John Wayne

Cutting-Edge Camera Tech (And The Depression) Doomed John Wayne’s The Big Trail

The John Wayne his fans know and love didn’t really show up until John Ford’s “Stagecoach” in 1939. Though the director and silent Western star Tom Mix saw tremendous potential in the USC football washout when they took him on as a prop boy in the mid-1920s, his screen presence was purely physical. At 6’4″, the Iowa-born lad cut a formidable figure on the big screen, but he had miles to go as an actor. If you asked Ford (and many did), he was happy to tell you that Wayne needed a decade’s worth of seasoning in Poverty Row Westerns before he could topline a major Hollywood production.
It was unwise to argue with the cantankerous Ford, but Wayne had a shot at undermining his mentor when Raoul Walsh cast the young man as the star of 1930’s “The Big Trail,” an early, wildly pricey epic that sought to revolutionize motion-picture exhibition at the very moment movie houses were haphazardly adjusting to the sound era. It was an ambitious undertaking on every level, and it fell short on almost every one of them due to exhibitors’ limitations. You could make a cinematic extravaganza like “The Big Trail,” but could you screen it?
Too much innovation, too soon20th Century FoxIn a 1976 interview with legendary, Texas-based TV reporter Bobbie Wygant (who’ll turn 97 this November) timed to the release of Wayne’s swan song, “The Shootist,” the Duke wistfully recalled the debacle that, fortunately, bombed due to the technical limitations of the era.
“The Big Trail” was the first film to be shot and released in 70mm (via a branded process called “Fox Grandeur”), and while it was an immersive marvel when projected in filmed format, there were very few theaters in the United States that could deliver the spectacle as Walsh intended. As Wayne told Wygant:
“[I]t required the theater to put in a new screen and all new equipment in the projection room in those days because they hadn’t invented the squeeze lens for the wide film. So, as a consequence, I guess maybe 10 theaters in the country played it because it was right in the middle of the depression. They were breaking up the furniture out in the streets and building the fires and selling the apples. It got off to a bad start.”
There was a 35mm version of “The Big Trail” shot concurrently with the Grandeur variation, but it was, by most critical accounts, shorter and visually unimpressive (the former ran 108 minutes, while the latter clocked in at 122 minutes). 20th Century Fox released the restored Grandeur cut to Blu-ray in 2012, and while it is visually astonishing, the film’s failure did Wayne a huge favor. As Dave Kehr noted in 1988, “The Big Trail” belongs to Raoul Walsh. The narrative takes a backseat to the director’s pioneering widescreen splendor. Wayne wouldn’t put it together until he cocked a Winchester rifle with one arm in “Stagecoach.”
Read More: https://www.slashfilm.com/1209102/cutting-edge-camera-tech-and-the-depression-doomed-john-waynes-the-big-trail/

John Wayne

The Legend Lives On: John Wayne is Still Alive!

In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.

From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.

While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.

So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!

John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.