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‘Don’t give me that s**t!’ – My Blog

For a generation, Frank Sinatra, nicknamed Ol’ Blue Eyes, helped transform the entertainment industry, collecting Oscars, Golden Globes and Grammys with ease. His starring part in From Here to Eternity cemented his credentials as a talented, and acclaimed actor, while his ballads such as My Way and Somethin’ Stupid earned rave reviews from fans. The crooner’s life away from the camera was as well documented as it was when in front of it, with Sinatra enjoying four marriages before his death aged 82 in 1998.The star, who helped form the infamous Rat Pack, also endured a series of tough relationships with fellow stars, including an aspiring Marlon Brando.According to reports, Brando – who would become well known for being unprofessional in his conduct on-set with co-stars – and Sinatra had a huge falling out while on the set of Guys and Dolls.The 1955 musical, which was created following the success of the Broadway stage show, saw the pair team up as the story’s two male lead parts.But Stefan Kanfer, in his 2008 book Somebody: The Reckless Life and Remarkable Career of Marlon Brando, outlined how tough a working relationship the two megastars actually endured.

At the time of the film going into production, Sinatra was already a household name, collecting his Oscar for Best Supporting Actor earlier in 1954, but had lost out on a role in On the Waterfront to Brando.When it came to casting in Guys and Dolls, Brando delivered a second knock to Sinatra’s ego, being cast in the bigger of the two roles the pair went up for.Kanfer noted that Sinatra “saw in Marlon a figurehead of youthful rebellion, an avatar of all that threatened his career”.He added: “The wounded swagger notwithstanding, Sinatra was a deeply insecure man in the mid-fifties.”JUST IN: Sinatra was ‘lowest he’d been’ during tumultuous Farrow marriage
The relationship became even tense when Brando’s experience in dancing and singing began to test the patience of Sinatra, already a major recording artist recognised across the globe.Brando was reportedly told that he’d be given all the additional dancing and lessons he needed, yet the star continued to focus more on the acting of the role, as opposed to the other elements to his character.And this infuriated Sinatra.Kanfer added: “The tone for the film was set on the first day of rehearsals, when Brando was introduced to Sinatra.“‘Frank,’ Marlon confided, sotto voce, ‘I’ve never done anything like this before, and I was wondering, maybe I could come to your dressing room and we could just run the dialogue together?’“Sinatra was succinct: ‘Don’t give me any of that Actors Studio s***.’While his relationship with stars such as Brando was certainly strained, he often showered others with goodwill and love, including the likes of Hollywood golden girl Marilyn Monroe.Such was the closeness in their relationship, Sinatra was reportedly incensed after Monroe’s death in 1962, and even believed there was a cover-up following news of her demise being made public.At the time of her death, an official investigation from the Los Angeles County coroner’s office ruled Monroe probably died due to suicide, as a result of a barbiturate overdose.But Sinatra wasn’t convinced, and according to the 2018 book, Marilyn Monroe: The Private Life of a Public Icon, Ol’ Blue Eyes, though deeply in love with her, didn’t believe the cause of death.Author Charles Casillo wrote: “Like many men, Frank Sinatra fell under her spell. He treated her like he had never treated any other woman.“He was very protective of her.”The author argued that such was Sinatra’s love for Monroe, he planned to propose to the actress, a scheme that was ultimately dashed by his lawyer.Though others, including Sinatra’s close friend Tony Oppedinsano, argued the two were simply just really good confidants.He said: “Frank felt she was too troubled, too fragile, for him to sleep with and then walk away.”With Frank so besotted with Monroe, regardless of the physical relationship they shared, when her death was announced as suicide, he was heartbroken.
Oppedisano recalled how Monroe had planned to outline how her relationship with US President John F. Kennedy had developed, and that Sinatra was convinced this led to her death.He said: “Frank believed if the press conference hadn’t been announced, she would have lived a lot longer.“Frank believed she was murdered and he never got over it.”

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Restoration of John Wayne’s ‘The Searchers’ to Premiere at 2024 TCM Classic Film Festival – My Blog

John Wayne’s 1956 Western “The Searchers” will debut a new restoration as part of the 2024 TCM Classic Film Festival in April.This marks the second Wayne film to receive a premiere of a restored print at the yearly event that takes place on Hollywood Boulevard. Last year’s opening night feature was a 4K restoration of Wayne’s 1959 film “Rio Bravo.”This year’s festival theme is “Most Wanted: Crime and Justice in Film.” Alongside “The Searchers,” TCM announced that Frank Capra’s 1934 film “It Happened One Night,” Elia Kazan’s “On the Waterfront” and the 1974 musical documentary “That’s Entertainment!” will also screen as part of the four-day festival in April.It’s unknown if “The Searchers” will be the film’s opening night movie, though considering “Rio Bravo” was also a restoration last year it would make sense that Warner Bros. would continue to debut new 4K prints of their films as part of the event’s opening night.This year’s TCM Classic Film Festival marks the return of the event after the classic film network underwent significant changes behind the scenes this year. In June, TCM’s senior vice president of programming and content strategy Charles Tabesh, vice president of studio production Anne Wilson, vice president of marketing and creative Dexter Fedor and TCM Enterprises vice president Genevieve McGillicuddy were all laid off, alongside TCM’s general manager Pola Chagnon leaving the company after 25 years.From there, stories started to tumble out that the network was in the crosshairs of a series of cost-cutting measures implemented by Warner Bros. Discovery. In the wake of widespread outcry from fans, both Tabesh and McGuillicuddy were offered their positions back. It was also announced soon after that Warner Bros. Pictures heads Pamela Abdy and Michael De Luca would be overseeing the network, with input from world-class directors including Martin Scorsese and Steven Spielberg.The TCM Classic Film Festival enters its 15th year in 2024 and will also take place during the network’s 30th anniversary.The TCM Classic Film Festival will take place in Hollywood April 18-21.

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John Wayne’s spanking of co-star ‘so authentic she had bruises for a week’ – My Blog

Back in 1963, John Wayne starred in a Western comedy loosely based on William Shakespeare’s The Taming of the Shrew.Duke played an ageing rancher called George Washington McLintock, a wealthy self-made man facing a number of issues.High-ranking government officials, his own sons and local Native Americans all want a piece of his huge farmstead.Meanwhile, his wife (played by regular collaborator Maureen O’Hara) who separated from him two years prior, is back on the scene demanding custody of their daughter.McLintock! celebrates its 60th anniversary this week, as celebrated by the John Wayne estate on Instagram.A recent post read: “Did you know? Although often seen as simply a knockabout comedy, John Wayne also intended the film to be a statement on his disapproval of the negative representation of Native Americans in previous westerns he had no creative-control over, and his disapproval of wife-beating and marital abuse from either spouse.”A film of its time, McLintock famously has a scene, as captured on its poster, of Wayne’s George publicly spanking his wife played by O’Hara.According to his co-star’s autobiography, this scene was “completely authentic” with Duke carrying it out with “such gusto”, that she “had bruises for a week.”

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Martin Scorsese’s Favorite John Wayne Western – My Blog

SUMMARY

 Martin Scorsese considers John Wayne’s The Searchers to be the best Western ever made, describing it as a masterpiece with a deeply painful core. The Searchers has had a significant influence on Scorsese’s movies, inspiring scenes and characters in films like Taxi Driver and Mean Streets. The Searchers is also a favorite among the “movie brats,” a group of influential directors including Spielberg and Lucas, who cited it as a major influence.
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Martin Scorsese’s favorite Western starring John Wayne has had a big influence on his career. Scorsese hasn’t made his passion for cinema or filmmaking a secret, and he is essentially a living archive of the medium’s history. He loves everything from the trashiest B-movie to the most highbrow drama, which is something that’s reflected in Martin Scorsese’s own movies. He has helmed everything from gangster epics to psychological horrors to biopics and everything in between.
One genre he hasn’t really dipped a toe into is a Western, which is likely down to the decline of the genre itself than Scorsese avoiding the genre. About the closest he’s come is his 2023 epic Killers of the Flower Moon, though far from being a black-and-white adventure about cowboys righting wrongs, it’s a devastating true-life drama. Scorsese has professed his admiration for a few classic Westerns (via Far Out) such as Ride the High Country or Marlon Brando’s sole directorial outing One-Eyed Jacks, but there’s one that holds a truly special place in his heart.Scorsese Believes John Wayne’s The Searchers Is The Best Western Ever Made
In 2013, Scorsese guest-reviewed a book about John Wayne Western The Searchers for THR, where he proclaimed it a masterpiece but that “Like all great works of art, it’s uncomfortable. The core of the movie is deeply painful.” The premise of the movie sees Wayne’s Civil War vet Ethan Edwards and his nephew Martin (Jeffrey Hunter) setting out to rescue his kidnapped niece. It might sound like the setup for a classic Western adventure, but John Ford’s The Searchers deals with some dark themes, with Wayne portraying the most ruthless character of his career as the deeply prejudiced and revenge-addicted Ethan.
Scorsese has often called The Searchers one of his favorite Westerns, in addition to being one of the greatest movies of all time, period. From the gorgeous cinematography, the evergreen themes and Wayne’s haunting central turn, it’s a film the director finds himself coming back to decades after he first watched it. The Searcher’s ending has been much discussed among film scholars too, with Scorsese himself feeling the shot of Ethan turning and leaving through the door turns it into a “ghost story;” the character has fulfilled his purpose but is now doomed to wander the deserts alone, like a spirit.The Searchers Inspired Scorsese’s Own Movies
Travis Bickle at the movies in Taxi Driver
The film made a major impression on Scorsese when he saw it as a boy, and its influence can be spotted in his own work. His debut Who’s That Knocking at My Door features a scene where protagonist J.R. (Harvey Keitel) talks about both John Wayne and The Searchers in great detail, while the Ford movie appears again in Scorsese’s crime drama Mean Streets from 1973. The Searchers was a direct influence on Scorsese’s Taxi Driver, with the journey of Robert De Niro’s Travis being a mirror of Ethan’s. He’s another loner filled with anger and hatred, looking to rescue a young girl in Jodie Foster’s Iris.The movie ends with Travis rescuing Iris in the bloodiest manner possible, and like Ethan, the movie leaves him on an ambiguous note. The influence of The Searchers can also be felt in the director’s attraction to anti-heroes and flawed protagonists, who may see themselves as fundamentally good men or heroic, despite the appalling acts of violence they commit or the selfishness they display.The Searchers Is A Favorite Of The “Movie Brats”
Steven Spielberg leaning against a camera with George Lucas standing beside him on the cover of Indiana Jones bonus material DVD
The Searchers was well-received upon its initial release, but it soon came to be recognized as an American classic. The late ’60s and ’70s saw the rise of the so-called “movie brats,” who were a group of talented young directors who were also nerds for the medium. Members of this group include Scorsese, Steven Spielberg, Francis Ford Coppola, George Lucas, John Milius, Paul Schrader and many more. What’s notable about this group is how many of them cited The Searchers as a favorite.
Breaking Bad creator Vince Gilligan also cited The Searchers as a major influence on Breaking Bad’s finale.
According to The Telegraph, Spielberg claims he rewatches The Searchers before starting work on a new movie, while Milius and Schrader – who penned Taxi Driver – have also sung its praises. The movie was a huge influence on Lucas’ Star Wars, which can be found in its basic promise – a young man and older mentor set out to rescue a young woman – its desert vistas and the sequence where Luke (Mark Hamill) discovers his burnt-out family homestead. Star Wars was a mash-up of many influences from samurai epics to movie serials, but Westerns like The Searchers played a particularly large role in the movie.
Source: Far Out, THR, The Telegraph
the searchers poster
The SearchersRelease Date:1956-03-13Director:John FordCast:John WayneRating:pg-13Runtime:119minutesGenres:Western, DramaWriters:John FordBudget:$3.75millionStudio(s):Warner Bros. PicturesDistributor(s):Warner Bros. Pictures

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