For western genre enthusiasts, Clint Eastwood is an almost untouchable icon. Loved and revered by anyone who has held a toothpick in their mouth without any intent to pick their teeth, there is perhaps only a handful of Hollywood heroes who can stand nose to nose with the legend. It just so happens, that Eastwood incurred the displeasure of such a legendary cowboy—none other than John Wayne.
Eastwood starred in the 1973 film High Plains Drifter which he also directed. Now a classic, the film was absolutely hated by John Wayne, an iconic figure in the western genre and Eastwood’s senior. It was a clear moment of Wayne punching down the ladder and trying to disrupt a young artist making their way in Tinseltown.
Just Eastwood’s second directorial effort, High Plains Drifter was released at the very height of the actor’s popularity, merely two years after the crime thriller Dirty Harry had cemented his position in pop culture. A critical darling, High Plains Drifter tells the story of a mysterious stranger who is persuaded by a town to defend them against a vicious trio of crooks, showing just how much the figure of Eastwood is respected out in the wild west.
Eastwood revealed in his book, Ride, Boldly Ride: The Evolution of the American Western, however that the film displeased one particularly loud cowboy. Wayne sent a vicious letter to the star, as Eastwood revealed, “He [Wayne] said it wasn’t really about the people who pioneered the west. I realised that there’s two different generations, and he wouldn’t understand what I was doing.”
To clarify the intentions behind making the film, the veteran actor said, “High Plains Drifter was meant to be a fable. It wasn’t meant to show the hours of pioneering drudgery. It wasn’t supposed to be anything about settling the west.”
The film revolves around Eastwood as a gun-slinging drifter who rides into Lago and is met with great resistance. However, the people recognise his talent with the pistol and enlist his help to fight against a band of hooligans who have been plaguing the twon. The drifter agrees but with a hidden agenda of his own.
In comparison, Wayne’s films were vastly different from the film in question. High Plains Drifter is darker and more violent than Wayne’s usual films, which essentially ride on nursery rhyme tropes of good vs. evil. Wayne’s characters relied on the very essence of their goodness to displace their enemies, often never needing guns to scare people due to his intimidating presence. Eastwood’s characters are mysterious and do not speak much; their more violent and drenched in the intoxicating cinematic appeal of adventure.
It’s easy to see how, as time passed, the two men would see each other in different creative realms. As Eastwood began to find his directorial niche and step behind the camera for some of his greatest movies, Wayne would lean on his cowboy image and add a comparatively bloated end of his career to the resume. This disagreement alone sees the artistic differences between them.
In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.
From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.
While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.
So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!
Why John Wayne Turned Down the Chance to Work With Clint Eastwood
Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.
How John Wayne responded when Clint Eastwood tried to work with him
Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.
The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.
Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.
Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies
Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.
The one time Ann-Margret and John Wayne made a movie together
Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.
Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.
John Wayne | Silver Screen Collection/Getty Images
During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”
Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.
What Ann-Margret thought about John Wayne
Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.
“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”
How the world reacted to ‘The Train Robbers’
Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.