Connect with us

Clint Eastwood

‘A Perfect World’: Clint Eastwood’s Most Underrated Movie.

The 1993 film is among Eastwood’s best directorial efforts.

At 91 years old, Clint Eastwood continues to be one of Hollywood’s most prolific directors. Eastwood often puts projects together quickly; Richard Jewell began filming in June and hit its December release date, and less than a year later he was back behind and in front of the camera for his latest feature Cry Macho. While Eastwood has teased that Cry Macho may be his closing chapter, it’s anyone’s guess if he’ll follow through with that promise or find another story that sparks his interest.

Compared to his other work, 1993’s A Perfect World is somewhat of an anomaly. Eastwood has nearly forty directorial credits to his name and gravitates towards westerns, action films, and thrillers. Based on the premise alone, A Perfect World sounds like it’s right up Eastwood’s alley. Set in Texas in 1963, the film follows escaped convict Butch Haynes (Kevin Costner), who takes an eight-year-old child named Phillip (T. J. Lowther) hostage while fleeing authorities.

Regret and destiny are themes Eastwood frequently explores, yet A Perfect World is among the most tragic and surprisingly unsentimental films of his career. Phillip isn’t utilized to soften the heart of the gruff Butch, nor is Phillip empowered by the dangerous experience. It’s a film about trauma that doesn’t heal; Phillip and Butch are able to momentarily bond while discussing their pasts, but their realities don’t change as a result.

As Butch travels with the boy towards an escape route in New Mexico, he’s steadily impressed by his captive’s inventiveness. Phillip steals a ghost costume, but it’s not framed as a cutesy moment. Rather, he’s shown a disregard for civility reminiscent of the man he just watched kill his own partner.

Phillip was raised in a Jehovah’s Witness community by his mother and sisters, and Butch gives him a broader worldview. His naivete isn’t exaggerated; there are more blatant aspects of childhood that Butch is surprised to learn Phillip knows nothing about (such as Christmas or Halloween celebrations), but he’s also secluded from developing self-respect. When Hayne encourages Phillip to have confidence after the boy reveals he’s been bullied, it’s not positioned as an out-of-character moment of kindness on Butch’s behalf. The words of encouragement come as a surprise, and the scene is more tragic in revealing Phillip’s self-loathing than they are a charming moment of bonding.

Butch’s growing interest in Phillip’s development are strengthened as he reveals his own troubled childhood. Fleeing his violent father, Butch had already developed a reputation by the time he was a teenager and served a full sentence after being denied juvenile prison. Butch’s supportive words of Phillip are tragically ironic; they’re an attempt at replicating a father-son relationship he never had, even if he knows it isn’t sustainable.

While Phillip takes Butch’s lessons about right and wrong to heart, he also learns that his new father figure often doesn’t follow his own rules. As the pair hides at a ranch New Mexico, Butch becomes angered witnessing the violent outbursts that the owner Mack (Wayne Dehart) inflicts upon his wife. Butch threatens to kill him, and Phillip is forced to evaluate the situation in a split second. Is Butch justified, and would Mack’s death even resolve the situation? These aren’t questions an eight-year-old should have to consider, let alone bear responsibility for, but in the tense face off, Phillip is forced to be the voice of reason.

Eastwood casts himself as Texas Ranger Red Garnett, who aims to capture Butch alive before he sparks a conflict with other pursuing authorities. Garnett’s motivation in aprehending Butch is personal, as its revealed that he was the arresting officer that detained Garnett in his youth. Butch is unaware of the connection, but its a decision that haunts Garnett. While he thought that forcing Butch to see the consequences of his actions would’ve spared him of his abusive father, he realizes that it only hardened Butch’s outlook.

Eastwood frequently casts himself in the lead, but he’s equally effective in a supporting role. Garnett is far different than a character like Unforgiven’s Will Munny, as he’s not an evil man trying to redeem a life of hatred, but rather a career lawman regretting a misconstrued attempt at giving Butch a way out. Eastwood is terrific playing internalized guilt, as Garnett only gradually reveals his motivations to criminologist Sally Gerber (Laura Dern). While the film builds towards their confrontation, they don’t share words; Butch never learns of the man who sealed his fate, and Garnett never gets the chance to voice his apology.

Eastwood is no stranger to long runtimes, but A Perfect World’s 138 minutes don’t feel excessive. The suspenseful sequences are realistic; when Butch’s partner Terry Pugh (Keith Szarabajka) threatens to kill him, they discuss their options over an extended conversation. The two aggressive men have reason enough to hate each other, as they only escaped together out of necessity, but both understand the value in mapping an escape together. That Terry’s death only comes after he threatens Phillip is a great character building moment for Butch; he’s willing to risk his own future to protect Phillip in the film’s first true act of selflessness.

Although tension steadily mounts as Garnett follows Butch’s trail, the climax is more of an inevitability than it is the conclusion of a relentless chase. Butch’s death comes through another mischaracterized act of kindness; choosing to spend a few fleeting moments with Phillip, a simple gift is misinterpreted as a weapon by a triggerhappy sniper. In this moment all the characters see their “perfect world” slip away; Garnett loses his chance to confess to Butch, Phillip is doomed to return to his religious upbrining, and Butch loses his life after showing his benevolence. While he’s known for his lack of storyboarding and minimal camera setups, Eastwood’s meticulous approach to conflict in A Perfect World’s tragedy makes it more effective.

Eastwood is known for his hypermasculine characters, but A Perfect World is perhaps his best film about masculinity, as its trio of traumatized men are all punished for showing sensitivity. Eastwood’s films are frequently under fire for their political baggage, but A Perfect World doesn’t lionize its characters or offer an easy solution. It presents a slice of reality, and the flawed characters forced to inhabit it.

Clint Eastwood

The Shining Actor Broke Down Into Tears While Working With Clint Eastwood After Being Traumatized By Stanley Kubrick On Set

Director Stanley Kubrick is known for being a taskmaster on his sets. Many actors have recounted horror stories about the director’s dedication to details and how they had to endure as much as a hundred takes due to Kubrick’s penchant for perfectionism.
Scatman Crothers, the actor who played Dick Hallorann in Kubrick’s adaptation of The Shining also recounted memories of going on multiple takes for simple shots. In fact, Crothers was affected so strongly by Kubrick’s style that when he next worked with director Clint Eastwood, he broke into tears as he was satisfied with a single take.
Scatman Crothers On Stanley Kubrick’s Style Of Filmmaking

Scatman Crothers

Scatman Crothers

Actor and musician Scatman Crothers got to work on Stanley Kubrick’s The Shining after being recommended by his frequent collaborator Jack Nicholson. Nicholson and Crothers had featured in three movies before and while shooting for the classic One Flew Over The Cuckoo’s Nest, Nicholson told him that there was a role waiting for him.
Crothers was cast after he met Stanley Kubrick in the role of Dick Hallorann, the chef of the Overlook Hotel and a man who also possesses the power to ‘shine’ like Danny Torrance. Crothers was reportedly amused by Kubrick’s insane dedication to perfection and the number of takes he filmed to get what he wanted.

Stanley KubrickStanley Kubrick

Talking to Scraps From the Loft, Crothers spoke about Stanley Kubrick’s directing style,
“Stanley shot 87 takes of the scene in the ballroom with all of the cast. Even the part where I get out of the Sno-Cat and walk to the hotel door—a scene that has no dialogue—took 40 takes. Around the 39th take, I asked Stanley, ‘How do you want me to do it?’ He answered. ‘Walk a little bit to your left.’ So I said. ‘Look, show me how you want me to walk, give me the rhythm,’ and then we got the shot.”
Crothers reportedly also performed the stunts in the film on his own, in the scene where he gets struck with an axe by Jack Nicholson. The scene reportedly took twenty-five takes to get right.
Scatman Crothers Broke Down In Tears While Working With Clint Eastwood

Clint EastwoodClint Eastwood

After his grueling stint on The Shining with director Stanley Kubrick, Scatman Crothers went on to work with director Clint Eastwood on the Western-comedy Bronco Billy. The director is known for being extremely efficient and reportedly often films only one take for every shot. This was a polar opposite experience for Crothers, who had by then become used to Kubrick’s intense style.
The actor reportedly broke down in tears after his performance was given the thumbs up by Eastwood after one take. Crotehrs spoke about the directors’ differing working styles,
“Clint’s much more of an easy-going director Clint would do a shot once or twice and I’d ask him, ‘Is that alright?’…Clint would answer, ‘Well sure. Scat.’ I’d say. ‘Okay, man!’ because after working with Stanley [Kubrick] for so long, I was used to doing anywhere from 15 to 30 takes.”
The actor would years later be in tears yet again after being asked how it was to work with such legendary directors. Crothers assured that they were tears of joy.

Continue Reading

Clint Eastwood

You Won’t Believe How Much Clint Eastwood Was Earning Before He Landed His First Leading Role in a Movie

With a career spanning over 6-decades, Clint Eastwood has made a mammoth fortune with his net worth standing at $375M following his contribution to the field of acting, filmmaking, and composing. However, it wasn’t always sunshine and rainbow when it came to his salary in the entertainment industry, especially during his early 20s when he was just starting out as an actor.
Although it took Eastwood a while to land his first acting gig after getting rejected for Six Bridges to Cross, the following year, he made his acting debut in Revenge of the Creature. But after a string of minor and often uncredited roles, his career eventually picked up the pace with the western series Rawhide, for which he wasn’t exactly paid boatloads of money.
Clint Eastwood in Cry Macho

Clint Eastwood
Clint Eastwood Made $700 per Episode for His First Major Project
While it was Sir Sergio Leone’s Dollars trilogy that earned Clint Eastwood international stardom, prior to playing the lead in the Western, it was his part in Rawhide that put him on the map. And for his role of Ramrod Rowdy Yates, he reportedly made around $700 per episode which approximately adds up to $6000 in today’s dollars that pales in comparison to his huge paydays.
A few years after marking his debut in the hit western, the actor would eventually find himself playing the iconic Man with No Name in 1964’s A Fistful of Dollars, which he agreed for $15000.
Rawhide (1959)Rawhide (1959)
Clint Eastwood Almost Didn’t Return for the The Good, the Bad and the Ugly
For the first installment in his Dollars trilogy, Sir Sergio Leone originally aimed to cast James Coburn in the badass role, but eventually let go of his plans for budget issues, as Coburn charged $25000.
Per BBC (via Farout Magazine), Leone stated,
“I really wanted James Coburn, but he was too expensive. The Italian cinema is very poor. We got Clint for $15,000, Coburn wanted $25,000.”
Following the mammoth success of A Fistful of Dollars, Eastwood’s paycheck witnessed a healthy spike for the sequel, as the studio offered him $50,000. But for the threequel, the Unforgiven Star made an astonishing $$250K following his reluctance to reprise the role in The Good, the Bad and the Ugly, with Sir Leone almost recasting Charles Bronson in the role.
Also read: “I don’t like it when it’s dumb”: Yellowstone Star Kevin Costner Revealed He Hates Western Genre Despite Sharing Clint Eastwood’s Rare Record In Hollywood
Clint Eastwood in The Good, the Bad, and the Ugly (1966)Clint Eastwood | The Good, the Bad, and the Ugly
Thankfully, the American icon went on to star in the threequel, often considered the best the genre has to offer, and the film became the biggest success of the trilogy, making around $38 Million.
The Dollars Trilogy is available to rent on Apple TV.


Continue Reading

Clint Eastwood

Disaster Drama Film Hereafter: Everything You Need to Know

The disaster drama movie “Hereafter,” directed by Clint Eastwood, explores the supernatural and the philosophical. The movie, which came out in 2010, looks at life after death through a series of interconnected stories.
The goal of this blog is to give a full picture of “Hereafter,” including its plot, cast, production information, reviews, and more.

“Hereafter” combines three separate stories, all of which are about death and the future. The movie starts with a dramatic scene of the 2004 Indian Ocean tsunami.

It then follows the lives of three characters: a French writer who has a near-death experience, a psychic in San Francisco who can talk to the dead, and a schoolboy in London who loses his twin brother. The people in these stories seek answers to life’s most important questions.
Cast Members
Matt Damon plays psychic George Lonegan, who has trouble with his powers. Cécile de France plays journalist Marie Lelay, who survives the tsunami. And Frankie and George McLaren play the London twins, Marcus and Jason.

See also  What steps can online casinos take to ensure player safety?

In supporting roles, Bryce Dallas Howard, Jay Mohr, and Thierry Neuvic are also in the cast.


The story is more interesting by supporting actors like Bryce Dallas Howard, who plays George’s girlfriend Melanie, and Jay Mohr, who plays George’s brother Billy. Their performances are crucial to the movie’s study of relationships and the afterlife.
The Clint Eastwood movie “Hereafter” is known for taking a careful and thoughtful look at the subject. The production was well planned, especially the scene with the wave, which got great reviews for its realistic appearance.
Filming Locations
The movie was made in many places, such as San Francisco, Paris, and London. The different places give the movie’s look at death and the afterlife a global feel.

See also  Mastering the Cloud: Top Industry Insiders Share Cost-Saving Strategies in Economic Downturns

Makers Team

The movie did well because of Eastwood’s direction, Peter Morgan’s script, and Tom Stern’s cinematography. The people who made this movie collaborated to bring this complicated story to life.

Reviews from Critics and FFans
Critical reviews of “Hereafter” were mixed. Some people liked how big the story was and how Eastwood directed it, but others thought it moved too slowly. It was, however, usually well-received by audiences who liked how reflective it was.
Where to Watch It?
It is possible to watch “Hereafter” on services like Netflix. This thought-provoking movie can be watched from the comfort of people’s homes by many people.
Matt Damon plays George Lonegan in a way that stands out for being subtle and deep. As Marie Lelay, Cécile de France gives an engaging performance that successfully shows the emotional journey of her character.

See also  Step-by-Step Guide for Master Art of AI Photo Retouching

Frankie and George McLaren, who are twins, give moving performances that capture the innocence and pain of youth.

The film “Hereafter” deals with deep and often unanswerable questions about life after death. The movie is a one-of-a-kind cinematic experience thanks to Clint Eastwood’s nuanced direction, the cast’s powerful performances, and the plot that weaves together different lives and experiences.
“Hereafter” is a movie that makes you think and feel deeply, whether you’re interested in its existential ideas or the emotional journeys of its characters.

Continue Reading