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John Wayne

The Train Robbers Was A Canary In The Coal Mine For The Death Of John Wayne Westerns

The 20-year-long persistence of the superhero genre in contemporary blockbuster cinema has cause many pundits to draw a genre parallel between comic book movies and Westerns. In 2015, the Guardian published an essay comparing the two cinematic trends, largely as a predictor as to when the superhero film would finally cease its continued ascendency. That same year, Steven Spielberg compared the genres, once again using the moribund Western as an indicator of the ephemerality of any genre. Seven years since then, superhero movies have churned out several enormous hits, including several of the biggest box office bonanzas of all time. In 2022, however, the entertainment landscape has changed a lot, companies are merging into weird, gross entities, and high-profile superhero projects now stand the chance of being canceled. Pundits have been predicting it for years, but superhero movies may finally be on the downhill slope. Only time will tell.
 
“The Train Robbers,” a Burt Kennedy film from 1973, is from a time when the Western genre, at least as a dominant form in the pop consciousness, was most assuredly on the outs. “The Train Robbers” starred a 69-year-old John Wayne as an aging rogue who volunteers to retrieve a store of gold once stolen from a train by Ann-Margret’s late husband. In terms of structure, the film was classic Hollywood — coming right when audiences were souring to classic Hollywood. “The Train Robbers” came the year after “The Godfather,” and grittier, more “film school” movies were on the rise.
The makers of “The Train Robbers” knew that classic Westerns were already a retro genre when they were making it, and, according to Scott Eyman’s 2015 book “John Wayne: The Life and Legend,” they tried to outrun their fate by underspending. Needless to say, the big budget didn’t help.
The $200,000 payday

Warner Bros.The $4.6 million budget of “The Train Robbers” translates to about $30 million in 2022 dollars. It was, essentially, a mid-budget movie. Wayne’s star had fallen, and his salary was only guaranteed to be $200,000 — about $1.3 million, adjusted. Wayne was also set to get a percentage of the gross. This relatively low payout was a declarative statement. Warner Bros. had little faith in the picture and in the star.
“The Bank Robbers” was photographed by veteran cinematographer William H. Clothier, an old friend of Wayne’s whom he met on the set of 1955’s “The Sea Chase.” After that film, Clothier would sign onto John Wayne’s own production company, Batjac Productions, and he and Wayne would end up making a total of 22 films together. “The Bank Robbers” came right after Clothier had turned 70, and when Wayne was about to turn 70. Clothier, it seems, was very ready to retire. In Eyman’s book, Clothier had said that he enjoyed his work, but was simply too tired to keep doing the same thing all the time. Clothier’s attitudes seems to belie the overall fatigue that “The Bank Robbers” instilled in everyone. He said:
“I like turkey, I have it at Thanksgiving and New Year’s but I don’t want it seven days a week. If I’m working on a picture at Batjac, I’m picked up at six in the morning to go on location. Duke and I are either the first or second ones on the set. We work until the sun goes down, then I have to go into town to see the rushes. Hell, it’s strenuous to get up at 6 a.m. if all you do all day is sit in a rocking chair!”The Duke wasn’t having fun
Warner Bros.But more harmful to “The Train Robbers” than Clothier’s fatigue was Wayne’s. Clothier recalls that Wayne hadn’t been happy making movies for a number of years. Wayne had a lung removed due to cancer in 1964 and had a reputation for being a heavy drinker. He wasn’t in a spot to have a lot of fun getting up in the morning to shoot out in the desert. Clothier and Wayne were very close — they were able to make shockingly dirty jokes with one another — and Clothier could see that Wayne wasn’t having a blast.
“The Train Robbers” had great production value, but it was, in Eyman’s words, a “programmer.” That is: the film was only meant to fill out the Warner Bros. film slate. There was no ambition or originality to the project. It wasn’t an important piece of art with something to say. It was just a genre going through the motions. “The Train Robbers” was produced by Wayne’s son Michael, and even he knew that the film was automated and even a little cynical. Michael Wayne admitted that he attempted to get something meaningful together, and tried to make it look slick and entertaining, but when the story is dull, no amount of slickness will cover it up. Wayne said:
“I worked very hard on ‘The Train Robbers’ to try to make it into something, when basically the story wasn’t that good. I was trying to make up for the story in production values and cast.”The times, they are a-changin’.
Paramount“The Train Robbers” came out to warm critical acclaim and complete audience indifference. It cost just enough to make and distribute that it was all but guaranteed to lose money for Warner Bros. … which it did. According to Eyman’s book, “The Train Robbers” put the studio in the red to the tune of $7.6 million. The film was made with a dull story, starring an uncommitted star, shot by a photographer on the cusp of retirement, and produced by the star’s son … who also had little faith in the project. It was pretty clear that Westerns were done.
The film’s writer/director, Burt Kennedy, even went so far as to write a note of apology to Michael Wayne. The note read “Really feel rotten about ‘Train Robbers’ falling on its ass. Guess it just wasn’t any good.”
Had “The Train Robbers” been good, who is to say what would have happened. But it’s also safe to say that the movie landscape had evolved past the need for old-world oaters like the ones Wayne was making. By the mid 1960s, Westerns had taken a turn for the arty in the hands of filmmakers like Sergio Leone, and what constituted a hit had changed drastically. In 1972, “The Godfather” had caused an enormous splash with a box office of $86 million. The same year as “The Train Robbers,” “The Exorcist” made $82 million. This was a new generation of filmmakers appealing to a new generation of filmgoers. Westerns had no place.
Should a mid-budget MCU-connected film ever come out that seems to elicit audience indifference and apologies from the filmmakers, we might know for sure that superhero films are done, or will be soon.
Cough, “Morbius,” cough cough.

John Wayne

John Wayne Estate Shares Classic Clip from ‘Big Jake’ as It Teases Upcoming ‘Reunion’

As part of the 50th anniversary celebrations of John Wayne’s 1971 film Big Jake, the legendary actor’s estate is teasing an upcoming McCandles Family Reunion.

By 1971, The Duke had already starred in what seems like countless classic western films. In fact, he had already worked with director George Sherman on numerous western projects. But Big Jake would be Sherman’s last film of his long directing career. Although critics reviewed the movie with mixed results, it grossed $7.5 million in the US, which made it one of the most successful films of the year.

The McCandles family bands together to help return Big Jake’s grandson who was kidnapped for ransom. John Wayne’s lead role character is joined by his sons who set off to deliver the kidnapper’s ransom. But the McCandles clan has no intention of handing over the money without a fight.

Now that five decades have passed, John Wayne’s estate is bringing some of the cast back together again. The iconic actor’s sons Patrick Wayne (James MCCandles) and Ethan Wayne (Little Jake) both had starring roles in the 1971 film. Additionally, another Hollywood legend Robert Mitchum’s son, Christopher Mitchum, portrayed Michael McCandles.

All three men are making an appearance at the upcoming reunion. It takes place in Fort Worth, Texas on Nov. 3 with a pre-reception cocktail hour and a live panel interview with the actors. If interested, you can get more information and purchase tickets here.

“‘Not hardly.’ Never underestimate Jacob McCandles… or the whole McCandles family. Join us November 3rd for the McCandles Family Reunion! A live panel featuring Patrick Wayne, Ethan Wayne, and Chris Mitchum,” John Wayne’s official Instagram account wrote.

John Wayne’s Son Patrick Reveals How He Named His Son

Speaking of John Wayne’s son Patrick, he recently revealed in his new podcast that he used one of his dad’s unused nicknames to name his child. That’s right, The Duke’s grandson is named after his grandfather in a roundabout sort of way.

While Wayne’s children haven’t shared the spotlight in Hollywood anywhere close to their father, many of them have acted as well. Patrick Wayne has starred in more than 40 movies over the years, including sharing the screen with his famous dad in 11 films.

While his father’s fans may not know The Duke’s family well, they’re getting to know his children better these days. Wayne’s son Ethan has created The John Wayne Gritcast, a podcast that dives into all things John Wayne. During the debut episode, Ethan’s siblings Patrick and Marisa were special guests. While Wayne’s children spoke about their life with their Hollywood dad, Patrick shared the origin story of his son Anthony’s name.

“Raoul Walsh was going to name my dad, he was gonna name him Anthony Wayne,” Patrick explained. “But then, ya know, they called him ‘Mad Anthony Wayne’ after the general in the Revolutionary War. So they said, ‘Wayne, yeah, but we’ll call him John Wayne. So I named my son Anthony Wayne.”

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John Wayne

John Wayne’s Children Debate His Most Influential Film He Ever Made

“What John Wayne film do you think had the biggest impact on the cinema industry?” asks Marisa Wayne in the first episode of the John Wayne Gritcast. Ethan Wayne says 1930’s The Big Trail, as it was 23-year-old John Wayne’s first leading role.

Patrick Wayne disagrees, stating that The Big Trail was a failure. And it was; as one of the first films with sound to hit theaters, it also followed the Great Depression by a year. Shot in new widescreen format, most theaters refused to spend the money to upgrade their projection equipment in order to show the film, according to the Gilcrease Museum.

Patrick votes for The Searchers, a 1956 western epic directed by John Ford and also starring Natalie Wood and Jeffrey Hunter. The American Film Institute seems to agree with Patrick Wayne: in 2008 the organization named The Searchers the greatest American Western.

According to Patrick, The Searchers was not a critical or financial success. But, with the help of up-and-coming directors in film school who discovered the film, it became a cult classic. “I don’t know if it’s that it was a generation later, people look at it with a different eye,” said Patrick. “But it became impactful and it is today one of the 50 top westerns ever made.”

He goes on to tell the story of how The Searchers got made. Apparently, John Ford wanted to make The Quiet Man, and Warner Bros. weren’t sure about John Wayne in Ireland. So, they made a deal with Ford that if he made a western with John Wayne as well, they would let him make The Quiet Man.

“They made a two-picture deal,” says Patrick. “And that’s how those two films got made. Otherwise they wouldn’t have gotten made.”

John Wayne’s Most Impactful Films

Along with The Searchers, Patrick also spoke about 1949’s Sands of Iwo Jima. The film followed a squad of Marines through basic training all the way to the battle of Iwo Jima in World War II. John Wayne played Sergeant John Stryker, who the men in his squad greatly disliked. He put them through rigorous training, which they eventually learned to appreciate as the battles escalated.

“The U.S. Marine Corps claims today that that film is the reason why the Marine Corps is still existent,” says Patrick. “They have a special place in their heart for John Wayne.”

According to Ethan Wayne, apparently John Wayne was the Armed Forces’ “greatest recruiting tool.” He says that it’s possible General Douglas MacArthur actually wrote to John Wayne to tell him “not to change a single thing he was doing.” John Wayne made most of his war films during the actual war, so it’s no wonder they were great for morale.

When speaking of why so many people come back to his father’s films, Ethan Wayne says, “He led us. He gave us an example to follow.” And ain’t that just the way, pilgrim.

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John Wayne

John Wayne’s Granddaughter Wrote The Song “God Bless John Wayne” In Honor of His 100th Birthday

John Wayne, who starred in countless popular Westerns and was nominated three times for the Academy Award during his 50 years in the film industry, is without a doubt one of Hollywood’s most iconic movie stars. Some of his most notable performances include True Grit, The Man Who Shot Liberty Valance, Rio Bravo, The Searchers, and Stagecoach, among others – which stood to be timeless and keep on collecting a large fan base until today.

More than forty years past his death in 1979, Wayne remains an iconic staple in the film industry. His legacy will continue for a long time – not just because of the greatest films that he made but also through this heartwarming ballad his granddaughter, Jennifer Wayne, wrote in honor of him.

Jennifer Wayne is a celebrity in her own right! She’s a singer, songwriter, and founding member of the country music trio Runaway June. The group used to be Carrie Underwood’s supporting act, and you may know them for their breakthrough hit “Buy My Own Drinks” in 2018.

Sadly, Jennifer never had the chance to meet her iconic grandfather. Wayne died three years before she was born. But that did not stop her from expressing her respect and gratitude for the man he was and the values he instilled in her family.

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