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Clint Eastwood

Did Dina Eastwood’s Reality Show ‘Mrs. Eastwood and Company’ Doom Her Marriage With Clint Eastwood?

Actor Clint Eastwood’s ex-wife Dina agreed to air a reality TV series about the day-to-day lives of the Eastwood household. But given Eastwood’s private nature, it was reported that the reality show might’ve stirred conflict between the actor and his wife.
Clint Eastwood allegedly wasn’t a fan of a reality TV show based around his family
Clint Eastwood and his ex-wife Dina Eastwood posing at the VH1's 14th Annual Critics' Choice Awards.

Dina Eastwood and Clint Eastwood | Jon Kopaloff/FilmMagic
Eastwood’s family once tried to carve out their own niche in reality TV with Mrs. Eastwood and Company. The show would center around Dina Eastwood and her children and air on E! network. It was also going to feature appearances from the band Overtone, which Dina was a fan of and heavily invested in.

Although Dina’s show would share a lot in common E!’s Keeping up with the Kardashians, Dina asserted they were far from the same show. She also warned audiences that the Unforgiven star wouldn’t feature much on the show to temper expectations.
“But if the viewers tune in thinking that we’re similar, the viewer is going to be disappointed just like I say if viewers tune in to get an in-depth look at Clint Eastwood they’re going to be disappointed,” Dina once told The Futon Critic. “The way we live is quite different. The similarities with it being an extended family with a strong mama at the helm is similar but I think the day-to-day is quite different. We are low-key and there’s a whole episode where I don’t want the kids carrying around [designer] labels. There’s not a lot of flash and glamour in our family. The fact that the Kardashians are glamorous is their trademark and it’s awesome.”

The show only lasted for one 10-episode season, however. Sometime afterwards, Eastwood and Dina would separate, finalizing their divorce in 2014. The couple gave no specifics as to why they broke up. But a source once claimed to People that the reality show didn’t help matters.
“Clint was furious about the show,” the source said. “It went against everything he stands for: he’s incredibly private, and she put his kids on TV. It was not a happy time for them.”
In an interview with Daily Beast, Dina asserted that Eastwood needed a bit of convincing to agree to the project.

“Yeah, I had to twist his arm, you bet,” she said. “I would never want to put Clint’s career in jeopardy. That’s my worst nightmare. But Clint is untouchable. I’ve read so many mean things about me, and I think it’s entertaining because the Internet brings out the worst in people a lot of times.”
‘Mrs. Eastwood and Company’ was initially supposed to focus on a boy band

Dina shared what helped spark the idea of the show in the first place. Originally, the show was going to focus more on the band Overtone. Dina was a huge fan of the group, so much so she became their manager.
“You know, I guess I thought so in a moment of insanity,” she said. “When I pitched the show, it was sold to Bunim/Murray, the production company, and was just the band and me as their manager, we were the only characters. The original show concept was about these six guys coming to this country and how insane it all was. We got in a car accident, I ended up in the ER getting stitches and the next day it was something else and my friend and I were taping them the whole time so I thought it was a really fun show and I started pitching it as such.”
However, plans for the show changed when she introduced the rest of Eastwood’s children to the show’s network.

“So I had these guys, me and my brother [Dominic] and we were doing these preliminary interviews to get to know the characters and there were no girls and I’m obviously double the age of a girl that E! would want – they didn’t say that but I know that in the TV world – and I said you should meet my kids, I have really funny kids and they said ‘Bring them in,’” Dina recalled. I brought in a load of Eastwood children and they all interviewed, they all went on camera and Jeff Jenkins was like, ‘Oh, my God, you’re kidding me!’ Some of the kids wanted to do it, some didn’t and this is what the project boils down to.”
Was ‘Mrs. Eastwood and Company’ canceled?

Mrs. Eastwood and Company wasn’t as big as Keeping up with the Kardashians. Still, the first season seemed to do well enough for E! to request a second season. But according to Eastwood and Dinah’s daughter Morgan, the family simply opted not to return.
“We tried it for one season but we realized it just wasn’t going to work. They wanted/want us to do another season but we said no for right now! its just kind of too much for us,” Morgan Eastwood once wrote on tumblr.

Clint Eastwood

The actor Sergio Leone wanted instead of Clint Eastwood for ‘A Fistful of Dollars’

Hollywood’s most decorated living legend, Clint Eastwood, broke through in the late 1950s and ‘60s as one of many western stars riding the genre’s concurrent wave of popularity. Having established a tough, squinting outlaw image in the foundational TV series Rawhide and mastering it in Sergio Leone’s legendary Dollars Trilogy, the handsome gunslinger consolidated his status as the iconic anti-hero cop Harry Callahan in the Dirty Harry franchise.
Throughout his six-decade stint under the Hollywood limelight, Eastwood expanded his skillset to become a leading producer and director, earning four Academy Awards and four Golden Globes for his duties behind the camera. Remarkably, Eastwood is still active today at 93 years of age and is currently working on his final movie, Juror #2.
However, the nonagenarian may not sit atop such a humbling mountain of success as an actor and filmmaker if Leone hadn’t given him his big movie break in the 1960s. The Dollars Trilogy finished most memorably with The Good, the Bad and the Ugly in 1966 but set off with A Fistful of Dollars two years before.
Although joining the cast would turn out to be one of the most important steps in Eastwood’s career, he wasn’t enthusiastic about the project at first. “I was doing Rawhide, and I was coming to a hiatus,” Eastwood once recalled in a BBC documentary. “I took three months off, usually around February, March and April every year, and my agent in Los Angeles called me up and asked me if I’d like to go to Europe and make an Italian, German, Spanish co-production of a remake of a Japanese film [Yojimbo] in the plains of Spain.”
“I said, ‘Not particularly,’” Eastwood recalled with a smile.
Another hurdle to Eastwood’s unseen future was the fact that Leone didn’t really want Eastwood for the role initially. “I really wanted James Coburn, but he was too expensive,” Leone told the BBC. “The Italian cinema is very poor. We got Clint for $15,000, Coburn wanted $25,000.”
Continuing, the Italian director explained why he was initially wary of Eastwood’s style. “I didn’t see any character in Rawhide, only a physical figure,” he said. “What struck me most about Clint was his indolent way of moving; it seemed to me Clint closely resembled a cat.”
Eastwood recalled becoming more intrigued by the project after reading the uniquely constructed script. “The script was in English, very strange English because it had been written by an Italian group of people who didn’t speak English that well – especially English with what you’d call the western kind of slang,” he explained. “It was like an Italian concert of what a western slang would be.”
“So, a lot of the dialogue was a little bit on the shaky side,” Eastwood continued. “I liked it, though, and I felt that maybe a European approach would give the western new flavour because I thought it had been in a very stagnant period at that point.”
Ultimately, Leone settled for Eastwood, and Eastwood settled for $15,000 from a total movie budget of approximately $200,000. Although the movie was released in mainland Europe in 1964, it wouldn’t receive its theatrical debut in the US until 1967. Taking $19.9 million at the box office, the movie was a monumental commercial and critical success as the progenitor of the spaghetti western genre.
Watch the trailer for the A Fistful of Dollars 4K restoration below.


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Clint Eastwood

“I don’t like it when it’s dumb”: Yellowstone Star Kevin Costner Revealed He Hates Western Genre Despite Sharing Clint Eastwood’s Rare Record In Hollywood

Taking a look at the rear-view mirror in the journey of Hollywood, everyone remembers the good old days when Western films dominated not just the US, but the entire world. And leading that charge was the legendary Clint Eastwood, along with stars like Kevin Costner following close behind. To this day, the effect of those classic pieces of cinema can be felt.
Kevin Costner

Kevin Costner
In fact, when we take a look at Costner’s career in the industry, many will realize that it was the 1985 Western classic Silverado that brought him to the spotlight. In the later stage of his career, he won two Academy Awards for his film Dances with Wolves, something that Eastwood has also managed to achieve. But despite leaving an everlasting impression, it seems like he doesn’t love the genre for being dumb.
Kevin Costner Reveals That He Doesn’t Love The Western Genre Because It’s Dumb
Kevin Costner in a still from Dances with Wolves Kevin Costner in a still from Dances with Wolves
While he may have been forgotten for a while in the changing landscape of Hollywood, the fans of the classic Western genre of films will never forget the impact Kevin Costner made with his films in the category. Going toe-to-toe in this genre with the face of old-school Western films Clint Eastwood himself, the actor and director has proved why he’s a genius in this department.
But despite achieving the extremely rare accolade of directing one of the only four Western films to receive the Oscars, also including Unforgiven by the Dirty Harry star, Costner reveals that this genre may not be his favorite.
In a past interview with Good Morning America, the former Yellowstone star talked about how he was not a big fan of the Western genre, the reason being that most of the films produced in it are dumb and illogical. He says that there’s too much of a straight divide between good and bad without any substantial form of moral complexity.
On top of that, he calls out the genre for being somewhat illiterate but has the potential to become so much more than just an illustrious piece of history. He said:
“[western] have to be literate. It’s too much black hat, white hat…I won’t tolerate bad language, meaning literacy of a western on TV or in film. I hate it. I don’t like it when it’s dumb because there’s such great opportunity because the architecture of a western should be to actually frighten you sitting in the dark, watching something. ‘That could have just happened to me. And I don’t know what I would’ve done’”
Thus, his new and unique outlook on the filmmaking of a Western film is what drives him to only make the best that the genre has ever seen.
What Was Dances With Wolves About?
A still from Dances with Wolves A still from Dances with Wolves
Widely considered to be one of the best films in the history of this genre, recognized by being awarded two Academy Awards for Best Picture and Best Director for Costner, Dances with Wolves may be Western filmmaking done right.
The film tells the tale of Civil War soldier Lieutenant John J. Dunbar, a man who is posted at Fort Hays, where he meets and develops a relationship with the native Lakota Indian tribe. Mesmerized by their lifestyle and simple outlook on the world, he soon finds himself being welcomed into their clan. But when Union Army soldiers come to their land with the agenda of uprooting the tribe, Dunbar has to choose a side.
Dances with Wolves, streaming on Prime Video.

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Clint Eastwood

“He was too expensive”: Clint Eastwood Starred in ‘Dollars Trilogy’ After Director Couldn’t Afford Another Oscar Winning Actor With $15000 Salary

In today’s day and age, Clint Eastwood’s name is one that echoes with terms such as legendary and brilliant. His ability to be expressive as an actor without having to say too many dialogues was one admired by many. Not only his skills as an actor, but being a talented director helped build his reputation in the best way possible.
Clint Eastwood in The Good, the Bad, and the Ugly (1966)

Clint Eastwood in The Good, the Bad, and the Ugly (1966)
During his days as an actor, there were many films offered to him. Some he let go of, others he grabbed as soon as he could. One of his most iconic works is the Dollars Trilogy with director Sergio Leone. Despite the massive amount of fame that he got from it, there was an unfortunate yet slight chance that Eastwood would have lost out on the role because Leone wanted another actor altogether.
Sergio Leone’s Initial Choice for His Trilogy was not Clint Eastwood
One of Clint Eastwood’s biggest movie trilogies, the Dollars trilogy was something that came along his career, giving him a boost the actor never knew he needed. The year 1964 saw a rise in his fame from then on. However, as per BBC (via Farout Magazine), Eastwood was not Sergio Leone’s first choice for the film.
James Coburn
“I really wanted James Coburn, but he was too expensive,” Leone stated. “The Italian cinema is very poor. We got Clint for $15,000, Coburn wanted $25,000.”
The director revealed that because of the budgetary limitations that they had, there was no way possible for him to get James Coburn for the role. The actor wanted $10,000 more than what Eastwood had settled on, making it an absolutely impossible choice for them to hire Coburn. He elaborated on how being in the Italian cinema at that time did not give him flexibility with the budget. Due to this, Eastwood became his ideal choice and that in turn benefitted his career.
Clint Eastwood Almost did not Join Sergio Leone
Clint Eastwood’s career has been a rising climb for decades now. One of the reasons for this is his credible fame because of the Dollars trilogy. However, there was a slight chance that the actor would have given up on the role. According to a BBC documentary (via Farout Magazine), the actor was hesitant about saying yes.
Clint EastwoodClint Eastwood
 “I was doing Rawhide, and I was coming to a hiatus,” Eastwood remembered. “I took three months off, usually around February, March and April every year, and my agent in Los Angeles called me up and asked me if I’d like to go to Europe and make an Italian, German, Spanish co-production of a remake of a Japanese film [Yojimbo] in the plains of Spain.”
The actor/director stated that he was asked to make a film in a rather peculiar setting right after he was coming back from a three-month-long break. His reply to the same had been a rejection. In the end, he warmed up to the idea.

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