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John Wayne

Sean Connery’s James Bond co-star shot himself before From Russia With Love had wrapped

The Mexican actor, who has a substantial role in From Russia With Love, had sadly been diagnosed with terminal cancer.
Back in 1956, he had had a part in John Wayne’s Genghis Khan flop, The Conqueror, which was filming in Utah while the US government were conducting atmospheric nuclear testing one state over in Nevada.
Within 25 years of the production, 91 out of the 220 working on the film developed cancer, 46 of whom died from it. A few years later, Armendáriz was diagnosed with inoperable neck cancer at the UCLA Medical Center in Los Angeles.
Nevertheless, despite his pain, the actor was determined to get as much of his role in From Russia with Love completed as soon as possible to provide financial security for his wife.

The film’s Istanbul location was shut down and moved to Britain, with Armendáriz’s scenes moved forward so he could complete as much as possible while physically still able to. When it reached the point where he could no longer work, the Bond actor had a stunt double and even director Terence Young would stand in for him in the last two months of production.
Unable to carry on and with just weeks of his life remaining, Armendáriz headed to a hospital near his home. There, the Mexican actor smuggled a gun in and died by suicide on June 18, 1963, at the age of 51. Following his sudden loss, From Russia with Love had to have uncredited rewrites by Berkely Mather during filming. Peter Hunt began editing the movie despite the shoot being behind schedule and over budget in an effort to meet the premiere date. He helped restructure the Sean Connery Bond movie’s opening scenes with a suggestion by Young.
pedro balancing gun on connery's shoulder
From Russia With Love is the second of 25 Bond movies (Image: GETTY)
This led to a 007 film tradition to this day, when Red Grant’s training sequence would be shifted to before the opening titles sequence. Interestingly, Pedro Armendáriz Jr ended up playing President Hector Lopez in Timothy Dalton’s second Bond movie, 1989’s Licence to Kill.
Armendáriz Jr went on to feature in blockbusters like Amistad, The Mask of Zorro and Once Upon a Time in Mexico. He too was diagnosed with cancer in November 2011 and died a month later at the age of 71. He is buried by his father at Panteón Jardin in Mexico City.

John Wayne

The Legend Lives On: John Wayne is Still Alive!

In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.

From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.

While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.

So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!

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John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

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John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice. 

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.

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