John Wayne

John Wayne’s Casting Made Funding Stagecoach A Struggle For John Ford

John Ford was considered one of the top directors in Hollywood when he decided to make an elevated Western in 1939’s “Stagecoach.” The notion struck many in the industry as odd. Westerns were generally considered programmers, and, thus, beneath the talents of a man who’d won the 1935 Best Picture Oscar for “The Informer.” But Ford was enamored of Ernest Haycox short story “The Stage to Lordsburg,” and believed the public was ready for a fresh take on the genre. He also thought the ensemble film’s lead, John Wayne, was at long last ready to become a star.
The rest of Hollywood was not so certain. If Ford was serious about taking on this so-called “classic Western,” why was he hellbent on casting Wayne, an actor of seemingly limited range scrapping it out in B movies?
Few in the industry understood what Ford was attempting. In fact, one of his most vital associates, David O. Selznick, wanted absolutely no part of “Stagecoach.”
Never doubt John Ford when he’s taking on a WesternUnited ArtistsAccording to David Welky and Randy Roberts’ “John Wayne: Treasures,” the brash Selznick loathed just about every aspect of “Stagecoach.” He didn’t want to make an ensemble Western with anyone, much less a downmarket star like Wayne. This project was not worthy of Ford, and nothing in which Selznick wanted to invest. Undaunted, Ford modified his pitch to appeal to the finicky producer. Per Welky and Roberts:
“Ford and his partner at Pioneer Pictures, Merian Cooper, explained the importance and potential of ‘Stagecoach’ as a new breed, a ‘classic Western.’ Slowly, Selznick began to come around. Perhaps with a few big name stars – maybe Gary Cooper and Marlen Dietrich – the script’s love interest could be built up enough to give the film box-office punch, he thought.”
Alas, Wayne and Claire Trevor were already cast. Realizing they were going to get nowhere with Selznick, Ford and Cooper took the film to United Artists’ Walter Wanger, a more mild-mannered producer who, if nothing else, wouldn’t enforce his personality on the project. This proved a pretty good fit, though Wanger, like everyone else in Hollywood, did not understand Ford’s allegiance to Wayne. Nevertheless, he was eager to hook up with a filmmaker of Ford’s stature, so he accepted the casting and the rest is history.
Amusingly, Selznick eventually overcame his allergy to “classic Westerns,” and attempted to make the apotheosis of the form with 1946’s gloriously overheated “Duel in the Sun.” Though the film has since been embraced by modern critics and championed by Martin Scorsese, it received mixed reviews at the time and fell far short of commercial expectations (Selznick believed he had the “Gone with the Wind” of Westerns). It was the last Western Selznick would ever make.
Read More: https://www.slashfilm.com/1138046/john-waynes-casting-made-funding-stagecoach-a-struggle-for-john-ford/

John Wayne

The Legend Lives On: John Wayne is Still Alive!

In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.

From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.

While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.

So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!

John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.