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John Wayne

The Alamo: John Wayne’s set feud with co-star who tried to leave just days into epic shoot

The conservative patriot Wayne hired screenwriter James Edward Grant to write a draft of The Alamo, which is on ITV4 today. But as it neared completion, the Hollywood star had a major falling out with Herbert Yates, the head of Republic Pictures.
Duke was offered a measly $3 million budget by the studio famed for its low-budget B-movies, when he wanted his Alamo picture to be a big-budget epic. Unable to agree on the financing, he left Republic over the feud but wasn’t able to take the script with him. Instead, it was rewritten and made into 1955’s The Last Command.
Nevertheless, the tenacious actor was determined to get the movie made his way. Wayne formed his own production company Batjac and decided to produce and direct The Alamo to protect his original vision for the movie.
Originally he also planned to cameo in the small role of Sam Houston. However, he couldn’t get the financial backing to make the film unless he also agree to star as Davy Crockett, a part that had been offered to Clark Gable.
To raise the $12 million budget (over $120 million today), Duke contributed $1.5 million of his own money by taking out second mortgages on his houses and using his cars and yacht as collateral to obtain loans.

Before Wayne was forced to play a main part, he had wanted Richard Widmark to play Davy Crockett. But when Duke took on the role himself to secure financial backing, he need to move his co-star to another role.
United Artists, one of The Alamo’s backers, had pushed for the director to hire him as box office insurance. Widmark was offered the part of Col William Travis, but objected and agreed to play Jim Bowie.
However, just a few days into filming he complained he had been miscast and tried to leave the production. One of his issues was that at 5’9 he was playing a 6’6 man described as “larger than life”.
Yet after threats of legal action, Widmark agreed to finish the move, getting Burt Kennedy to rewrite his lines. But he did not get on with Wayne during filming.
READ MORE: ‘You can’t kill John Wayne!’ Legend’s death written out of script

It was long rumoured the reason for this was that the Jim Bowie star was a liberal Democrat who opposed the Hollywood blacklist and supported gun control and civil rights, in contrast to Duke, the conservative Republican.
However, according to Widmark, the real reason for their set feud was Wayne’s lack of skill as a director and inability to motivate actors for a scene. He complained the Crockett star would tell him and other actors how to play their parts, which sometimes conflicted with their interpretation of their characters. Although, other members of the cast and crew believed Wayne was an intelligent and gifted director.

alamo cast at the alamo set
The Alamo cast (Image: GETTY)

Whatever the case, Duke was under incredible pressure starring, producing and being a first time director on such a huge movie he was self-backing and had a number of production problems.
To deal with the stress of the movie that had 7000 extras, 1500 horses and 400 cattle in its climatic battle scene, Wayne would smoke cigarettes no-stop when he wasn’t acting.
According to Smitty actor Frankie Avalon: “There may have been some conflict with Widmark in portraying the role that he did, but I didn’t see any of that. All I know is he was tough to work for without a doubt because he [Wayne] wanted it his way and he wanted professionalism. He wanted everybody to know their lines and be on their mark and do what he wanted them to do.”

wayne and ford
John Ford visiting John Wayne on The Alamo (Image: GETTY)

Things proved even more challenging when Wayne’s longtime director collaborator John Ford would show up on the set of The Alamo uninvited and tried to influence the direction of the movie.
To get rid of Pappy, Duke sent him off to shoot second-unit footage that he didn’t really intend to use in the movie, with the vast majority of it left on the cutting room floor.
The Alamo ended up being profitable at the box office and was nominated for seven Oscars, although Duke did lose money on his own personal investment.

John Wayne

The Legend Lives On: John Wayne is Still Alive!

In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.

From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.

While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.

So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!

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John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

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John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice. 

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.

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