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John Wayne Once Revealed What Makes an Actor’s Hate for a Director Turn to Love at the 1975 Oscars – My Blog

John Wayne made a speech at the 1975 Oscars that detailed what makes an actor’s feelings for a director transition from hate to love. His speech certainly seeks to relate to the actors in the room, but it’s also a great testament to the power of a talented director. Wayne made an impactful speech at the 1975 Oscars in honor of Howard Hawks’ Honorary Award.

Shirley MacLaine delivers a thoughtful, yet funny introduction for John Wayne
Shirley MacLaine took the stage at the 1975 Oscars to introduce Wayne to the stage, as shown on the Oscars YouTube channel. It’s a marvelous introduction for the actor, but it also reflects on the ever-evolving influence that actors have on audiences around the world.
“Ever since parents began depositing their children at the Saturday matinee while they went shopping, movie stars have been influential babysitters,” MacLaine said. “On the way home, all the little boys wanted to be Douglas Fairbanks, all the little girls wanted to be Mary Pickford. Or Tom Mix and Lillian Gish.”

MacLaine continued: “After the movies began to talk, every little boy wanted to be Gary Cooper and all the girls, Clara Bow. Or William Powell and Myrna Loy. A few years later, boys wanted to be Clark Gable and the girls, Jean Harlow. Then, the boys wanted to be John Wayne and the girls, Betty Grable. Then, the boys wanted to be John Wayne and the girls, Marilyn Monroe.”
The actor concluded: “Then, the boys wanted to be John Wayne and the girls, Grace Kelly. Finally, things changed a little. The boys still want to be John Wayne, but the girls want to be John Wayne, too.”
MacLaine finished the introduction with a laugh and got a bunch of laughs from the crowd.
John Wayne revealed what makes an actor’s hate for a director turn to love in an Honorary Award speech to Howard Hawks

Wayne walked onto the stage at the 1975 Oscars to give his speech. He collaborated with Hawks on a few movies, making him an excellent choice to speak on the director before bringing him onto the stage.
“I’m here to give an Honorary award to a motion picture director,” Wayne said. “Now, actors hate directors. They hate them because when actors have given their everything, directors want more. Boy, how they hate that.”
Wayne continued: “But, when they see themselves up there and scratch the old black-and-white, I go back that far, our glorious Technicolor in 20 feet high better than they ever thought they could be, doing things that they never though they could do, they don’t hate the director anymore. They love it. That’s how I feel about this man, Howard Hawks.”
Wayne recognized at the 1975 Oscars that there was a special connection between the two men. Further, he talked about some of the filmmaker’s biggest titles and how he deserved to get this Honorary Award.
“If you think there’s anything between us, there certainly is,” Wayne said. “Four pictures: Red River, Rio Bravo, Hatari, and El Dorado. I don’t think they’re only reason the Academy Board of Governors voted him an Honorary Award.”
Wayne rattled off a collection of Hawks’ films, including The Dawn Patrol, Scarface, Bringing Up Baby, Sergeant York, The Crowd Roars, Viva Villa!, His Girl Friday, To Have and Have Not, I Was a Male War Bride, and The Big Sleep.
Wayne concluded: “Now, he’s made a lot of actors jump so it’s time we made him do the same. Tonight, he’s not the director – I am. Hawks, we’re ready to roll! Get your skinny whatchamacallit out here!”
The actor made his final appearance at the 1979 Oscars
Wayne made several appearances at the Academy Awards, even when he wasn’t nominated himself. He enjoyed having the opportunity to see his fellow industry friends, celebrating the prior year’s films, and thanking moviegoing audiences who make the industry possible. However, Wayne had the extraordinary opportunity to present a friend with an Honorary Award at the 1975 Oscars.
The Western actor received two honors through nominations, but he wouldn’t have his own big win until the 1970 Oscars. Wayne finally earned the Oscar for best actor for his career-defining performance in True Grit. However, his final public appearance would be at the 1979 Oscars, where he delivered yet another impactful speech.

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Restoration of John Wayne’s ‘The Searchers’ to Premiere at 2024 TCM Classic Film Festival – My Blog

John Wayne’s 1956 Western “The Searchers” will debut a new restoration as part of the 2024 TCM Classic Film Festival in April.This marks the second Wayne film to receive a premiere of a restored print at the yearly event that takes place on Hollywood Boulevard. Last year’s opening night feature was a 4K restoration of Wayne’s 1959 film “Rio Bravo.”This year’s festival theme is “Most Wanted: Crime and Justice in Film.” Alongside “The Searchers,” TCM announced that Frank Capra’s 1934 film “It Happened One Night,” Elia Kazan’s “On the Waterfront” and the 1974 musical documentary “That’s Entertainment!” will also screen as part of the four-day festival in April.It’s unknown if “The Searchers” will be the film’s opening night movie, though considering “Rio Bravo” was also a restoration last year it would make sense that Warner Bros. would continue to debut new 4K prints of their films as part of the event’s opening night.This year’s TCM Classic Film Festival marks the return of the event after the classic film network underwent significant changes behind the scenes this year. In June, TCM’s senior vice president of programming and content strategy Charles Tabesh, vice president of studio production Anne Wilson, vice president of marketing and creative Dexter Fedor and TCM Enterprises vice president Genevieve McGillicuddy were all laid off, alongside TCM’s general manager Pola Chagnon leaving the company after 25 years.From there, stories started to tumble out that the network was in the crosshairs of a series of cost-cutting measures implemented by Warner Bros. Discovery. In the wake of widespread outcry from fans, both Tabesh and McGuillicuddy were offered their positions back. It was also announced soon after that Warner Bros. Pictures heads Pamela Abdy and Michael De Luca would be overseeing the network, with input from world-class directors including Martin Scorsese and Steven Spielberg.The TCM Classic Film Festival enters its 15th year in 2024 and will also take place during the network’s 30th anniversary.The TCM Classic Film Festival will take place in Hollywood April 18-21.

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John Wayne’s spanking of co-star ‘so authentic she had bruises for a week’ – My Blog

Back in 1963, John Wayne starred in a Western comedy loosely based on William Shakespeare’s The Taming of the Shrew.Duke played an ageing rancher called George Washington McLintock, a wealthy self-made man facing a number of issues.High-ranking government officials, his own sons and local Native Americans all want a piece of his huge farmstead.Meanwhile, his wife (played by regular collaborator Maureen O’Hara) who separated from him two years prior, is back on the scene demanding custody of their daughter.McLintock! celebrates its 60th anniversary this week, as celebrated by the John Wayne estate on Instagram.A recent post read: “Did you know? Although often seen as simply a knockabout comedy, John Wayne also intended the film to be a statement on his disapproval of the negative representation of Native Americans in previous westerns he had no creative-control over, and his disapproval of wife-beating and marital abuse from either spouse.”A film of its time, McLintock famously has a scene, as captured on its poster, of Wayne’s George publicly spanking his wife played by O’Hara.According to his co-star’s autobiography, this scene was “completely authentic” with Duke carrying it out with “such gusto”, that she “had bruises for a week.”

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Martin Scorsese’s Favorite John Wayne Western – My Blog


 Martin Scorsese considers John Wayne’s The Searchers to be the best Western ever made, describing it as a masterpiece with a deeply painful core. The Searchers has had a significant influence on Scorsese’s movies, inspiring scenes and characters in films like Taxi Driver and Mean Streets. The Searchers is also a favorite among the “movie brats,” a group of influential directors including Spielberg and Lucas, who cited it as a major influence.

Martin Scorsese’s favorite Western starring John Wayne has had a big influence on his career. Scorsese hasn’t made his passion for cinema or filmmaking a secret, and he is essentially a living archive of the medium’s history. He loves everything from the trashiest B-movie to the most highbrow drama, which is something that’s reflected in Martin Scorsese’s own movies. He has helmed everything from gangster epics to psychological horrors to biopics and everything in between.
One genre he hasn’t really dipped a toe into is a Western, which is likely down to the decline of the genre itself than Scorsese avoiding the genre. About the closest he’s come is his 2023 epic Killers of the Flower Moon, though far from being a black-and-white adventure about cowboys righting wrongs, it’s a devastating true-life drama. Scorsese has professed his admiration for a few classic Westerns (via Far Out) such as Ride the High Country or Marlon Brando’s sole directorial outing One-Eyed Jacks, but there’s one that holds a truly special place in his heart.Scorsese Believes John Wayne’s The Searchers Is The Best Western Ever Made
In 2013, Scorsese guest-reviewed a book about John Wayne Western The Searchers for THR, where he proclaimed it a masterpiece but that “Like all great works of art, it’s uncomfortable. The core of the movie is deeply painful.” The premise of the movie sees Wayne’s Civil War vet Ethan Edwards and his nephew Martin (Jeffrey Hunter) setting out to rescue his kidnapped niece. It might sound like the setup for a classic Western adventure, but John Ford’s The Searchers deals with some dark themes, with Wayne portraying the most ruthless character of his career as the deeply prejudiced and revenge-addicted Ethan.
Scorsese has often called The Searchers one of his favorite Westerns, in addition to being one of the greatest movies of all time, period. From the gorgeous cinematography, the evergreen themes and Wayne’s haunting central turn, it’s a film the director finds himself coming back to decades after he first watched it. The Searcher’s ending has been much discussed among film scholars too, with Scorsese himself feeling the shot of Ethan turning and leaving through the door turns it into a “ghost story;” the character has fulfilled his purpose but is now doomed to wander the deserts alone, like a spirit.The Searchers Inspired Scorsese’s Own Movies
Travis Bickle at the movies in Taxi Driver
The film made a major impression on Scorsese when he saw it as a boy, and its influence can be spotted in his own work. His debut Who’s That Knocking at My Door features a scene where protagonist J.R. (Harvey Keitel) talks about both John Wayne and The Searchers in great detail, while the Ford movie appears again in Scorsese’s crime drama Mean Streets from 1973. The Searchers was a direct influence on Scorsese’s Taxi Driver, with the journey of Robert De Niro’s Travis being a mirror of Ethan’s. He’s another loner filled with anger and hatred, looking to rescue a young girl in Jodie Foster’s Iris.The movie ends with Travis rescuing Iris in the bloodiest manner possible, and like Ethan, the movie leaves him on an ambiguous note. The influence of The Searchers can also be felt in the director’s attraction to anti-heroes and flawed protagonists, who may see themselves as fundamentally good men or heroic, despite the appalling acts of violence they commit or the selfishness they display.The Searchers Is A Favorite Of The “Movie Brats”
Steven Spielberg leaning against a camera with George Lucas standing beside him on the cover of Indiana Jones bonus material DVD
The Searchers was well-received upon its initial release, but it soon came to be recognized as an American classic. The late ’60s and ’70s saw the rise of the so-called “movie brats,” who were a group of talented young directors who were also nerds for the medium. Members of this group include Scorsese, Steven Spielberg, Francis Ford Coppola, George Lucas, John Milius, Paul Schrader and many more. What’s notable about this group is how many of them cited The Searchers as a favorite.
Breaking Bad creator Vince Gilligan also cited The Searchers as a major influence on Breaking Bad’s finale.
According to The Telegraph, Spielberg claims he rewatches The Searchers before starting work on a new movie, while Milius and Schrader – who penned Taxi Driver – have also sung its praises. The movie was a huge influence on Lucas’ Star Wars, which can be found in its basic promise – a young man and older mentor set out to rescue a young woman – its desert vistas and the sequence where Luke (Mark Hamill) discovers his burnt-out family homestead. Star Wars was a mash-up of many influences from samurai epics to movie serials, but Westerns like The Searchers played a particularly large role in the movie.
Source: Far Out, THR, The Telegraph
the searchers poster
The SearchersRelease Date:1956-03-13Director:John FordCast:John WayneRating:pg-13Runtime:119minutesGenres:Western, DramaWriters:John FordBudget:$3.75millionStudio(s):Warner Bros. PicturesDistributor(s):Warner Bros. Pictures

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