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Sean Connery :”I don’t think there is anything particularly wrong about hitting a woman, although I don’t recommend doing it in the same way that you’d hit a man

The former James Bond actor noted that he would only resort to hitting a woman “if he had tried everything else” at the time.

At the end of last year, on December 30, 2022, noted journalist Barbara Walters died. The 93-year-old interviewer spoke to some iconic faces across her career, including Michael Jackson, Barbra Streisand and Fred Astaire – to name but a few. However, one interview with a former James Bond star, Sean Connery, left the journalist speechless.

A shocked Walters put the question to Connery: “You think it’s good to slap a woman?” in a resurfaced 1987 interview.

The famed journalist asked the former 007 this question after he made some comments about attacking women in an interview with Playboy magazine back in 1965.

At the time, the actor – who played James Bond from 1962 to 1971 with Eon, before playing the hero again in 1983 – said: “I don’t think there is anything particularly wrong about hitting a woman, although I don’t recommend doing it in the same way that you’d hit a man.” He noted that an “openhanded slap” would be “justified” if “all other alternatives fail and there has been plenty of warning”.
He added: “If a woman is a b***h, or hysterical, or b****y-minded continually, then I’d do it.”
Walters quizzed Connery on these comments, and he responded: “I don’t think it’s good. I don’t think it’s bad. But it depends entirely on the circumstances and if it merits it.”
Walters continued to drill the 007 star, asking him what kind of circumstances would “merit” slapping a woman. “Well, if you have tried everything else,” he replied. “And women are pretty good at this, they can’t leave it alone. They want to have the last word, and you give them the last word, but they’re not happy with the last word. They want to say it again, and get into a really provocative situation. Then – I think it’s absolutely right.”
He went on to reiterate: “Seriously, it’s the last resort. He’s not gonna do it because he wants to do it.”
Walters smirked: “Wait until people see this interview. You’re gonna get mail.”
Six years later, in 1993, Connery spoke with Vanity Fair where he defended his interview with Walters. He claimed his words had been taken out of context.
“They taped two hours of me and only showed 20 minutes,” he said. “Barbara Walters was trying to get me to say it was okay to hit women. But I was really saying that to slap a woman was not the crudest thing you can do to her.” He added: “I said that in my book – it’s much more cruel to psychologically damage somebody. That’s what they’re looking for, the ultimate confrontation – they want a smack.” (sic)
Walters’ official cause of death has not been announced, but she had previously dealt with some heart issues. She was 93-years-old.
CEO of Disney and owner of ABC, Bob Igor, confirmed the death in a statement. He said: “I have sad news to share today as Barbara Walters passed away this evening at her home in New York. Barbara was a true legend, a pioneer, not just for women in journalism, but for journalism itself.”
He added: “She was a one of a kind reporter who landed many of the most important interviews of our time; from heads of state to the biggest celebrities and sports icons. I had the pleasure of calling Barbara a colleague for more than three decades. More importantly, I was able to call her a dear friend. She will be missed by all of us at the Walt Disney company and we send our deepest condolences to her daughter.” (sic)
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Timmy From Lassie Unveils The Untold Secrets Of TV’s Most Iconic Dog

For almost two decades, countless viewers were captivated by the charming escapades of one of television’s most beloved dogs – Lassie. This remarkable Rough Collie and her human companions graced the screens for an impressive 17 seasons, running from 1954 to 1973, becoming a fixture in American households. The series even bridged the transition from black-and-white to color in the 1960s, a testament to its enduring appeal.

One of the most unforgettable characters who joined the show was a young boy named Timmy Martin, who became an essential part of the Lassie legacy. Timmy, played by a then-7-year-old Jon Provost, first appeared in the show’s fourth season when his on-screen family adopted Lassie. Now, years later, Jon Provost has celebrated his 74th birthday, looking back fondly on his time spent filming alongside his loyal four-legged companion.

Jon Provost’s journey to stardom began much earlier than his iconic role on Lassie. Born in Los Angeles, Jon was just 3 years old when he was thrust into the world of Hollywood, quite by accident. His mother, an ardent fan of actress Jane Wyman, took him to an audition for a movie Wyman was starring in, simply in hopes of obtaining the star’s autograph. But out of over 200 children auditioning for a role, it was young Jon who unexpectedly landed the part. This would mark the start of a remarkable career.

Despite this early foray into acting, nothing about Jon’s upbringing hinted at a future in the entertainment industry. His father, far removed from the glitz of Hollywood, worked as an aeronautical engineer. “My parents weren’t Hollywood people,” Jon reflected. “My father came from Alabama, and my mother was from Texas.” Nevertheless, by the age of 4, Jon was already working on his second movie, this time alongside legendary stars Grace Kelly and Bing Crosby.

With his growing résumé, Jon found himself securing roles in a number of films before he eventually found his way onto Lassie. “I didn’t have an agent at the time,” Jon revealed in an interview with Fox News. “But one thing led to another, and soon I was cast in movies like The Country Girl with Bing Crosby and Grace Kelly.” By the time he joined Lassie, Jon had already appeared in approximately 12 films, a remarkable feat for someone so young.
As for Lassie, Jon formed a close bond with the three different male dogs who each portrayed the famous female dog. While each of these canine actors left an impression, Jon had a special connection with the last dog to play Lassie, with whom he spent the most time on set. “I did the show for seven years, across 249 episodes,” Jon reminisced. “I worked with three different Lassies, but the last one I spent five years with. We practically grew up together, seeing each other five days a week, sometimes even on weekends.”
According to Jon, the dogs who played Lassie were consummate professionals, often more reliable than their human counterparts. “The actors made more mistakes than the dogs,” Jon humorously noted. “They were more of a problem than Lassie ever was!”
At the age of 14, after his long tenure on Lassie, Jon Provost left the show and moved on to new opportunities. He worked with notable actors like Natalie Wood and Kurt Russell, but he managed to avoid many of the pitfalls that have troubled other child stars. Jon credits his parents for allowing him the freedom to make his own choices. “My parents let me pretty much do what I wanted,” he said. “They didn’t push me into acting, and I didn’t feel like I had to take any job just to stay relevant.”
After stepping away from Hollywood, Jon embraced a quieter life. Reflecting on his decision to leave show business, he remarked, “I thought it was a good thing that I left Hollywood when I did.” Though he no longer seeks the spotlight, Jon still cherishes the memories of his time on Lassie and continues to receive fan mail from devoted viewers who grew up watching the iconic show.

In 1994, Jon Provost was honored with a star on the Hollywood Walk of Fame, a testament to his enduring impact on the world of television. Meanwhile, the character of Lassie achieved such fame that she was featured in her own radio series, further cementing her status as one of the most famous dogs in entertainment history.
While Jon’s professional life was marked by success, his personal life also experienced its share of changes. In 1979, Jon married Sandy Goosens, with whom he had two children, Ryan and Katie. However, after 14 years of marriage, the couple divorced in December 1993. Six years later, in 1999, Jon found love again and married Laurie Jacobson, an accomplished researcher and author. Laurie’s work in the entertainment industry, particularly her interest in Hollywood history, complemented Jon’s own experiences, making them a well-matched pair.
For those who followed the adventures of Lassie and her human companions, the show remains a nostalgic reminder of a simpler time. Each episode carried a moral lesson, making it an ideal program for children and families. The bond between Timmy and Lassie embodied the essence of loyalty and friendship, values that resonated deeply with audiences.
Today, Jon Provost enjoys life away from the hustle and bustle of Hollywood. Residing in Northern California, he continues to engage with fans through events and public appearances, often reflecting on his cherished memories from his time on Lassie. Despite the years that have passed, the show and its lessons remain timeless. As Jon looks back on his journey, both on-screen and off, it is clear that his contribution to the legacy of Lassie will never be forgotten.
Jon Provost’s career and personal story serve as an inspiring reminder of how one can navigate early fame and emerge with lasting positivity. Though the cameras have long since stopped rolling, his impact on television and the hearts of Lassie fans endures to this day.

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Little-Known Bloopers In Dirty Dancing

Watching movies you loved as a kid can reveal things you missed, offering fresh insight as you catch new details, including the occasional inconsistency or editing mistake. Revisiting Dirty Dancing, a film cherished since its release in 1987, reveals just how much effort went into creating this iconic story of love and dance. Even though it remains a fan favorite for its music, memorable characters, and classic storyline, some bloopers and continuity errors slipped through the cracks. Let’s look into these surprising goofs in this beloved film, from unnoticed edits to interesting details involving the characters.

Revisiting classic movies like Dirty Dancing evokes nostalgia. The film, which captures the spirit of love and rebellion, has managed to stay relevant for decades. Even years after its release, scenes like Johnny lifting Baby remain unforgettable, accompanied by hits like “I’ve Had the Time of My Life” and “Hungry Eyes.” With Patrick Swayze and Jennifer Grey’s characters displaying undeniable chemistry, the film presents an iconic blend of romance, dance, and drama. But like all art, Dirty Dancing wasn’t crafted perfectly. Small mistakes and continuity slips add a unique charm, though they also highlight some surprising production oversights.

One of the most famous scenes involves the charismatic Johnny Castle, played by Patrick Swayze, performing his unforgettable final dance. As he leads Baby onto the dance floor, viewers who pay close attention might notice his hair mysteriously changing from wet to dry between takes. In one moment, he’s glistening with sweat; in another, his hair is mysteriously dry. This change is almost as if the passionate dance routine has its own hidden magic! This editing inconsistency may seem small, but for eagle-eyed viewers, it’s a curious flaw in an otherwise smooth performance.

Patrick Swayze smiles for camera.

Another humorous continuity issue occurs when Johnn and Baby finish their dance. Johnny, in his leather jacket, escorts Baby across the dance floor, but in a following shot, the pair reappears at the dance floor’s center, where they had just finished their routine. It’s an unusual moment, as if the two characters moved back and forth without explanation. While these lapses don’t detract from the magic of the scene, they do offer fans a fun opportunity to catch the production team’s small slip-ups.
Speaking of the iconic leather jacket, it makes yet another surprising appearance. In one scene, Johnny dramatically removes his jacket before the dance, tossing it aside with flair. However, in a follow-up angle, he’s seen taking it off again as though it magically reappeared. This repetition may have been an unintentional error, but it’s a minor oversight that stands out when you watch closely.
An even subtler inconsistency involves one of Baby’s most famous lines, delivered during a nervous moment when she first interacts with Johnny. She awkwardly says, “I carried a watermelon,” in response to his questioning gaze. Embarrassed, she mouths the line to herself as if questioning why she said it. Moments later, however, Baby says the line out loud once more in a different shot, creating a duplicate of her internal cringe. For those who catch it, it’s an amusing little blunder that adds to the charm of her awkward interaction with Johnny.
One of the more amusing aspects of the film involves the real-life interactions between Patrick Swayze and Jennifer Grey. Their chemistry is palpable on screen, but it wasn’t always smooth behind the scenes. There were times when their personalities clashed, leading to moments of frustration during filming. A scene where Swayze’s character runs his hand down Grey’s arm captures a genuine reaction: the visible frustration as she repeatedly missteps was unscripted, as Swayze reportedly became irritated by the delays. In his autobiography, Swayze revealed how their different approaches led to friction. He described Grey as having a tendency to laugh or become emotional during takes, causing occasional delays and requiring patience on his part. However, their dynamic created a uniquely authentic connection, giving their characters’ chemistry an extra layer of realism.
Another well-loved part of the film is the climactic lift scene, where Johnny raises Baby high in the air. Contrary to what some might think, Jennifer Grey was terrified of the lift and insisted on performing it only once. Her anxiety about the scene actually added a level of intensity that made it even more memorable. That single take became an iconic moment that fans continue to celebrate. Her genuine fear gave the lift an authentic edge, contributing to its emotional impact.
As the film progresses, one last continuity error sneaks into a scene involving Johnny’s belt. Toward the end, Johnny defends Penny by confronting Robbie, the man responsible for her pregnancy. During their fight, Johnny’s belt appears to be securely fastened. However, in a subsequent shot, the belt looks mysteriously undone, only to be fastened again moments later. Though minor, these small wardrobe malfunctions subtly disrupt the flow, creating amusing Easter eggs for observant viewers.
While these mistakes and continuity issues don’t detract from the movie’s enjoyment, they offer fans of Dirty Dancing something extra to discuss and laugh about. Recognizing these little bloopers adds a layer of charm to an already beloved film, reminding us that even cherished classics aren’t perfect. In a way, these imperfections make the film even more endearing because they reveal the human side of the production process. Movies, much like any creative work, often undergo countless takes, edits, and tweaks, and it’s almost inevitable for some details to escape notice.
Despite these small errors, Dirty Dancing has endured as a cultural phenomenon. Its memorable soundtrack, combined with the unique charisma of its leads, ensures it continues to inspire new generations of fans. Watching the film again, knowing about these behind-the-scenes details, only adds depth to the experience. It’s a movie that, even with its slip-ups, has the rare ability to create a lasting emotional impact. The characters’ journey, the unforgettable music, and the joyous celebration of dance remind audiences of the magic that storytelling brings, even if it’s not flawless.
Every time we return to Dirty Dancing, we discover something new—whether it’s a continuity mistake or an extra beat of chemistry between Johnny and Baby. It’s a testament to the film’s charm that fans continue to embrace it, imperfections and all. Just as the characters grow and learn in the story, viewers find fresh details to enjoy with every rewatch. These little mishaps offer fans a fun opportunity to appreciate the quirks that make the film feel like an old friend, full of charm and a bit rough around the edges, just like life itself.
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This Iconic Actress, Now 91, Is Still Thriving Over 50 Years After ‘I Dream Of Jeannie

Barbara Eden has spent more than seven decades captivating audiences with her multifaceted talents as an actress, singer, and producer. Now in her 90s, her remarkable career shows no signs of slowing, and her life remains a shining example of passion, resilience, and joy. Eden’s name will forever be intertwined with the magic she brought to television, but her personal story goes far beyond the roles she played on screen.

Born in Tucson, Arizona, in 1931, Barbara was introduced to the world of performing at an early age. After her parents divorced, she moved with her mother to San Francisco, where her talents began to flourish. Initially, Eden pursued singing, a passion that saw her perform at nightclubs and in local bands. Her musical training at the San Francisco Conservatory of Music further refined her vocal abilities, preparing her for a career that would take many exciting turns. However, it was her mother’s insight that steered her toward acting—a decision that would shape the rest of her life.

 

When Eden moved to Los Angeles, she began making appearances on television during the 1950s, building a reputation for her talent and charm. Early roles on popular shows like The Johnny Carson Show gave her exposure, and she soon became a familiar face. But the role that would make her a household name was just around the corner. In 1965, she landed the lead part in the fantasy sitcom I Dream of Jeannie, where she portrayed Jeannie, a mischievous and loveable genie who emerges from a bottle to form a whimsical relationship with astronaut Tony Nelson, played by Larry Hagman.

The chemistry between Eden and Hagman became a central element of the show’s success. Eden fondly recalls how naturally they connected on set, creating a dynamic that resonated with audiences. As the series progressed, it became clear that the bond between their characters was much more than mere comedy; it embodied a playful yet charming friendship that helped the show become an enduring classic.
One of the more intriguing aspects of Eden’s portrayal of Jeannie was her costume—a harem-inspired outfit that stood out for its boldness during an era when television adhered to strict standards. This wardrobe choice drew attention not just for its style but also for sparking conversations about what was considered acceptable at the time. Amusingly, one of the show’s most talked-about controversies was the focus on Eden’s navel, which some networks initially tried to obscure. While playful in nature, these moments reflected a cultural shift toward greater openness and humor in entertainment.
Beyond her iconic role as Jeannie, Eden’s career included many other notable projects. She appeared in films, television dramas, and stage productions, demonstrating her range as a performer. Even after I Dream of Jeannie ended, her presence in the entertainment world remained strong. In recent years, she starred as Mrs. Claus in My Adventures with Santa and took to the stage for a production of Love Letters.
Though Eden’s career has spanned more than seven decades, her vitality remains a defining trait. Until a few years ago, she maintained an active gym routine, working out regularly to stay in shape. Today, with the help of a personal trainer, she continues to engage in light resistance exercises and daily walks. Eden has embraced every stage of life with enthusiasm, attributing much of her happiness to staying physically active and socially connected.
Eden’s talents extend beyond acting and singing; she also explored her creativity through writing. Her children’s book, Barbara and the Djinn, serves as a whimsical nod to her most famous role, blending magical adventures with life lessons. Through this project, Eden channels the same imaginative spirit that made her character Jeannie so beloved, offering young readers a story filled with wonder.
Despite the passing decades, Eden’s optimistic outlook has remained unchanged. She doesn’t view I Dream of Jeannie as merely a product of its time but as a timeless story that continues to resonate with viewers of all ages. The show’s charm lies in its heartwarming humor, lighthearted fantasy, and the sense of empowerment that Jeannie’s character embodies. Although Jeannie often found herself in humorous predicaments, she was never portrayed as powerless—she was playful, independent, and always in control of her own choices.
Reflecting on her experiences, Eden remains humble about her influence on the entertainment world. She acknowledges the love and admiration she receives from fans but credits much of her success to her passion for performing and the joy she finds in her work. Her life serves as an example that following one’s passions can lead to lasting fulfillment, no matter where the journey begins.
 
Today, at 91 years old, Barbara Eden continues to be a vibrant figure, inspiring both new and lifelong fans with her energy and enthusiasm. Her story is not just about achieving fame but about embracing every moment life offers. Whether she’s writing books, appearing at fan events, or simply enjoying a quiet walk, Eden embodies the idea that life should be lived with joy and curiosity at every stage.
 
Her career reminds us that success isn’t confined to any specific age or moment. It is a continuous journey fueled by creativity, perseverance, and love for what one does. As Eden’s life unfolds, she remains a beacon of inspiration, showing that age is not a limitation but a testament to experience and wisdom. Her story encourages everyone to celebrate their passions, embrace challenges, and find happiness in each new chapter.
Barbara Eden’s life has been a blend of magic and reality—a journey marked by hard work, creativity, and a touch of whimsy. As fans and admirers reflect on her legacy, they are reminded that true stars are not bound by time; they continue to shine, illuminating lives across generations. And just like Jeannie in her bottle, Eden’s spirit remains timeless, bringing joy to all who encounter her remarkable story.
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