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Clint Eastwood

Clint Eastwood: The life story you may not know

Most well-known for his film roles of cowboys and cops, audiences first met the tall, taciturn, handsome Clint Eastwood on the small screen, when he played cowboy Rowdy Yates on the hit television Western series “Rawhide.”

From there, he was the inscrutable “Man without a Name” squinting under the sun in Sergio Leone’s Western movies and the scowling San Francisco detective in “Dirty Harry” movies who posed the famous challenge: “Go ahead, make my day.”

With the haunting “Play Misty for Me,” Eastwood first demonstrated his talent for directing is just as abundant as acting. Two of his four Oscars are awards for Best Director—for “Unforgiven” and “Million Dollar Baby”—and the other two Oscars are Best Picture awards won by the same movies. As a director, he is known for sticking to the budget and often finishing ahead of schedule. Actors say they like working with Eastwood for his reserved and supportive style. “He respects the actor,” Morgan Freeman has said. He’s also known for filming minimal takes—one take, or two “if you were lucky,” actor Tim Robbins said of the director.

With decades of work behind him and no sign of slowing down—the nonagenarian is still acting—Stacker took a look at the accomplishments and events of Eastwood’s life and compiled a list of 25 facts that you may not know. To put together the list, Stacker consulted newspaper and magazine articles, biographies, film archives, film recordings and reviews, and fan websites.

1930: Born in San Francisco

Clinton Eastwood Jr. was born May 31, 1930, in San Francisco, and he has one younger sister, Jeanne. He attended Oakland Technical High School.

1950: Odd jobs and an Army stint

After high school, Eastwood found work as a logger, hay baler, truck driver, and furnace tender in a steel plant. He was drafted into the U.S. Army in 1950 and stationed at California’s Fort Ord, where he taught swimming lessons on base. After being discharged in 1953, Eastwood attended Los Angeles City College and worked in a gas station.

1953: Marriage to Maggie Johnson

Eastwood married Maggie Johnson, a Los Angeles model, in 1953. They had two children, Kyle and Alison. In 1964, while married to Johnson, Eastwood had a daughter, Kimber, with Roxanne Tunis, an actress and stuntwoman. Eastwood and Johnson divorced in 1984.

1955: Movie debut in monster flick

Eastwood passed a screen test with Universal Studios, got a 40-week contract, and landed his first roles in the 1955 monster movies “Revenge of the Creature” and “Tarantula” and the comedy “Francis in the Navy.”

Late 1950s: TV roles and manual labor

When his Universal Studios contract ended, Eastwood booked a few roles in television, but he made ends meet by digging swimming pools and driving a garbage truck.

1958: Becoming Rowdy Yates

Eastwood’s breakout role came in 1958, when he landed the part of Rowdy Yates on the Western television series “Rawhide.” He would go on to play the cowboy for the show’s eight seasons.

1960s: Spaghetti Westerns

The actor headed to Italy in the 1960s to star in a series of spaghetti Westerns—”A Fistful of Dollars,” “For a Few Dollars More,” and “The Good, the Bad and the Ugly” —all directed by Sergio Leone. The stint in Europe brought Eastwood international attention.

1960s: The “Man with No Name”

Actors James Coburn and Charles Bronson both turned down the role of the “Man with No Name” that Eastwood played in the Sergio Leone Westerns. Eastwood wore the same sarape in each movie and is said to have never washed it.

1967: Establishing Malpaso Productions

In 1967 Eastwood set up his own company, Malpaso Productions, which would produce his first Western, “Hang ’Em High,” in 1968. Malpaso Productions was behind more of Eastwood’s cowboy roles in “High Plains Drifter” in 1973, “The Outlaw Josey Wales” in 1976, and “Pale Rider” in 1985, as well as Eastwood’s portrayal of real-life prisoner Frank Lee Morris in the 1979 movie “Escape from Alcatraz.”

1971: Directorial debut

Eastwood directed his first film, “Play Misty for Me,” in 1971. The film was a psychological thriller about a radio disc jockey (Eastwood) and an obsessed listener played by Jessica Walter.

1971: “Dirty Harry” arrives on screen

Eastwood first took on the iconic role of hard-edged San Francisco detective Harry Callahan in 1971’s “Dirty Harry,” which led to the sequels “Magnum Force” in 1973, “The Enforcer” in 1976, “Sudden Impact” in 1983, and “The Dead Pool” in 1988.

1975: Relationship with Sondra Locke

In 1975, Eastwood began a 13-year relationship with actress Sondra Locke that would end bitterly. The couple made six films together, although while living with Locke, Eastwood had a son, Scott, and a daughter, Kathryn, with former flight attendant Jacelyn Reeves. In 1989, Locke filed a $70 million palimony lawsuit against Eastwood, seeking damages and an equal division of property. In a private settlement, Locke got money, property, and a directing contract at Warner Bros.

1978: Comedy with an orangutan costar

Venturing into comedy, Eastwood appeared in the 1978 movie “Every Which Way but Loose,” sharing the screen with a charismatic orangutan named Clyde. The pair reunited for a sequel, “Any Which Way You Can,” in 1980.

1986: Mayor of Carmel

The life-long Californian was elected mayor of Carmel-by-the-Sea in 1986, after running a campaign that promised to bridge the business and residential communities of the one-mile-square village. He was mayor of Carmel, which has no street addresses or street lights, for a single two-year term and did not seek reelection.

1988-1992: Directing prize-winning films

Adding to his growing list of award-winning directorial efforts, Eastwood made “Bird,” a 1988 biopic about jazz legend Charlie Parker that won him a Golden Globe, followed by the 1992 Western “Unforgiven,” which won Oscars for Best Picture and Best Director. In “Unforgiven,” Eastwood played an aging gunslinger taking on one last job.

1993: Two Oscars and a baby

Eastwood had been in a relationship with actress Frances Fisher since the early ’90s, soon after the two appeared together in “Pink Cadillac.” She was also one of his co-stars in the Oscar-winning “Unforgiven,” and in 1993, the couple welcomed a daughter, Francesca.

1995-2003: Making dramas and romance

Eastwood directed and starred in the 1995 love story “The Bridges of Madison County” alongside Meryl Streep as well as the 2000 adventure movie “Space Cowboys” with James Garner, Tommy Lee Jones, and Donald Sutherland. In 2003, he directed the crime drama “Mystic River,” which earned Oscars for stars Sean Penn and Tim Robbins.

1996: A second marriage

Eastwood entered into marriage a second time when he wed a California TV news anchor named Dina Ruiz, who was 35 years his junior. The couple welcomed a daughter, Morgan, that same year, and Ruiz went on to appear in two of his films, “True Crime” and “Blood Work.” The marriage ended in 2013. 

2004: Hitting it big with “Million Dollar Baby”

“Million Dollar Baby,” starring Hillary Swank as a boxer and Eastwood as her trainer, earned four Academy Awards: Eastwood received an Oscar for Best Director, the movie won for Best Picture, and Swank and Morgan Freeman were recognized with Oscars for their acting. The movie made a whopping $200 million.

2006: Two looks at Worւԁ Wаr II

In 2006, Eastwood focused on an unusual set of projects—directing two movies about Worւԁ Wаr II, one from an American point of view and the other Japanese. “Flags of Our Fathers” looks at the men who helped raise the U.S. flag at Iwo Jima, and “Letters from Iwo Jima” drew from battlefield correspondence to explore the experiences of Japanese soldiers. “Letters” was nominated for four Academy Awards, among them Best Picture and Best Director.

2008 – 2016: Continued directorial success

Among Eastwood’s successes as a director were “Gran Torino” in 2008 and “Invictus” the following year, starring Matt Damon and Morgan Freeman. Eastwood also directed the film adaptation of the Broadway hit musical “Jersey Boys,” “American Sniper” about Navy Seal sharpshooter Chris Kyle, and “Sully,” a behind-the-scenes look at pilot Chesley Sullenberger’s daring Hudson River airplane landing.

2012: Talking to an empty chair

At the 2012 Republican National Convention, in support of candidate Mitt Romney, Eastwood appeared on stage next to an empty chair and spoke to an imaginary President Barack Obama. The unconventional convention appearance left many observers wondering why the actor chose to attempt such an odd stunt.

2014: A second divorce

In 2014, Eastwood divorced Dina Ruiz, a television anchorwoman 35 years his junior whom he had married in 1996. In 2012, Dina starred in a reality show called Mrs. Eastwood and Company, and her famous husband appeared in three episodes of its single season. They separated the following year.

2019: A controversial look at “Richard Jewell”

Eastwood directed the 2019 movie “Richard Jewell” about the security guard accused of planting a bomb at the 1996 Summer Olympics in Atlanta. The movie came under criticism for portraying Atlanta Journal-Constitution reporter Kathy Scruggs as trading sexual favors with an FBI agent for an inside scoop. The editor-in-chief of the Journal-Constitution and colleagues of the late reporter said the film’s depiction of the respected journalist was offensive.

2018-2020: More directorial projects underway

The year 2018 saw Eastwood starring in “The Mule,” a true story about a U.S. Army veteran working as a drug mule for a Mexican cartel. In 2020, he started his 42nd project as a director—”Cry Macho,” about a horse breeder who rescues a boy from his alcoholic mother.

Clint Eastwood

Mystic River: Why Clint Eastwood’s Best Movie Still Holds Up Today

A filmmaker of Clint Eastwood‘s caliber is going to have a filmography full of gems. Primarily known for his work in Westerns, biopics, and military dramas, every so often, Eastwood steps outside his comfort zone and delivers in a genre that would seem completely unexpected on paper. That happened in 2003 with Mystic River, a neo-noir murder mystery drama that seems a bit forgotten or overlooked, even though it was a financial success and earned six Academy Award nominations. It represents Eastwood at his very best, breathing vivid life into complex characters as he examines a plethora of themes that range from loyalty, friendship, revenge, and, ultimately, forgiveness.

Mystic River is based on the 2001 novel of the same name by Dennis Lehane, and it follows the lives of three childhood friends, Jimmy Markum (Sean Penn), Sean Devine (Kevin Bacon), and Dave Boyle (Tim Robbins), living in Charlestown, Boston in 1975. Dave is kidnapped by two men claiming to be police officers, and he’s sexually abused by them over a four-day period until he escapes. The traumatic event shapes the three friends, and they ultimately lead very different lives twenty-five years later.

Jimmy is an ex-con that now owns a convenience store in the neighborhood, Sean works for the Massachusetts State Police as a detective, and Dave is your everyday blue-collar worker that still lives with the trauma of being abducted and raped. Their lives are forced together once again through tragedy when Jimmy’s daughter Katie (Emmy Rossum) is found murdered, and friendship is tested when all signs point to Dave being the murderer.
Mystic River Is a Departure From Clint Eastwood’s Other Work

Sean Penn held back by cops in Mystic RiverWarner Bros.

Eastwood tackles the material in Mystic River with a sure and confident hand. It also represents a unique departure from some of his other films. Much of the action takes place under the cover of darkness, and Eastwood is able to find beauty in that darkness. The filmmaker focuses on a character’s eyes or the gleam of a weapon, for instance, as darkness permeates most of the scene.

For the scenes that take place during the day, the filmmaker opts for tight close-ups that linger over the emotions of his impressive cast. There is something uncomfortably intimate about Mystic River, and that has much to do with the subject matter. None of this story is particularly easy to digest, and Eastwood adds to that discomfort with his choices to frame scenes in such a way that’s almost intrusive. The audience feels a growing sense of dread and tension as more of the story unfolds.
Using Lehane’s novel and Brian Helgeland’s screenplay as a blueprint, Eastwood profoundly explores generational trauma and how the sins of the past can leave a permanent mark on our present. Even though the abuse only happened to Dave, the effects of the event leave a mark on all three friends, with Dave being the primary victim and the others feeling a sense of survivor’s guilt for not being subjected to it themselves.
The ordeal forever changes their union because they’re never quite able to look at each other the same way again, as each friend deals with the trauma differently. Jimmy is stunned by the act of abuse but can’t give Dave the support he needs, which then bleeds into their present when Jimmy begins to suspect that Dave had something to do with his daughter’s murder. He doesn’t want to consider that his friend would do something like this because of the trauma he endured as a child, but as evidence mounts against him, Jimmy has to decide if friendship and loyalty overshadow his need for vigilante justice. The story is rich with so many complexities that make it some of Eastwood’s most compelling work as a filmmaker.

Eastwood also takes his time with the story and lets it unfold as it should. Mystic River is very nuanced, and he knows he’s dealing with heartbreaking subject matter that requires patience and respect. The story is grounded in so much reality that Eastwood seems keenly aware that a viewer might be an actual victim of this kind of abuse themselves, so he delicately approaches the topic and gives it the emotional weight it deserves.
He also shows the uncomfortable side of abuse where the victim, unfortunately, can be shamed because of the event. Dave becomes an outsider later in his life, even with his close friends, something that sadly comes along with this kind of trauma. Eastwood approaches all of this responsibly and provides a very balanced outlook to all the events transpiring on screen.
Mystic River has become known for its powerhouse performances, and Eastwood pulls the very best from his ensemble cast. While the scenes with the young actors are brief in the beginning, they set the tone of who these people will be twenty-five years later. Dave becomes the outcast because of the event; Jimmy lacks empathy and doesn’t trust authority, while Sean becomes the grounded one of the bunch and a police officer in an attempt to prevent a tragedy like this from ever happening again.

Clint Eastwood Pulls Powerhouse Performances From His Cast

Tim Robbins, Sean Penn, and Kevin Bacon do a great job conveying the unspoken tension between all three of these characters. There is a sense of loyalty, but so much has taken place over the years that it has forced them all to lead very different lives. As a group, they are uniformly excellent. You feel the history between the characters and the bonds that were broken, only to be reopened by a new traumatic event.
On their own, Penn gives the performance of a lifetime as Jimmy, and it’s not a shock that this turn finally earned him his first Academy Award for Best Actor. Penn is a dominant presence in all of his scenes, and there is a sense of uncertainty whenever he’s around because you don’t know exactly what move he will make.

That’s not to say he doesn’t display layers. All of that bravado is broken once he finds out his daughter is murdered. It’s hard to pinpoint a director’s best scene on film, but what Eastwood pulls out of Penn during the “Is that my daughter?” sequence represents some of his very best work as a filmmaker.
Robbins also received an Academy Award for Best Supporting Actor for his work here, representing a much-deserved win. As Dave, Robbins is the tragic and emotional heart of the story. The viewer feels instant empathy for Dave due to what he went through as a child, but you’re also left questioning everything when it seems like Dave could be the one who murdered Katie.
Robbins keeps you on your toes throughout, making you question his innocence while also seeing the tenderness in him as he interacts with his own child, who is just about the age he was when he was abused. As for Bacon, of the three male leads, he gives the most subdued performance, but it suits the character. He’s trying to make everything right and keep it all together. It’s a subtle performance that carries its own emotional weight.

Eastwood also makes the supporting roles worthy of attention. Marcia Gay Harding, as Dave’s wife Celeste, puts in powerful work here that earned her a Best Supporting Actress Oscar nomination, while Laura Linney more than holds her own with Penn as his second wife, Annabeth. In addition, Laurence Fishburne also fills in as Sgt. Whitey Powers in another excellent part.
Mystic River is a haunting and poetic motion picture that showcases a director laying it all out on the table. Eastwood gives the audience everything he has as a director and pours it out across the screen in a film that is just as powerful twenty years after its initial release.

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Clint Eastwood

Clint Eastwood’s Most Iconic Non-Western Role Was Only Possible Because Of This Actor

SUMMARY

 Clint Eastwood’s role in Dirty Harry is considered one of his most iconic, and the film is a classic in the crime genre.
 Paul Newman initially turned down the role of Harry Callahan in Dirty Harry but recommended Clint Eastwood for the part.
 Newman declined the role due to his liberal beliefs, and Eastwood’s portrayal of Callahan differed from Newman’s perspective, but both respected each other.

SCREENRANT VIDEO OF THE DAY

Although Clint Eastwood first built his impressive career on Western movies like The Man with No Name franchise and The Outlaw Josey Wales, the actor’s biggest non-Western role in Dirty Harry is one of his most iconic, and it might have never happened without this one actor. Clint Eastwood began acting in the 1950s, and over several decades, became a staple in the Western genre. What makes Eastwood stand out is the fact that he has not only appeared in countless films, but has also directed them himself. Films like Unforgiven and Gran Torino have defined his career. However, Dirty Harry is by far one of Clint Eastwood’s best films.

In 1971, Clint Eastwood starred in the neo-noir action film Dirty Harry. The film, and its adjoining sequels, follow Inspector “Dirty” Harry Callahan, a rugged detective that is on a hunt for a psychopathic serial killer named Scorpio. The Dirty Harry franchise lasted from 1971 to 1988, and has since been considered a classic. In fact, Dirty Harry was selected for preservation in the United States National Film Registry by the Library of Congress because of its cultural significance. However, this film might have been vastly different if Clint Eastwood had never been in it, and scarily enough, this definitely could have happened back in 1971.
Paul Newman Rejected Dirty Harry Before Suggesting Clint Eastwood For The Role

Dirty Harry 2

Dirty Harry went through many production challenges before it was actually made, and one of those included casting the iconic detective. In the film’s early stages, the role was offered to actors such as John Wayne, Robert Mitchum, Steve McQueen, and Burt Lancaster. However, for various reasons, including the violence that permeates the film, these actors all declined. For a time, Frank Sinatra was attached to the project, but he also eventually left the production. In reality, Clint Eastwood wasn’t even in the cards for portraying Dirty Harry, but his big break came when Paul Newman was offered and declined the role.

Paul Newman, like many amazing actors before him, was offered the role of Harry Callahan, but ultimately said no. However, what makes his refusal stand out among the rest is that he recommended another actor that could be perfect for the role: Clint Eastwood. At this time, Eastwood was in post-production for his first film Play Misty for Me, meaning his career was taking something of a turn. Also, unlike his predecessors, Eastwood joined up with Dirty Harry, just as Newman thought he would. Because of his Western roots, the violence and aggression that made up Dirty Harry didn’t bother Eastwood at all.

Why Paul Newman Turned Down Dirty Harry

Paul Newman holding a gun.

Paul Newman turning down the leading role in Dirty Harry may not seem too surprising considering the host of other actors that also declined the movie, but Newman definitely had his reasons. While previous actors had condemned the movie for its incredible violence and themes of “the ends justify the means,” Newman refused to take the role because of his political beliefs. Since Harry Callahan was a renegade cop, intent on catching a serial killer no matter the cost or the rules that would be broken, Newman saw this character as too right-wing for his own liberal beliefs.

Paul Newman was an outspoken liberal during his life. He was open about his beliefs, so much so that he even made it onto Richard Nixon’s enemies list due to his opposition of the Vietnam War. Other issues that Newman spoke out for included gay rights and same-sex marriage, the decrease in production and use of nuclear weapons, and global warming. As a result of his politics, Newman quickly denied the role of Harry Callahan. In an interview with Entertainment Weekly as reported by Far Out Magazine, Clint Eastwood commented that he didn’t view Callahan in the way Newman did, but still respected him as an actor and a man.

Would Dirty Harry Have Been So Successful Without Clint Eastwood?

Clint Eastwood as Dirty Harry Callahan

Ultimately, it’s hard to say whether Dirty Harry would have been successful without Clint Eastwood. Arguably, any big-time actor could have made the film succeed solely based on their fame. However, one aspect of Dirty Harry and its carousel of actors is that the movie had various scripts, all with different plots. So, if Dirty Harry had been in a different location with a different serial killer and a different lead actor, there’s a chance it wouldn’t have been nearly as successful. In the end, Dirty Harry is a signature for Clint Eastwood, and most likely, audiences are lucky that it was made the way it was.

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Clint Eastwood

The story of how Clint Eastwood prevented Ron Howard from embarrassment

A star of American cinema both in front of and behind the camera, Ron Howard is often forgotten when recalling the greatest directors of modern cinema, yet his contributions to the art form remain unmatched. Working with the likes of Tom Hanks, Chris Hemsworth, Russell Crowe and John Wayne, Howard has brought such classics as Apollo 13, A Beautiful Mind and Rush to the big screen.
Entering the industry in the late 1950s and 1960s, Howard started his career as an actor, making a name for himself in shows like Just Dennis and The Andy Griffith Show before his role in 1970s Happy Days would catapult him to national acclaim. His directorial debut would come at a similar time, helming 1977’s Grand Theft Auto, the ropey first movie in a filmography that would later become known for its abundance of quality.
Known for his acting talents, Howard wouldn’t become a fully-fledged director in the eyes of the general public until the 1980s, when he worked with Tom Hanks on 1984’s Splash and George Lucas for the 1988 cult favourite Willow.
With hopes of becoming the new Star Wars, Willow was instead a peculiar fantasy tale that told the story of a young farmer who is chosen to undertake the challenge to protect a magical baby from an evil queen. Starring the likes of Warwick Davis, Val Kilmer and Joanne Whalley, the film failed to make a considerable dent in pop culture at the time, largely being ridiculed by critics and audiences alike.
Screened at the Cannes Film Festival, the movie was spared humiliation by none other than Clint Eastwood, who saw the craftsmanship behind the picture, as described by Ron’s daughter, Bryce Dallas Howard.
Speaking to Daily Mail, the actor recalled: “My dad made a film called Willow when he was a young filmmaker, which screened at the Cannes Film Festival and people were booing afterwards. It was obviously so painful for him, and Clint, who he didn’t know at that time, stood up and gave him a standing ovation and then everyone else stood up because Clint did”.
Dallas Howard, who worked with Eastwood on the 2010 movie Hereafter, became very fond of Eastwood as a result, looking up to him as an exemplary Hollywood talent. “Clint puts himself out there for people,” she added, “As a director he is very cool, very relaxed, there’s no yelling ‘action’ or ‘cut’. He just says: ‘You know when you’re ready.’ I told my dad he should do that!”.
Take a look at the trailer for Howard’s 1988 fantasy flick below.

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