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I had real-world experience. I’d worked in security. I’d worked as a deputy sheriff..CLINT WALKER

Cheyenne star Clint Walker was big, handsome, and a key player in the development of TV westerns. This rugged mountain of a man, said to stand 6’6″, with a 48″ chest and a 32″ waist, played the titular character of TV’s first serious western drama, setting a template followed by shows like Gunsmoke and Bonanza. Walker’s film career never quite lived up to the promise of his 1956-62 Cheyenne run, with one exception — he’s unforgettable as the reluctant badass Samson Posey in The Dirty Dozen.Life sometimes takes us in strange directions. For Clint Walker, life took the scenic route to show business. He began life as Norman Walker thousands of miles away from Hollywood. Nevertheless, the blue-eyed hunk ended his life as a cowboy Western staple, Clint “Cheyenne” Walker. In between those two distant points, Walker worked on cargo ships, riverboats, oil fields, and casinos.

He employed his considerable bulk shifting payloads or, as a bouncer, unwanted guests. His life took a radical turn for the better when actor Van Johnson suggested the gigantic looker try acting as opposed to security. Walker heeded Johnson’s advice figuring, “I’m not going to get that far carrying a gun and a badge. It doesn’t pay that well. If you make movies, you make some pretty good money — plus, the bullets aren’t real!”Walker started in Hollywood as any other actor, taking small roles. First, he was Tarzan with a single memorable line. He recalled:

I come out of the jungle and I beat on my chest. I give the Tarzan yell and I say, ‘You no take Jane.’ These guys get together nose-to-nose and shake their heads. And then they say, ‘We no take Jane.’He followed this nuanced portrayal with an appearance as a silent Sardinian guard in The Ten Commandments.

That’s where Walker really began to learn the ins and outs of Tinsel Town. “Here I was, just a beginner. But I’m working with Anne Baxter, Yul Brynner, Charlton Heston, Sir Cedric Hardwicke, Woody Strode — all these greats. And when I saw them make some mistakes, I thought, Woo! Maybe there’s hope for me. [Laughs.] I began to see what acting was really all about. I know Sir Cedric Hardwicke had a line in there somewhere and he meant to say “these halls” and he said “these balls”. Everybody had a heck of a laugh.”Some actors toil away for a lifetime, never getting their break. For Walker, that break came early in the form of Cheyenne. Despite little experience, Walker owned a few advantages over the army of other actors eager for their shot.

I had real-world experience. I’d worked in security. I’d worked as a deputy sheriff. I’d carried a gun and a badge. And I felt right at home with it. That probably helped me some. I figured, Hey, I’m not going to get it, so why not just relax? Just relax and not worry about it. So that’s what I did. And then Jack Warner went through those two days of screen tests. And when they showed mine, he just said, ‘That is Cheyenne,’ and that was it. And like I said, he changed my name to Clint.At this point, going from bouncer to western TV star ranked as an all-time achievement. However, Cheyenne took place during the western boom and competed with numerous other westerns to stay on the air. In fact, initially, Cheyenne was slated to share airtime with two other Westerns. They fell to the wayside and “Cheyenne” became a massive hit. Walker partially credited working for a big studio like Warner Bros for their success.
“I was blessed by being with Warner Bros., and them being willing to make it an hour-long program. I had a big advantage over the guys that were doing Gunsmoke [which was then a half-hour show] and some of the others. In a half-hour, you can’t develop your characters adequately.”
Walker also recalled that Warner Bros. “had some really good cutters. We couldn’t afford 1,000 cattle if we were doing a cattle drive. But they could go back to their big feature and a good [editor] could cut scenes of the cattle out of a film and put it in our Cheyenne.”
“Of course, once in a while, the cutters could really screw you up. I’d always try to have it so that there’d be one point where they’d pan over to me, and I’d be putting new bullets in my gun, so it would be more believable. Well, the doggone cutters would cut that scene out, and here I’d be shooting a six-shooter about 16 times without reloading. [Laughs.] Oh, those 16-shooters. Nothing like them.”
emplate followed by shows like Gunsmoke and Bonanza. Walker’s film career never quite lived up to the promise of his 1956-62 Cheyenne run, with one exception — he’s unforgettable as the reluctant badass Samson Posey in The Dirty Dozen.
Clint Walker and his trusty horse named Brandy. (cowboysindians)Life sometimes takes us in strange directions. For Clint Walker, life took the scenic route to show business. He began life as Norman Walker thousands of miles away from Hollywood. Nevertheless, the blue-eyed hunk ended his life as a cowboy Western staple, Clint “Cheyenne” Walker. In between those two distant points, Walker worked on cargo ships, riverboats, oil fields, and casinos.
He employed his considerable bulk shifting payloads or, as a bouncer, unwanted guests. His life took a radical turn for the better when actor Van Johnson suggested the gigantic looker try acting as opposed to security. Walker heeded Johnson’s advice figuring, “I’m not going to get that far carrying a gun and a badge. It doesn’t pay that well. If you make movies, you make some pretty good money — plus, the bullets aren’t real!”
Picking Up The Tools Of the Trade
Seeing great actors screw up gave Walker hope he could make it as an actor. (pinterest)Walker started in Hollywood as any other actor, taking small roles. First, he was Tarzan with a single memorable line. He recalled:
I come out of the jungle and I beat on my chest. I give the Tarzan yell and I say, ‘You no take Jane.’ These guys get together nose-to-nose and shake their heads. And then they say, ‘We no take Jane.’He followed this nuanced portrayal with an appearance as a silent Sardinian guard in The Ten Commandments.
That’s where Walker really began to learn the ins and outs of Tinsel Town. “Here I was, just a beginner. But I’m working with Anne Baxter, Yul Brynner, Charlton Heston, Sir Cedric Hardwicke, Woody Strode — all these greats. And when I saw them make some mistakes, I thought, Woo! Maybe there’s hope for me. [Laughs.] I began to see what acting was really all about. I know Sir Cedric Hardwicke had a line in there somewhere and he meant to say “these halls” and he said “these balls”. Everybody had a heck of a laugh.”
Very Early Success
Walker owned plenty of experience drawing women with his shirtless body. (youtube)Some actors toil away for a lifetime, never getting their break. For Walker, that break came early in the form of Cheyenne. Despite little experience, Walker owned a few advantages over the army of other actors eager for their shot.
I had real-world experience. I’d worked in security. I’d worked as a deputy sheriff. I’d carried a gun and a badge. And I felt right at home with it. That probably helped me some. I figured, Hey, I’m not going to get it, so why not just relax? Just relax and not worry about it. So that’s what I did. And then Jack Warner went through those two days of screen tests. And when they showed mine, he just said, ‘That is Cheyenne,’ and that was it. And like I said, he changed my name to Clint.

Standing Out Among The Crowd
Shirtless beefcake and a good story kept “Cheyenne” on air for years. (picclick.co.uk)At this point, going from bouncer to western TV star ranked as an all-time achievement. However, Cheyenne took place during the western boom and competed with numerous other westerns to stay on the air. In fact, initially, Cheyenne was slated to share airtime with two other Westerns. They fell to the wayside and “Cheyenne” became a massive hit. Walker partially credited working for a big studio like Warner Bros for their success.
“I was blessed by being with Warner Bros., and them being willing to make it an hour-long program. I had a big advantage over the guys that were doing Gunsmoke [which was then a half-hour show] and some of the others. In a half-hour, you can’t develop your characters adequately.”
Walker also recalled that Warner Bros. “had some really good cutters. We couldn’t afford 1,000 cattle if we were doing a cattle drive. But they could go back to their big feature and a good [editor] could cut scenes of the cattle out of a film and put it in our Cheyenne.”
“Of course, once in a while, the cutters could really screw you up. I’d always try to have it so that there’d be one point where they’d pan over to me, and I’d be putting new bullets in my gun, so it would be more believable. Well, the doggone cutters would cut that scene out, and here I’d be shooting a six-shooter about 16 times without reloading. [Laughs.] Oh, those 16-shooters. Nothing like them.”
Beefcake Astride a Horse
Walker and the horse ended up getting along great. (neptsdepths.blogspot)A major part of Cheyenne’s and Walker’s success came from his impressive physique. One reporter commented that “he has snow on his shoulders six months of the year.” His character also found convenient or completely inconvenient reasons for him to take his shirt off. For female and probably some male viewers, it worked like catnip.

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This Iconic Actress, Now 91, Is Still Thriving Over 50 Years After ‘I Dream Of Jeannie

Barbara Eden has spent more than seven decades captivating audiences with her multifaceted talents as an actress, singer, and producer. Now in her 90s, her remarkable career shows no signs of slowing, and her life remains a shining example of passion, resilience, and joy. Eden’s name will forever be intertwined with the magic she brought to television, but her personal story goes far beyond the roles she played on screen.

Born in Tucson, Arizona, in 1931, Barbara was introduced to the world of performing at an early age. After her parents divorced, she moved with her mother to San Francisco, where her talents began to flourish. Initially, Eden pursued singing, a passion that saw her perform at nightclubs and in local bands. Her musical training at the San Francisco Conservatory of Music further refined her vocal abilities, preparing her for a career that would take many exciting turns. However, it was her mother’s insight that steered her toward acting—a decision that would shape the rest of her life.

 

When Eden moved to Los Angeles, she began making appearances on television during the 1950s, building a reputation for her talent and charm. Early roles on popular shows like The Johnny Carson Show gave her exposure, and she soon became a familiar face. But the role that would make her a household name was just around the corner. In 1965, she landed the lead part in the fantasy sitcom I Dream of Jeannie, where she portrayed Jeannie, a mischievous and loveable genie who emerges from a bottle to form a whimsical relationship with astronaut Tony Nelson, played by Larry Hagman.

The chemistry between Eden and Hagman became a central element of the show’s success. Eden fondly recalls how naturally they connected on set, creating a dynamic that resonated with audiences. As the series progressed, it became clear that the bond between their characters was much more than mere comedy; it embodied a playful yet charming friendship that helped the show become an enduring classic.
One of the more intriguing aspects of Eden’s portrayal of Jeannie was her costume—a harem-inspired outfit that stood out for its boldness during an era when television adhered to strict standards. This wardrobe choice drew attention not just for its style but also for sparking conversations about what was considered acceptable at the time. Amusingly, one of the show’s most talked-about controversies was the focus on Eden’s navel, which some networks initially tried to obscure. While playful in nature, these moments reflected a cultural shift toward greater openness and humor in entertainment.
Beyond her iconic role as Jeannie, Eden’s career included many other notable projects. She appeared in films, television dramas, and stage productions, demonstrating her range as a performer. Even after I Dream of Jeannie ended, her presence in the entertainment world remained strong. In recent years, she starred as Mrs. Claus in My Adventures with Santa and took to the stage for a production of Love Letters.
Though Eden’s career has spanned more than seven decades, her vitality remains a defining trait. Until a few years ago, she maintained an active gym routine, working out regularly to stay in shape. Today, with the help of a personal trainer, she continues to engage in light resistance exercises and daily walks. Eden has embraced every stage of life with enthusiasm, attributing much of her happiness to staying physically active and socially connected.
Eden’s talents extend beyond acting and singing; she also explored her creativity through writing. Her children’s book, Barbara and the Djinn, serves as a whimsical nod to her most famous role, blending magical adventures with life lessons. Through this project, Eden channels the same imaginative spirit that made her character Jeannie so beloved, offering young readers a story filled with wonder.
Despite the passing decades, Eden’s optimistic outlook has remained unchanged. She doesn’t view I Dream of Jeannie as merely a product of its time but as a timeless story that continues to resonate with viewers of all ages. The show’s charm lies in its heartwarming humor, lighthearted fantasy, and the sense of empowerment that Jeannie’s character embodies. Although Jeannie often found herself in humorous predicaments, she was never portrayed as powerless—she was playful, independent, and always in control of her own choices.
Reflecting on her experiences, Eden remains humble about her influence on the entertainment world. She acknowledges the love and admiration she receives from fans but credits much of her success to her passion for performing and the joy she finds in her work. Her life serves as an example that following one’s passions can lead to lasting fulfillment, no matter where the journey begins.
 
Today, at 91 years old, Barbara Eden continues to be a vibrant figure, inspiring both new and lifelong fans with her energy and enthusiasm. Her story is not just about achieving fame but about embracing every moment life offers. Whether she’s writing books, appearing at fan events, or simply enjoying a quiet walk, Eden embodies the idea that life should be lived with joy and curiosity at every stage.
 
Her career reminds us that success isn’t confined to any specific age or moment. It is a continuous journey fueled by creativity, perseverance, and love for what one does. As Eden’s life unfolds, she remains a beacon of inspiration, showing that age is not a limitation but a testament to experience and wisdom. Her story encourages everyone to celebrate their passions, embrace challenges, and find happiness in each new chapter.
Barbara Eden’s life has been a blend of magic and reality—a journey marked by hard work, creativity, and a touch of whimsy. As fans and admirers reflect on her legacy, they are reminded that true stars are not bound by time; they continue to shine, illuminating lives across generations. And just like Jeannie in her bottle, Eden’s spirit remains timeless, bringing joy to all who encounter her remarkable story.
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Liam Neeson, 72, Reflects On Stepping Away From Action Films

Liam Neeson’s cinematic journey has spanned almost five decades, during which he’s portrayed characters as diverse as a Jedi Master, a member of the Nazi party for a morally complex role, a charming widower, and, most famously, a relentless father in the Taken series—a role that unexpectedly transformed him into an action icon in his mid-fifties. This reinvention turned Neeson, known primarily for dramatic roles, into a household name synonymous with high-stakes action and gritty resolve.

Now, at 72, Neeson is contemplating retirement from action films, remarking that “it has to stop at some stage.” As age advances, the once seemingly indestructible action hero wonders if he can still convincingly deliver the intense scenes that audiences have come to love. For fans, the news might signal the end of an era.

Over the years, Liam Neeson has built a reputation as a versatile and deeply respected actor. His breakout role came in the early 1990s when he played Oskar Schindler in Schindler’s List, a film that earned him international acclaim and solidified his place among Hollywood’s finest. The performance not only brought him critical recognition but also opened the door to numerous award nominations, setting the stage for a career that would defy easy categorization.

Throughout the following decade, Neeson showcased his range by diving into various roles—from romantic leads to iconic characters like Jedi Master Qui-Gon Jinn in the Star Wars prequel trilogy, a part in one of cinema’s biggest franchises. But his career took an unexpected turn in 2008 with Taken, where he portrayed Bryan Mills, a retired CIA operative determined to save his kidnapped daughter. The role, featuring the unforgettable line “I will find you, and I will kill you,” became an instant classic. It struck a chord with audiences worldwide and catapulted Neeson into the realm of action, marking a new chapter in his career at a time when most actors might be winding down.

This foray into action films at age 56 came as a surprise to many who knew him for his dramatic roles. However, Taken proved that Neeson had the grit and gravitas needed to captivate action fans, and his portrayal of Bryan Mills was widely praised. The film’s success not only made him a viable action star in his late fifties but also led to two sequels and a series of similar roles that showcased his tough, relentless on-screen presence.
Neeson himself acknowledges the unique appeal that his performance seemed to tap into. He noted in a recent interview that Taken had “touched something in the psychic nerve of moviegoing audiences.” The role’s intensity, coupled with Neeson’s no-nonsense delivery, made Mills an iconic character. The franchise’s massive success marked Neeson’s status as a top action star, allowing him to take on similar roles in films that demanded physical prowess and the portrayal of complex, often tortured characters.
Hans Petter Moland, who directed Neeson in Cold Pursuit (2019) and the upcoming film Thug, describes the actor’s deep commitment to his roles. “When he’s immersed in the character, you see the hurt, you see the pain,” Moland shares. “He becomes that man.” This ability to embody his characters so convincingly has helped Neeson maintain a strong connection with audiences even as he’s aged.
Despite his ongoing success, Neeson has indicated that his age is beginning to limit his ability to perform demanding action scenes. Known for his hands-on approach to stunts, Neeson has always preferred to do as much of his own action work as possible, often collaborating with his longtime stunt coordinator and double, Mark Vanselow. Their partnership, which began with Taken, has become a defining part of Neeson’s late-career action roles. Vanselow designs intense fight sequences tailored to Neeson’s abilities, ensuring that the actor can perform as much of the action as possible without compromising safety. However, Neeson admits, “You can’t fool audiences. I don’t want Mark to be fighting my fight scenes for me.” This honesty about his limits reflects his respect for both the art of film and the intelligence of his fans.
When pressed about his retirement timeline, Neeson hints that he may be ready to step back from action films in the near future, possibly by the end of next year. This revelation is bittersweet for fans who have come to see Neeson as an enduring figure in action cinema. However, the actor doesn’t appear to be entirely stepping away from the screen. He’s now exploring a new direction, taking on roles in comedy, a genre he’s rarely ventured into.
Recently, Neeson completed filming The Naked Gun, a reboot of the 1988 crime spoof comedy originally starring the late Leslie Nielsen as the hilariously inept cop Frank Drebin. In the 2025 release, Neeson takes on the role of Drebin, partnering with Baywatch star Pamela Anderson. “I’m madly in love with her,” he says of Anderson, adding, “I can’t compliment her enough. She’s funny.” Though Neeson himself is uncertain about his comedic abilities, Anderson assures fans that his humility doesn’t reflect his talent. “It was hard to keep a straight face in scenes together,” she shares, hinting at a lively chemistry between the two on set.
Neeson’s move into comedy represents yet another reinvention in a career that has already seen many transformations. While it may seem like an unusual choice for someone known for intense dramatic and action roles, it’s also a testament to Neeson’s desire to continue challenging himself and keeping his work fresh. Trying his hand at comedy could open new doors and help him connect with audiences in a different way, allowing fans to see a lighter side of him.
As he approaches what could be his final year in action films, Neeson’s legacy as a cinematic chameleon who has skillfully navigated roles across genres is undeniable. From his early days as a respected dramatic actor to his unexpected rise as an action hero and now a budding comedy star, Neeson’s career has been one of resilience, reinvention, and an unwavering commitment to his craft. Even if he ultimately steps away from the action genre, fans will surely continue to follow his journey, eager to see what he brings to the screen next.
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James Arness was, as The Tallahassee Democrat wrote , “one of the most private men in Hollywood

For the three-part Gunsmoke episode “Gold Train,” Matt Dillon receives a bullet wound that Doc decides is beyond his skill level to operate.

This sends the Marshal on a harrowing journey by train to see a specialist.

The whole sprawling episode, it’s bad enough the lawman is on the brink of paralysis, but then the action amps up even more when a gang hijacks the train, led by an outlaw who bears a very deep grudge against Matt.

It’s certainly a gripping episode, and it’s one in which you see how much this seasoned cast of characters truly cares for one another.

During the third part, Festus fills in as the hero, as Doc overcomes his fears of inadequacy to ultimately save Matt from losing feeling in his limbs forever.
By 1971, Gunsmoke had been on the air for 16 years, and you’d think that would give the main cast plenty of time to get to know one another, but famously Gunsmoke star James Arness was, as The Tallahassee Democrat wrote , “one of the most private men in Hollywood.”
His closest onscreen costar Amanda Blake, who played Kitty, said Arness kept everyone at a distance.
“Jim is the mystery man,” Blake said. “Like most men, he’s an overgrown 12-year-old. He’s delightful, charming, one of the funniest men I’ve ever known. I really don’t know much about him, because he’s a private person. But he’s fun to work with.”
She said in the whole time she’d shared the screen with Arness, his cool but charming demeanor never changed, and Festus actor Ken Curtis agreed.
“I’ve been on the show 10 years and Jim hasn’t changed one iota,” Curtis said.
To Curtis, this sealed-off part of Arness’ personality was likely the reason why Gunsmoke went on so long. It was a good thing he kept to himself and never started any drama with anyone over all those years.
“I’ve seen many shows go down the drain because the star becomes impossible and disliked by everyone,” Curtis said. “He’s terrific to work with. When the time comes to buckle down to work, he’s ready.”
In 1973, Arness was named broadcasting’s Man of the Year, an honor won almost entirely on the strength of his enduring character work as Matt Dillon, but also propelled by a fascination the general public had with Arness.
Who was he, really? They must’ve thought: Let’s name him Man of the Year and find out!
At this time in his life, Arness rarely made any public appearances. He’d never be found chatting up fans beyond a cordial autograph signing here and there. Instead, he spent his time sailing or skiing at his Hawaii vacation home or flying his private plane to disappear into Baja California.
Nobody really knew what he was up to, and he liked it that way.
His costars didn’t mind him putting up a privacy fence around his personal life. They were happy to work with such a laid-back star.
“He’s the most unhypocritical man I know,” Millburn Stone, who played Doc, said. “He’s consistent. He is what he is, lives the way he does, and that’s it.”
When Arness accepted his Man of the Year award, it was a big deal. A thousand people packed into the audience as the tall TV cowboy made that rare appearance in the real world.
Hosting the event was comedy legend Carol Burnett. She made a crack about how hard it was to get close to Arness, and also admitted to harboring a big crush on the quiet cowboy!
“I’m thrilled to be giving this wonderful award to this wonderful man,” Burnett told the crowd. “I don’t know this man, but I’ve had the hots for him for years.”
Taking the award from Carol, Arness demurred. Instead of giving a speech and showing a glimpse of who he was inside, he kept his stage face on, saying, “Those are mighty kind words, gal. I’d like to invite you over to the Long Branch to walk up those stairs with you.”
Just a year short of 50, Arness then made a crack at his age, always shrouding any personal candidness with references to his famous show.
“Kitty and I have been walking up those stairs for 18 years and if it goes on much longer, they’ll have to move the room downstairs,” he joked.
As Gunsmoke’s long TV run wound down through the next few years, Arness kept quiet about how he enjoyed his own fame and fortune, and who he was at home.
But he did tell that crowd of 1,000 in 1973 that if it were up to him, he wouldn’t describe himself as “Man of the Year.”
One of TV’s biggest stars of all time used a humbler clump of words to sum himself up.
“I’m a lucky guy,” he said, tipping his hat and ducking back out of the public eye.
 
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