Why John Wayne Disliked His Hit 1969 Film True Grit And The Troubles That Lay Within It S Production – My Blog
John Wayne had to play the pot-bellied, one-eyed Westerner before the Academy would consider him to be an actor worthy of an Oscar. In his career spanning over 50 years, Wayne delivered massive hits and was a megastar. However, True Grit allowed him to pour his 40 years of acting experience into a character that was as memorable as Wayne made it.
True Grit, adapted from a 1968 novel of the same, starred John Wayne as U.S. Marshal Rooster Cogburn. The film is narrated by Mattie Ross, played by Kim Darby, who hires Rooster to avenge the murder of her father Tom Chaney. Alongside starring in the film as La Boeuf, the famous country singer Glen Campbell also created and sang the theme song of the film and won a Golden Globe and Academy nomination for Best Original Song.
True Grit is an iconic piece of cinema that has inspired sequels, remakes, and small-screen adaptations. Though this film is one of the most loved and watched films of all time, there are many interesting facts about True Grit that fans are unaware of.
True Grit Won John His First and Only Oscar
John Wayne was a Western megastar and maintained his position as one of the top box office draws for over three decades. Wayne made his big debut with Raoul Walsh’s The Big Trail and delivered several massive hits, including Stagecoach, Red River, The Searchers, The Man Shot Liberty Valance, The Quiet Man, The Longest Day and The Shootist. It is, thus, surprising that Wayne’s first and only Academy Award came 39 years after his first film. He was nominated under the Best Actor category for his film Sands of Iwo Jima in 1949. However, that year, William Crawford took home the award for his role in All the King’s Men.
In 1969, Wayne competed against Pete O’Toole who was nominated for Goodbye Mr Chips and Richard Burton, who was nominated for his portrayal of Henry VIII in Anne of the Thousand Days. Wayne took him the award that night, his only Oscar from his almost 50-year-long career.
Wayne Actually Hated True Grit
The story goes that after Wayne read the novel on which True Grit was based, he decided to lobby for the role of U.S. Marshall Rooster Cogburn and that is how he got the part. More importantly, the film won Wayne his first Oscar. So, it is only logical to assume that Wayne would have loved the film. However, in reality, Wayne hated True Grit.
If IMDb is to be believed, Wayne was unsatisfied with the way the film was made and thus, in all the interviews that he did as part of the promotional tour, he maintained that he liked his other roles and films better than True Grit. In fact,in one of the interviews, he stated that he considered his role in Stagecoach to be his best performance of all time. Who knows what must have conspired between Hathway and Wayne to elicit such a response from the actor, but Wayne must have certainly regretted saying these words after winning the Oscar that year.
Wayne Wanted His Daughter to Play Mattie Ross
Wayne did not only lobby for the role of Marshall Rooster, but he also pushed for the role of Mattie Ross to be given to his daughter Aissa Wayne. Aissa was 14 at the time but had never acted professionally. Thus, Hathway decided to audition other actresses for the role. Among others, he auditioned Karen Carpenter, Sondra Locke, Sally Field, Tuesday Weld and Mia Farrow and decided to cast Farrow in the movie. As luck would have it, Farrow backed out from the film at the last minute and the role went to Kim Darby.
Darby was a popular TV actress at the time who had appeared in shows like Gunsmoke, The Eleventh Hour and Star Trek. After the success of True Grit, she did deliver some successful films but she eventually became addicted to amphetamine, which ruined her career. However, Derby eventually managed to get a hold on her life and she now makes occasional appearances on television and films.
Elvis Presley Was Chosen to Play LaBeouf
Elvis was a prolific artist who conquered many mediums. Elvis did a total of 31 films during his career and True Grit could have made that number, 32. Elvis was chosen to play the role of Texas Ranger LaBoeuf. Everything was clear and Elvis had almost agreed to begin to shooting when his manager Tom Parker demanded that Presley be paid a hefty price for the role. However, since Wayne was already a huge star at the time and came with an equally heavy price tag, the producers couldn’t hire both Elvis and Wayne. Since Wayne was already playing the lead character, the producers decided to replace Elvis with Country star Glen Campbell. After the film released, reviewers criticized Campbell for his limited acting skills. However, Campbell bought something to the film that added to its iconic status — the film’s title song for which he won an Academy Award nomination. He also won the Golden Globe nomination for Most Promising Newcomer for True Grit.
Wayne Was Against Wearing the Eye Patch
Marshal Rooster will always be remembered for his gruff disposition and his one-eye black patch. However, Wayne was against wearing the patch for the simple reason that in the novel on which the film is based, Rooster did not wear a patch even though he was blind in one eye. What ensued were debates and discussions. However, in the end, Wayne decided to listen to his director and agreed to wear the patch, which eventually became synonymous with the character of Rooster. It is, thus, that Wayne wore the patch in the sequel as well.
Though he may not have been happy about wearing the eye patch, he did bring it to good use. In November 1975, Wayne donated the patch along with a letter to the Southen California Symphony Society to be auctioned to raised funds. In 2012, the patch and the letter went up for auction at a starting bidding price of $35,000.
There Was a Marked Difference Between the Real-Life and On-Screen Age of Various CharactersWithin the film industry, many actors play characters that are older or younger than their real-life self. However, in most cases, the age difference is such that it can be easily made up for with makeup and character portrayal.
This wasn’t the case with True Grit. As you already know by now, the film was based on the novel of the same name written by Charles Portis. Based on the book, Rooster was no more than 40 and Darby was a 14-year-old girl at the time the story takes place. However, in real life, there was a marked difference between the age of actors and their onscreen avatars. For instance, Wayne was 61 when he played the 40-something Marshall Rooster and Darby was 21 and appeared as the 14-year-old Mattie Ross in the film.
A Stuntman Performed Most of Wayne’s Stunts
True Grit will certainly also be remembered for its iconic scenes. In one such scene, at the very beginning of the film, Wayne is seen confronting a bunch of bad guys in an isolated meadow. The scene brings you to the edge of the seat — as you bite your nails in anticipation, Wayne puts the horse reins in his mouth and takes out two guns in his two hands and chases the goons throw the meadow. The scene is as invigorating as it is stylish and sets the tone for the whole movie.
Of course, Wayne was the face of Rooster. However, not many people know that Wayne did not do most of the stunts. Chasing outlaws on horseback isn’t something easy-to-do for a 61-year-old star. Most of the scenes were performed by Jim Burk, a stunt double. Jim trained horses for Westerns and cavalry films and has also worked on other films like Chinatown and Star Trek II: The Wrath of Khan.
True Grit is an iconic film that played a crucial role in the revival of the Western genre. It was also the perfect goodbye from Wayne to a genre that had given him so much. He played the pot-bellied, one-eye Marshal Rooster with great ease, pouring his forty years of acting experience into the role. In the rare moments in which the gunslinger lets his guard down and showcases his emotional side, it becomes so easy to identify him as a simple man who has loved and lost and who, thus, is bent on living his last days alone. It is this depth to the character that made Marshal Rooster Cogburn so lovable.
Restoration of John Wayne’s ‘The Searchers’ to Premiere at 2024 TCM Classic Film Festival – My Blog
John Wayne’s 1956 Western “The Searchers” will debut a new restoration as part of the 2024 TCM Classic Film Festival in April.This marks the second Wayne film to receive a premiere of a restored print at the yearly event that takes place on Hollywood Boulevard. Last year’s opening night feature was a 4K restoration of Wayne’s 1959 film “Rio Bravo.”This year’s festival theme is “Most Wanted: Crime and Justice in Film.” Alongside “The Searchers,” TCM announced that Frank Capra’s 1934 film “It Happened One Night,” Elia Kazan’s “On the Waterfront” and the 1974 musical documentary “That’s Entertainment!” will also screen as part of the four-day festival in April.It’s unknown if “The Searchers” will be the film’s opening night movie, though considering “Rio Bravo” was also a restoration last year it would make sense that Warner Bros. would continue to debut new 4K prints of their films as part of the event’s opening night.This year’s TCM Classic Film Festival marks the return of the event after the classic film network underwent significant changes behind the scenes this year. In June, TCM’s senior vice president of programming and content strategy Charles Tabesh, vice president of studio production Anne Wilson, vice president of marketing and creative Dexter Fedor and TCM Enterprises vice president Genevieve McGillicuddy were all laid off, alongside TCM’s general manager Pola Chagnon leaving the company after 25 years.From there, stories started to tumble out that the network was in the crosshairs of a series of cost-cutting measures implemented by Warner Bros. Discovery. In the wake of widespread outcry from fans, both Tabesh and McGuillicuddy were offered their positions back. It was also announced soon after that Warner Bros. Pictures heads Pamela Abdy and Michael De Luca would be overseeing the network, with input from world-class directors including Martin Scorsese and Steven Spielberg.The TCM Classic Film Festival enters its 15th year in 2024 and will also take place during the network’s 30th anniversary.The TCM Classic Film Festival will take place in Hollywood April 18-21.
John Wayne’s spanking of co-star ‘so authentic she had bruises for a week’ – My Blog
Back in 1963, John Wayne starred in a Western comedy loosely based on William Shakespeare’s The Taming of the Shrew.Duke played an ageing rancher called George Washington McLintock, a wealthy self-made man facing a number of issues.High-ranking government officials, his own sons and local Native Americans all want a piece of his huge farmstead.Meanwhile, his wife (played by regular collaborator Maureen O’Hara) who separated from him two years prior, is back on the scene demanding custody of their daughter.McLintock! celebrates its 60th anniversary this week, as celebrated by the John Wayne estate on Instagram.A recent post read: “Did you know? Although often seen as simply a knockabout comedy, John Wayne also intended the film to be a statement on his disapproval of the negative representation of Native Americans in previous westerns he had no creative-control over, and his disapproval of wife-beating and marital abuse from either spouse.”A film of its time, McLintock famously has a scene, as captured on its poster, of Wayne’s George publicly spanking his wife played by O’Hara.According to his co-star’s autobiography, this scene was “completely authentic” with Duke carrying it out with “such gusto”, that she “had bruises for a week.”
Martin Scorsese’s Favorite John Wayne Western – My Blog
SUMMARY
Martin Scorsese considers John Wayne’s The Searchers to be the best Western ever made, describing it as a masterpiece with a deeply painful core. The Searchers has had a significant influence on Scorsese’s movies, inspiring scenes and characters in films like Taxi Driver and Mean Streets. The Searchers is also a favorite among the “movie brats,” a group of influential directors including Spielberg and Lucas, who cited it as a major influence.
SCREENRANT VIDEO OF THE DAY
Martin Scorsese’s favorite Western starring John Wayne has had a big influence on his career. Scorsese hasn’t made his passion for cinema or filmmaking a secret, and he is essentially a living archive of the medium’s history. He loves everything from the trashiest B-movie to the most highbrow drama, which is something that’s reflected in Martin Scorsese’s own movies. He has helmed everything from gangster epics to psychological horrors to biopics and everything in between.
One genre he hasn’t really dipped a toe into is a Western, which is likely down to the decline of the genre itself than Scorsese avoiding the genre. About the closest he’s come is his 2023 epic Killers of the Flower Moon, though far from being a black-and-white adventure about cowboys righting wrongs, it’s a devastating true-life drama. Scorsese has professed his admiration for a few classic Westerns (via Far Out) such as Ride the High Country or Marlon Brando’s sole directorial outing One-Eyed Jacks, but there’s one that holds a truly special place in his heart.Scorsese Believes John Wayne’s The Searchers Is The Best Western Ever Made
In 2013, Scorsese guest-reviewed a book about John Wayne Western The Searchers for THR, where he proclaimed it a masterpiece but that “Like all great works of art, it’s uncomfortable. The core of the movie is deeply painful.” The premise of the movie sees Wayne’s Civil War vet Ethan Edwards and his nephew Martin (Jeffrey Hunter) setting out to rescue his kidnapped niece. It might sound like the setup for a classic Western adventure, but John Ford’s The Searchers deals with some dark themes, with Wayne portraying the most ruthless character of his career as the deeply prejudiced and revenge-addicted Ethan.
Scorsese has often called The Searchers one of his favorite Westerns, in addition to being one of the greatest movies of all time, period. From the gorgeous cinematography, the evergreen themes and Wayne’s haunting central turn, it’s a film the director finds himself coming back to decades after he first watched it. The Searcher’s ending has been much discussed among film scholars too, with Scorsese himself feeling the shot of Ethan turning and leaving through the door turns it into a “ghost story;” the character has fulfilled his purpose but is now doomed to wander the deserts alone, like a spirit.The Searchers Inspired Scorsese’s Own Movies
The film made a major impression on Scorsese when he saw it as a boy, and its influence can be spotted in his own work. His debut Who’s That Knocking at My Door features a scene where protagonist J.R. (Harvey Keitel) talks about both John Wayne and The Searchers in great detail, while the Ford movie appears again in Scorsese’s crime drama Mean Streets from 1973. The Searchers was a direct influence on Scorsese’s Taxi Driver, with the journey of Robert De Niro’s Travis being a mirror of Ethan’s. He’s another loner filled with anger and hatred, looking to rescue a young girl in Jodie Foster’s Iris.The movie ends with Travis rescuing Iris in the bloodiest manner possible, and like Ethan, the movie leaves him on an ambiguous note. The influence of The Searchers can also be felt in the director’s attraction to anti-heroes and flawed protagonists, who may see themselves as fundamentally good men or heroic, despite the appalling acts of violence they commit or the selfishness they display.The Searchers Is A Favorite Of The “Movie Brats”
The Searchers was well-received upon its initial release, but it soon came to be recognized as an American classic. The late ’60s and ’70s saw the rise of the so-called “movie brats,” who were a group of talented young directors who were also nerds for the medium. Members of this group include Scorsese, Steven Spielberg, Francis Ford Coppola, George Lucas, John Milius, Paul Schrader and many more. What’s notable about this group is how many of them cited The Searchers as a favorite.
Breaking Bad creator Vince Gilligan also cited The Searchers as a major influence on Breaking Bad’s finale.
According to The Telegraph, Spielberg claims he rewatches The Searchers before starting work on a new movie, while Milius and Schrader – who penned Taxi Driver – have also sung its praises. The movie was a huge influence on Lucas’ Star Wars, which can be found in its basic promise – a young man and older mentor set out to rescue a young woman – its desert vistas and the sequence where Luke (Mark Hamill) discovers his burnt-out family homestead. Star Wars was a mash-up of many influences from samurai epics to movie serials, but Westerns like The Searchers played a particularly large role in the movie.
Source: Far Out, THR, The Telegraph
The SearchersRelease Date:1956-03-13Director:John FordCast:John WayneRating:pg-13Runtime:119minutesGenres:Western, DramaWriters:John FordBudget:$3.75millionStudio(s):Warner Bros. PicturesDistributor(s):Warner Bros. Pictures