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Clint Eastwood

Clint Eastwood: Here’s Who Nearly Played His ‘The Good, The Bad and the Ugly’ Role

Can you imagine someone else playing “The Man with No Name” in “The Good, The Bad and the Ugly”?

Seeing as it’s one of Clint Eastwood’s most influential and popular Western roles to date, it’s certainly hard to imagine. It may not even be something we’re willing to imagine at all.

The “Dollar’s Trilogy,” the three popular Spaghetti Western movies directed by Sergio Leone and starring Eastwood, continue to have massive viewership. If Clint Eastwood had passed up on the role, Charles Bronson would have swooped in and played the character with the iconic poncho.

It actually wouldn’t have been too surprising for someone else to get this role. After all, at the time Eastwood was more of a TV actor anyways. Fans knew him from his “Rawhide” appearances before he would star in “Fistfull of Dollars” in 1964. It was truly his breakthrough role.

Although Eastwood was excited to get the role in the beginning, he had mixed feelings toward the end of the trilogy. According to Screenrant, he was not initially sold on starring in “The Good, The Bad And The Ugly” in 1966. Apparently, Charles Bronson (who you may know from “Death Wish” movies) was ready to swipe that poncho and the cigar right from Eastwood.

If Clint Eastwood passed on the movie trilogy’s last installment, Leone wanted Charles Bronson in the role. Bronson was also being considered to play either Angel Eyes or Tuco in the movie. He was actually unavailable at the time due to his filming schedule for “Dirty Dozen.” Another possibility was apparently Steve McQueen as the Man with No Name.

An instance of déjà vu happened years later. Leone was making “Once Upon A Time In The West.” Eastwood was first offered the lead. He passed on the movie and it went to Bronson instead. It seems to have all worked out, seeing as this role is one of Bronson’s most famous.

While we have no doubt Bronson can put on a stellar Western performance, Eastwood vacating for the last movie would have been tragic. These are the movies that helped launch his career, the least he could do was finish all three. Clint Eastwood has since become one of the last-standing Western film stars. His movies always were cynical, violent, and provoking.

His last movie in the genre was “Unforgiven,” now considered one of the best ever made in the genre. He made a slight comeback with “Cry Macho” in 2021. This movie was far more emotional, less violent, and more heartfelt than any other Western-style movie of Eastwood’s.

If this is all making you crave watching “The Good, The Bad and the Ugly,” then you’re in luck. Amazon Prime is adding movies to its roster, including “A Fistfull of Dollars” and “The Good, The Bad and the Ugly.” The second movie, “For A Few Dollars More,” is not currently available on Prime.

Clint Eastwood

The Shining Actor Broke Down Into Tears While Working With Clint Eastwood After Being Traumatized By Stanley Kubrick On Set

Director Stanley Kubrick is known for being a taskmaster on his sets. Many actors have recounted horror stories about the director’s dedication to details and how they had to endure as much as a hundred takes due to Kubrick’s penchant for perfectionism.
Scatman Crothers, the actor who played Dick Hallorann in Kubrick’s adaptation of The Shining also recounted memories of going on multiple takes for simple shots. In fact, Crothers was affected so strongly by Kubrick’s style that when he next worked with director Clint Eastwood, he broke into tears as he was satisfied with a single take.
Scatman Crothers On Stanley Kubrick’s Style Of Filmmaking

Scatman Crothers

Scatman Crothers

Actor and musician Scatman Crothers got to work on Stanley Kubrick’s The Shining after being recommended by his frequent collaborator Jack Nicholson. Nicholson and Crothers had featured in three movies before and while shooting for the classic One Flew Over The Cuckoo’s Nest, Nicholson told him that there was a role waiting for him.
Crothers was cast after he met Stanley Kubrick in the role of Dick Hallorann, the chef of the Overlook Hotel and a man who also possesses the power to ‘shine’ like Danny Torrance. Crothers was reportedly amused by Kubrick’s insane dedication to perfection and the number of takes he filmed to get what he wanted.

Stanley KubrickStanley Kubrick

Talking to Scraps From the Loft, Crothers spoke about Stanley Kubrick’s directing style,
“Stanley shot 87 takes of the scene in the ballroom with all of the cast. Even the part where I get out of the Sno-Cat and walk to the hotel door—a scene that has no dialogue—took 40 takes. Around the 39th take, I asked Stanley, ‘How do you want me to do it?’ He answered. ‘Walk a little bit to your left.’ So I said. ‘Look, show me how you want me to walk, give me the rhythm,’ and then we got the shot.”
Crothers reportedly also performed the stunts in the film on his own, in the scene where he gets struck with an axe by Jack Nicholson. The scene reportedly took twenty-five takes to get right.
Scatman Crothers Broke Down In Tears While Working With Clint Eastwood

Clint EastwoodClint Eastwood

After his grueling stint on The Shining with director Stanley Kubrick, Scatman Crothers went on to work with director Clint Eastwood on the Western-comedy Bronco Billy. The director is known for being extremely efficient and reportedly often films only one take for every shot. This was a polar opposite experience for Crothers, who had by then become used to Kubrick’s intense style.
The actor reportedly broke down in tears after his performance was given the thumbs up by Eastwood after one take. Crotehrs spoke about the directors’ differing working styles,
“Clint’s much more of an easy-going director Clint would do a shot once or twice and I’d ask him, ‘Is that alright?’…Clint would answer, ‘Well sure. Scat.’ I’d say. ‘Okay, man!’ because after working with Stanley [Kubrick] for so long, I was used to doing anywhere from 15 to 30 takes.”
The actor would years later be in tears yet again after being asked how it was to work with such legendary directors. Crothers assured that they were tears of joy.

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Clint Eastwood

You Won’t Believe How Much Clint Eastwood Was Earning Before He Landed His First Leading Role in a Movie

With a career spanning over 6-decades, Clint Eastwood has made a mammoth fortune with his net worth standing at $375M following his contribution to the field of acting, filmmaking, and composing. However, it wasn’t always sunshine and rainbow when it came to his salary in the entertainment industry, especially during his early 20s when he was just starting out as an actor.
Although it took Eastwood a while to land his first acting gig after getting rejected for Six Bridges to Cross, the following year, he made his acting debut in Revenge of the Creature. But after a string of minor and often uncredited roles, his career eventually picked up the pace with the western series Rawhide, for which he wasn’t exactly paid boatloads of money.
Clint Eastwood in Cry Macho

Clint Eastwood
Clint Eastwood Made $700 per Episode for His First Major Project
While it was Sir Sergio Leone’s Dollars trilogy that earned Clint Eastwood international stardom, prior to playing the lead in the Western, it was his part in Rawhide that put him on the map. And for his role of Ramrod Rowdy Yates, he reportedly made around $700 per episode which approximately adds up to $6000 in today’s dollars that pales in comparison to his huge paydays.
A few years after marking his debut in the hit western, the actor would eventually find himself playing the iconic Man with No Name in 1964’s A Fistful of Dollars, which he agreed for $15000.
Rawhide (1959)Rawhide (1959)
Clint Eastwood Almost Didn’t Return for the The Good, the Bad and the Ugly
For the first installment in his Dollars trilogy, Sir Sergio Leone originally aimed to cast James Coburn in the badass role, but eventually let go of his plans for budget issues, as Coburn charged $25000.
Per BBC (via Farout Magazine), Leone stated,
“I really wanted James Coburn, but he was too expensive. The Italian cinema is very poor. We got Clint for $15,000, Coburn wanted $25,000.”
Following the mammoth success of A Fistful of Dollars, Eastwood’s paycheck witnessed a healthy spike for the sequel, as the studio offered him $50,000. But for the threequel, the Unforgiven Star made an astonishing $$250K following his reluctance to reprise the role in The Good, the Bad and the Ugly, with Sir Leone almost recasting Charles Bronson in the role.
Also read: “I don’t like it when it’s dumb”: Yellowstone Star Kevin Costner Revealed He Hates Western Genre Despite Sharing Clint Eastwood’s Rare Record In Hollywood
Clint Eastwood in The Good, the Bad, and the Ugly (1966)Clint Eastwood | The Good, the Bad, and the Ugly
Thankfully, the American icon went on to star in the threequel, often considered the best the genre has to offer, and the film became the biggest success of the trilogy, making around $38 Million.
The Dollars Trilogy is available to rent on Apple TV.

 

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Clint Eastwood

Disaster Drama Film Hereafter: Everything You Need to Know

The disaster drama movie “Hereafter,” directed by Clint Eastwood, explores the supernatural and the philosophical. The movie, which came out in 2010, looks at life after death through a series of interconnected stories.
The goal of this blog is to give a full picture of “Hereafter,” including its plot, cast, production information, reviews, and more.


Storyline
“Hereafter” combines three separate stories, all of which are about death and the future. The movie starts with a dramatic scene of the 2004 Indian Ocean tsunami.

It then follows the lives of three characters: a French writer who has a near-death experience, a psychic in San Francisco who can talk to the dead, and a schoolboy in London who loses his twin brother. The people in these stories seek answers to life’s most important questions.
Cast Members
Matt Damon plays psychic George Lonegan, who has trouble with his powers. Cécile de France plays journalist Marie Lelay, who survives the tsunami. And Frankie and George McLaren play the London twins, Marcus and Jason.

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In supporting roles, Bryce Dallas Howard, Jay Mohr, and Thierry Neuvic are also in the cast.

 

The story is more interesting by supporting actors like Bryce Dallas Howard, who plays George’s girlfriend Melanie, and Jay Mohr, who plays George’s brother Billy. Their performances are crucial to the movie’s study of relationships and the afterlife.
The Clint Eastwood movie “Hereafter” is known for taking a careful and thoughtful look at the subject. The production was well planned, especially the scene with the wave, which got great reviews for its realistic appearance.
Filming Locations
The movie was made in many places, such as San Francisco, Paris, and London. The different places give the movie’s look at death and the afterlife a global feel.

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Makers Team

 
The movie did well because of Eastwood’s direction, Peter Morgan’s script, and Tom Stern’s cinematography. The people who made this movie collaborated to bring this complicated story to life.

Reviews from Critics and FFans
Critical reviews of “Hereafter” were mixed. Some people liked how big the story was and how Eastwood directed it, but others thought it moved too slowly. It was, however, usually well-received by audiences who liked how reflective it was.
Where to Watch It?
It is possible to watch “Hereafter” on services like Netflix. This thought-provoking movie can be watched from the comfort of people’s homes by many people.
Matt Damon plays George Lonegan in a way that stands out for being subtle and deep. As Marie Lelay, Cécile de France gives an engaging performance that successfully shows the emotional journey of her character.

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Frankie and George McLaren, who are twins, give moving performances that capture the innocence and pain of youth.
 

 
Conclusion
The film “Hereafter” deals with deep and often unanswerable questions about life after death. The movie is a one-of-a-kind cinematic experience thanks to Clint Eastwood’s nuanced direction, the cast’s powerful performances, and the plot that weaves together different lives and experiences.
“Hereafter” is a movie that makes you think and feel deeply, whether you’re interested in its existential ideas or the emotional journeys of its characters.

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