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John Wayne

James Stewart was ‘so upset’ by Rock Hudson after Bend of the River they never spoke again

In 1952, he starred in Bend of the River, an adaptation of Bill Gulick’s novel Bend of the Snake. The Western followed James Stewart’s tough cowboy Glyn McLyntock risking his life to deliver confiscated food and supplies to homesteaders after gold is discovered in the area. The part was a big turning point in the star’s career, seeing him begin to play more violent and ruthless characters – which he hadn’t been known for in the 1940s.

The film, which is on ITV4 at 2pm today, was also the last time Stewart, who was 44 at the time, sported his own head of hair in a movie.

The middle-aged star shared billing with Arthur Kennedy and Julie Adams who played McLyntock’s pal Emerson Cole and pioneer Laura Baile respectively.
Fourth on the poster behind their names was a rising star in his late 20s, Rock Hudson (real name was Roy Harold Scherer Jr) in the role of a professional gambler called Trey Wilson.
The movie was one of the closeted actor’s final films in a supporting part before hitting stardom as a Hollywood leading man.
This is hardly surprising given the response from the audience to Hudson compared to Stewart, even though the movie originally received poor reviews before its critical acclaim in later years.

When Bend of the River premiered in 1952, the It’s A Wonderful Life star was so upset that the supporting actor received more cheers and applause than he did.
As a result, he vowed never to talk to him or work with him again, which ended up being the case. Hudson went on to enjoy a career as a leading man in movies like Scarlet Angel, The Lawless Breed, Seminole, Magnificent Obsession and Giant.
Over the course of his Hollywood career, the truth of his sexuality was known among his colleagues in the film industry and sadly he would go on to die from an AIDS-related illness in 1985 at the age of just 59.

stewart and kelly in rear window
James Stewart in Rear Window (Image: GETTY)

As for Stewart, despite his confidence wobble for the Bend of the River premiere, he continued to have an impressive career. Following his Western with Hudson, he collaborated with director Anthony Mann on four more movies over the next couple of years.
The 1950s also saw work with Alfred Hitchcock in the likes of Rope, Rear Window and Vertigo. The star died in 1997 at the age of 89 from a heart attack caused by an embolism.

John Wayne

The Legend Lives On: John Wayne is Still Alive!

In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.

From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.

While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.

So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!

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John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

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John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice. 

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.

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