her co-star Ben Johnson.
However, considering Ann-Margret was filming in Mexico she was struggling to find a way to attend the ceremony.
Without a second thought, John gave her and Ben his own private plane to allow them both to attend the ceremony.
Ann-Margret said later: “The next day, we were back on the set, and Ben had won and I hadn’t.
“I don’t know what Mr Wayne said to Ben, but he got me in a corner, and he just said some wonderful things to me.”
Ann-Margret also spoke candidly about her relationship with Elvis.
The pair enjoyed a relationship together for just over a year while filming Viva Las Vegas.

Speaking in the same interview, Ann-Margret said: “Just thinking about Viva Las Vegas, or anytime someone mentions it, I smile.
“It was one of the happiest times of my life. George Sidney, who directed Bye Bye Birdie also directed Viva Las Vegas. And believe it or not, I had never seen [Elvis] perform.”

Continue Reading