John Wayne’s Attempt To Break Out Of Westerns Led To One Of The Lowest Points In His Career – My Blog
In the early days of the classical Hollywood era, the demand for new movies was so great that studios created low-budget production wings (known as B-units) to cheaply meet the demand for content. Smaller studios — known as Poverty Row — filled the remaining gap with quickly produced cheap movies. The practice resulted in what’s best known as the low-budget B-movie.Filmmakers like Martin Scorsese, James Cameron, and Ron Howard all have humble beginnings in B-movies, as do actors like Robert De Niro, Sandra Bullock, and Jack Nicholson. Legendary Western icon John Wayne is no different.The Duke spent a decade toiling away on Poverty Row before becoming a bonafide leading man in John Ford’s 1939 Western “Stagecoach.” It was during these B-movie days that Wayne became synonymous with Westerns, but he wanted more.Wayne took a big gamble to break away from the genre. It was a move that almost cost The Duke his career.‘I lost my stature as a Western star. I got nothing in return.’Republic PicturesThroughout the 1930s, John Wayne starred in more than two dozen Westerns, many for the Poverty Row studio Republic Pictures. By the mid-30s, Wayne was primed for a breakout but was also at a crossroads in his career.The actor was eager to make a break from Poverty Row and Westerns, and he thought he found a way to do that through former Republic Pictures producer, Trem Carr. In “Shooting Star: A Biography of John Wayne,” author Maurice Zolotow explained how Carr’s promotion to executive producer at Universal Pictures coaxed The Duke from Republic. He wrote:“[Carr] invited Duke to rise to better things. He promised to take John Wayne out of Levi’s; he could unstrap his holster forever. He would never have to mount another horse unless he wanted to go riding in Griffith Park. Trem Carr always believed that Wayne was a distinguished movie actor of potential greatness. Wayne heard the siren song. Between April 1936, and May 1937, Wayne performed in six Trem Carr productions for Universal.”But the gamble following Carr to Universal almost cost the actor his career. “I lost my stature as a Western star,” Wayne said. “I got nothing in return.”With a rising star like Wayne primed for a breakout, it begs the question: What went wrong with his attempted break from Westerns?He was still stuck making B-moviesUniversal Pictures
It’s likely Trem Carr neglected to tell John Wayne that he would be starring in low-budget movies for Universal, just like his films at Republic. Nevertheless, Wayne achieved his goal of branching out from Westerns, playing meatier roles like a coast guard commander (“The Sea Spoilers”), a Pacific pearl diver (“Adventure’s End”), and a wartime news photographer (“I Cover the War!”). However, those same films were critically panned and bombed at the box office.Wayne believed the issue had less to do with him branching out from the Western genre and more to do with the studio. “I made a big mistake. Not because they weren’t Westerns, but because they were cheap pictures,” Wayne said. “Trem Carr was trying to make them on a budget of about $75,000. He was cutting costs and production values as if he were still making Republic cheapies.”Universal’s attempt to pit low-budget movies with a rising star against big productions from 20th Century Fox, Paramount Pictures, and Warner Bros. failed. The damage was almost irreparable. Wayne explained:“In six months exhibitors wouldn’t touch a John Wayne [movie] with a 10-foot pole. I said adios to Trem Carr and I tried freelancing and about the best I could get was a [B-movie] at Paramount, a cattle drive, trek type of picture, terrible. Almost as bad as those Trem Carr specials.”The fiasco painted a rare picture of John Wayne, defeated and desperate for work in Hollywood. Then John Ford rode in to save the day.‘I just had to come crawlin’ back’United ArtistsThe string of box office failures made it hard for John Wayne to find work in Hollywood. It was one of the lowest points of his career.“Finally I just had to come crawlin’ back to [Republic Pictures president] Herbert Yates and beg for mercy,” Wayne recalled. “I didn’t want to make these cheapies for Republic, but seemed like there was nothin’ else to do.”Wayne was hoping to play his idol, Sam Houston, in the upcoming large-budget production “Man of Conquest.” Republic told the actor he wasn’t big enough of a box office draw for the role (it went to Richard Dix). It left Wayne feeling pigeonholed. Zolotow wrote:“Duke felt he was condemned to be just a ‘cheapie’ actor in ‘cheapie’ B’s. […] He made eight ‘Mesquiteers’ for Republic. They were the dreariest films he made in this decade. Shot in five days, they looked as if they had been made in one morning. They were slapped together with absurd dialogue and a paucity of action stunts.”Director John Ford, who advised Wayne against signing long-term with Republic, fought for the actor to star in his upcoming Western “Stagecoach.” The film revitalized Wayne’s career and is considered one of the most influential Westerns of all time. Not bad for a defeated hero who had to “come crawlin’ back” to the business.Read More: https://www.slashfilm.com/1158312/john-waynes-attempt-to-break-out-of-westerns-led-to-one-of-the-lowest-points-in-his-career/
Restoration of John Wayne’s ‘The Searchers’ to Premiere at 2024 TCM Classic Film Festival – My Blog
John Wayne’s 1956 Western “The Searchers” will debut a new restoration as part of the 2024 TCM Classic Film Festival in April.This marks the second Wayne film to receive a premiere of a restored print at the yearly event that takes place on Hollywood Boulevard. Last year’s opening night feature was a 4K restoration of Wayne’s 1959 film “Rio Bravo.”This year’s festival theme is “Most Wanted: Crime and Justice in Film.” Alongside “The Searchers,” TCM announced that Frank Capra’s 1934 film “It Happened One Night,” Elia Kazan’s “On the Waterfront” and the 1974 musical documentary “That’s Entertainment!” will also screen as part of the four-day festival in April.It’s unknown if “The Searchers” will be the film’s opening night movie, though considering “Rio Bravo” was also a restoration last year it would make sense that Warner Bros. would continue to debut new 4K prints of their films as part of the event’s opening night.This year’s TCM Classic Film Festival marks the return of the event after the classic film network underwent significant changes behind the scenes this year. In June, TCM’s senior vice president of programming and content strategy Charles Tabesh, vice president of studio production Anne Wilson, vice president of marketing and creative Dexter Fedor and TCM Enterprises vice president Genevieve McGillicuddy were all laid off, alongside TCM’s general manager Pola Chagnon leaving the company after 25 years.From there, stories started to tumble out that the network was in the crosshairs of a series of cost-cutting measures implemented by Warner Bros. Discovery. In the wake of widespread outcry from fans, both Tabesh and McGuillicuddy were offered their positions back. It was also announced soon after that Warner Bros. Pictures heads Pamela Abdy and Michael De Luca would be overseeing the network, with input from world-class directors including Martin Scorsese and Steven Spielberg.The TCM Classic Film Festival enters its 15th year in 2024 and will also take place during the network’s 30th anniversary.The TCM Classic Film Festival will take place in Hollywood April 18-21.
John Wayne’s spanking of co-star ‘so authentic she had bruises for a week’ – My Blog
Back in 1963, John Wayne starred in a Western comedy loosely based on William Shakespeare’s The Taming of the Shrew.Duke played an ageing rancher called George Washington McLintock, a wealthy self-made man facing a number of issues.High-ranking government officials, his own sons and local Native Americans all want a piece of his huge farmstead.Meanwhile, his wife (played by regular collaborator Maureen O’Hara) who separated from him two years prior, is back on the scene demanding custody of their daughter.McLintock! celebrates its 60th anniversary this week, as celebrated by the John Wayne estate on Instagram.A recent post read: “Did you know? Although often seen as simply a knockabout comedy, John Wayne also intended the film to be a statement on his disapproval of the negative representation of Native Americans in previous westerns he had no creative-control over, and his disapproval of wife-beating and marital abuse from either spouse.”A film of its time, McLintock famously has a scene, as captured on its poster, of Wayne’s George publicly spanking his wife played by O’Hara.According to his co-star’s autobiography, this scene was “completely authentic” with Duke carrying it out with “such gusto”, that she “had bruises for a week.”
Martin Scorsese’s Favorite John Wayne Western – My Blog
SUMMARY
Martin Scorsese considers John Wayne’s The Searchers to be the best Western ever made, describing it as a masterpiece with a deeply painful core. The Searchers has had a significant influence on Scorsese’s movies, inspiring scenes and characters in films like Taxi Driver and Mean Streets. The Searchers is also a favorite among the “movie brats,” a group of influential directors including Spielberg and Lucas, who cited it as a major influence.
SCREENRANT VIDEO OF THE DAY
Martin Scorsese’s favorite Western starring John Wayne has had a big influence on his career. Scorsese hasn’t made his passion for cinema or filmmaking a secret, and he is essentially a living archive of the medium’s history. He loves everything from the trashiest B-movie to the most highbrow drama, which is something that’s reflected in Martin Scorsese’s own movies. He has helmed everything from gangster epics to psychological horrors to biopics and everything in between.
One genre he hasn’t really dipped a toe into is a Western, which is likely down to the decline of the genre itself than Scorsese avoiding the genre. About the closest he’s come is his 2023 epic Killers of the Flower Moon, though far from being a black-and-white adventure about cowboys righting wrongs, it’s a devastating true-life drama. Scorsese has professed his admiration for a few classic Westerns (via Far Out) such as Ride the High Country or Marlon Brando’s sole directorial outing One-Eyed Jacks, but there’s one that holds a truly special place in his heart.Scorsese Believes John Wayne’s The Searchers Is The Best Western Ever Made
In 2013, Scorsese guest-reviewed a book about John Wayne Western The Searchers for THR, where he proclaimed it a masterpiece but that “Like all great works of art, it’s uncomfortable. The core of the movie is deeply painful.” The premise of the movie sees Wayne’s Civil War vet Ethan Edwards and his nephew Martin (Jeffrey Hunter) setting out to rescue his kidnapped niece. It might sound like the setup for a classic Western adventure, but John Ford’s The Searchers deals with some dark themes, with Wayne portraying the most ruthless character of his career as the deeply prejudiced and revenge-addicted Ethan.
Scorsese has often called The Searchers one of his favorite Westerns, in addition to being one of the greatest movies of all time, period. From the gorgeous cinematography, the evergreen themes and Wayne’s haunting central turn, it’s a film the director finds himself coming back to decades after he first watched it. The Searcher’s ending has been much discussed among film scholars too, with Scorsese himself feeling the shot of Ethan turning and leaving through the door turns it into a “ghost story;” the character has fulfilled his purpose but is now doomed to wander the deserts alone, like a spirit.The Searchers Inspired Scorsese’s Own Movies
The film made a major impression on Scorsese when he saw it as a boy, and its influence can be spotted in his own work. His debut Who’s That Knocking at My Door features a scene where protagonist J.R. (Harvey Keitel) talks about both John Wayne and The Searchers in great detail, while the Ford movie appears again in Scorsese’s crime drama Mean Streets from 1973. The Searchers was a direct influence on Scorsese’s Taxi Driver, with the journey of Robert De Niro’s Travis being a mirror of Ethan’s. He’s another loner filled with anger and hatred, looking to rescue a young girl in Jodie Foster’s Iris.The movie ends with Travis rescuing Iris in the bloodiest manner possible, and like Ethan, the movie leaves him on an ambiguous note. The influence of The Searchers can also be felt in the director’s attraction to anti-heroes and flawed protagonists, who may see themselves as fundamentally good men or heroic, despite the appalling acts of violence they commit or the selfishness they display.The Searchers Is A Favorite Of The “Movie Brats”
The Searchers was well-received upon its initial release, but it soon came to be recognized as an American classic. The late ’60s and ’70s saw the rise of the so-called “movie brats,” who were a group of talented young directors who were also nerds for the medium. Members of this group include Scorsese, Steven Spielberg, Francis Ford Coppola, George Lucas, John Milius, Paul Schrader and many more. What’s notable about this group is how many of them cited The Searchers as a favorite.
Breaking Bad creator Vince Gilligan also cited The Searchers as a major influence on Breaking Bad’s finale.
According to The Telegraph, Spielberg claims he rewatches The Searchers before starting work on a new movie, while Milius and Schrader – who penned Taxi Driver – have also sung its praises. The movie was a huge influence on Lucas’ Star Wars, which can be found in its basic promise – a young man and older mentor set out to rescue a young woman – its desert vistas and the sequence where Luke (Mark Hamill) discovers his burnt-out family homestead. Star Wars was a mash-up of many influences from samurai epics to movie serials, but Westerns like The Searchers played a particularly large role in the movie.
Source: Far Out, THR, The Telegraph
The SearchersRelease Date:1956-03-13Director:John FordCast:John WayneRating:pg-13Runtime:119minutesGenres:Western, DramaWriters:John FordBudget:$3.75millionStudio(s):Warner Bros. PicturesDistributor(s):Warner Bros. Pictures