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Clint Eastwood

Every ‘Dirty Harry’ Movie Ranked Worst To Best

The legendary Clint Eastwood turns 92 this year, and it seems like after one of the longest careers in Hollywood, he’s finally settling down. It’s ironic that Eastwood’s retirement comes thirty years after his film Unforgiven was released; the western epic was seemingly the “summation” of all of his characters up until that point, but Eastwood continued to direct and act for another three decades. Eastwood’s final film Cry Macho was released in theaters and on HBO Max last fall, but if there’s one thing you shouldn’t do, it’s to count him out of the game entirely.

Before he stepped behind the camera for the first time with Play Misty For Me, Eastwood gained international acclaim thanks to his breakout performance in Sergio Leone’s “The Man With No Name Trilogy.” It was hardly the last time he’d portray a grim, masochistic anti-hero. 1971’s Dirty Harry changed the course of action cinema with its gritty intensity.

Compared to the lighter action farce that was popular in the ‘60s, the Dirty Harry series grounded its depiction of true crime in reality. Eastwood’s character Harry Callahan became one of his most iconic characters; he’s still associated with some of the hard-boiled detective’s most memorable one-liners.

Dirty Harry was followed by four sequels, and the entire series is now streaming on HBO Max. While it’s inevitable that every franchise will be rebooted at some point, it’s hard to imagine anyone being able to fill Eastwood’s shoes. Here are all five Dirty Harry movies, ranked worst to best.

5. The Dead Pool (1988)

While the original Dirty Harry stood out for its commitment to realism, the final film in the series pushed the franchise closer to absurdity. Callahan is known to make some smirky comments, but The Dead Pool is so focused on coining catchphrases that any semblance of stakes is absent. The film follows Callahan’s mission to hunt down a serial killer that targets prominent public figures, including himself. He’s tasked with protecting the gossip journalist Samantha Walker (Patricia Clarkson).

At 91 minutes, The Dead Pool is light on any actual mystery. The film goes to exaggerated lengths to frame the music video director Peter Swan (Liam Neeson) as the culprit that it’s obvious there will be a twist at some point. Even Eastwood seems bored by the eventual revelation. The Dead Pool isn’t unwatchable, as a memorable over-the-top performance by Jim Carrey at least makes it enjoyable, but it’s the most forgettable in the series.

4. The Enforcer (1976)

While the first two Dirty Harry films are certainly landmarks of action cinema, they’re first and foremost detective stories. Callahan was an engaging character because he was actually solving the case alongside the audience, and the films did a good job at blending suspense within the setpieces. This started to disappear by the third film The Enforcer, which goes the shoot em’ up route instead.

The Enforcer focuses on Callahan’s search for the elusive crime boss Bobby Maxwell (DeVeren Bookwalter), and for the most part the “cat and mouse” premise is entertaining. By the third installment, Callahan’s initial sense of honor became more implausible given the ruthlessness of the material, but the film does at least offer a different perspective. Callahan teams up with the new character Inspector Kate Moore (Tay Daly), and for once one of his partners actually questions his worldview.

3. Sudden Impact (1983)

The fourth film in the series was the only installment that Eastwood directed himself. Having already been in the director’s chair for over a decade, Eastwood had found his groove telling fast-paced stories with frequently disturbing material. While Sudden Impact is just as action-packed as The Enforcer, it’s by far the bloodiest installment. Eastwood was able to retain some gravitas to the series after The Enforcer pushed it further into camp.

Sudden Impact picks up with an older and more cynical Callahan, who for once somewhat sympathizes with his chief target. The con artist Jennifer Spencer (Sondra Lock) takes vengeance on a gang of traffickers that committed horrible acts of violence against her, and Callahan can empathize with her desire for justice. The sexual politics and depiction of assault haven’t aged well, but it was a more mature theme to tackle that indicated Eastwood’s more ambitious aspirations as a filmmaker.

2. Magnum Force (1973)

It was honestly a fairly difficult decision as to which film would take the top spot. Magnum Force is an excellent neo-noir crime thriller, and tackles prevalent themes of police corruption and conspiracy. Although the later entries in the series used Callahan’s conflicts with authority for comic relief, Magnum Force put him up against the systemic coverup within the San Francisco Police Department. He’s always been a maverick, but for once, Callahan actually felt like an outsider within his profession. The sharp script by Apocalypse Now and Conan the Barbarian scribe John Milus is the most thoughtful of the five films.

Callahan begins tracking down a group of vigilante cops that enact their own, cruel form of “justice;” as he uncovers the violent abuse of the badge, Callahan is forced to question his own tactics. As he weighs deeper into the conspiracy, Callahan discovers that the entire force he’s dedicated his life to is facing serious questions of legitimacy, and his entire career may have been in vain. Hal Halbrook delivers a genuinely terrifying performance as the villainous insider Lieutenant Neil Briggs. Holbrook’s dramatic background made Briggs a cut above the “villain-of-the-week” style antagonists of the other sequels.

1. Dirty Harry (1971)

As underrated as Magnum Force is, it can’t quite match the impact of the original classic. Dirty Harry doesn’t completely absolve Callahan’s behavior or lionize his worldview; it simply pits him within a deadly chase to take down the best villain of the series, the sniper Scorpio (Andy Robinson). Scorpio’s precise assassinations are methodically incorporated throughout, and the film doesn’t sensationalize the acts of realistic violence for the sake of being a crowd pleaser.

Dirty Harry was directed by Don Siegel, a Hollywood veteran whose acclaimed filmography includes the original Invasion of the Body Snatchers, Escape From Alcatraz, and The Shootist. Siegel takes time to develop Callahan’s worldview, and explores his frustrations with inaction when Scorpio threatens innocent civilians. While all the films are products of the era in which they were released, Dirty Harry has more in common with the gritty New Hollywood crime dramas like Dog Day Afternoon and Serpico than it does just another star vehicle.

Clint Eastwood

Mystic River: Why Clint Eastwood’s Best Movie Still Holds Up Today

A filmmaker of Clint Eastwood‘s caliber is going to have a filmography full of gems. Primarily known for his work in Westerns, biopics, and military dramas, every so often, Eastwood steps outside his comfort zone and delivers in a genre that would seem completely unexpected on paper. That happened in 2003 with Mystic River, a neo-noir murder mystery drama that seems a bit forgotten or overlooked, even though it was a financial success and earned six Academy Award nominations. It represents Eastwood at his very best, breathing vivid life into complex characters as he examines a plethora of themes that range from loyalty, friendship, revenge, and, ultimately, forgiveness.

Mystic River is based on the 2001 novel of the same name by Dennis Lehane, and it follows the lives of three childhood friends, Jimmy Markum (Sean Penn), Sean Devine (Kevin Bacon), and Dave Boyle (Tim Robbins), living in Charlestown, Boston in 1975. Dave is kidnapped by two men claiming to be police officers, and he’s sexually abused by them over a four-day period until he escapes. The traumatic event shapes the three friends, and they ultimately lead very different lives twenty-five years later.

Jimmy is an ex-con that now owns a convenience store in the neighborhood, Sean works for the Massachusetts State Police as a detective, and Dave is your everyday blue-collar worker that still lives with the trauma of being abducted and raped. Their lives are forced together once again through tragedy when Jimmy’s daughter Katie (Emmy Rossum) is found murdered, and friendship is tested when all signs point to Dave being the murderer.
Mystic River Is a Departure From Clint Eastwood’s Other Work

Sean Penn held back by cops in Mystic RiverWarner Bros.

Eastwood tackles the material in Mystic River with a sure and confident hand. It also represents a unique departure from some of his other films. Much of the action takes place under the cover of darkness, and Eastwood is able to find beauty in that darkness. The filmmaker focuses on a character’s eyes or the gleam of a weapon, for instance, as darkness permeates most of the scene.

For the scenes that take place during the day, the filmmaker opts for tight close-ups that linger over the emotions of his impressive cast. There is something uncomfortably intimate about Mystic River, and that has much to do with the subject matter. None of this story is particularly easy to digest, and Eastwood adds to that discomfort with his choices to frame scenes in such a way that’s almost intrusive. The audience feels a growing sense of dread and tension as more of the story unfolds.
Using Lehane’s novel and Brian Helgeland’s screenplay as a blueprint, Eastwood profoundly explores generational trauma and how the sins of the past can leave a permanent mark on our present. Even though the abuse only happened to Dave, the effects of the event leave a mark on all three friends, with Dave being the primary victim and the others feeling a sense of survivor’s guilt for not being subjected to it themselves.
The ordeal forever changes their union because they’re never quite able to look at each other the same way again, as each friend deals with the trauma differently. Jimmy is stunned by the act of abuse but can’t give Dave the support he needs, which then bleeds into their present when Jimmy begins to suspect that Dave had something to do with his daughter’s murder. He doesn’t want to consider that his friend would do something like this because of the trauma he endured as a child, but as evidence mounts against him, Jimmy has to decide if friendship and loyalty overshadow his need for vigilante justice. The story is rich with so many complexities that make it some of Eastwood’s most compelling work as a filmmaker.

Eastwood also takes his time with the story and lets it unfold as it should. Mystic River is very nuanced, and he knows he’s dealing with heartbreaking subject matter that requires patience and respect. The story is grounded in so much reality that Eastwood seems keenly aware that a viewer might be an actual victim of this kind of abuse themselves, so he delicately approaches the topic and gives it the emotional weight it deserves.
He also shows the uncomfortable side of abuse where the victim, unfortunately, can be shamed because of the event. Dave becomes an outsider later in his life, even with his close friends, something that sadly comes along with this kind of trauma. Eastwood approaches all of this responsibly and provides a very balanced outlook to all the events transpiring on screen.
Mystic River has become known for its powerhouse performances, and Eastwood pulls the very best from his ensemble cast. While the scenes with the young actors are brief in the beginning, they set the tone of who these people will be twenty-five years later. Dave becomes the outcast because of the event; Jimmy lacks empathy and doesn’t trust authority, while Sean becomes the grounded one of the bunch and a police officer in an attempt to prevent a tragedy like this from ever happening again.

Clint Eastwood Pulls Powerhouse Performances From His Cast

Tim Robbins, Sean Penn, and Kevin Bacon do a great job conveying the unspoken tension between all three of these characters. There is a sense of loyalty, but so much has taken place over the years that it has forced them all to lead very different lives. As a group, they are uniformly excellent. You feel the history between the characters and the bonds that were broken, only to be reopened by a new traumatic event.
On their own, Penn gives the performance of a lifetime as Jimmy, and it’s not a shock that this turn finally earned him his first Academy Award for Best Actor. Penn is a dominant presence in all of his scenes, and there is a sense of uncertainty whenever he’s around because you don’t know exactly what move he will make.

That’s not to say he doesn’t display layers. All of that bravado is broken once he finds out his daughter is murdered. It’s hard to pinpoint a director’s best scene on film, but what Eastwood pulls out of Penn during the “Is that my daughter?” sequence represents some of his very best work as a filmmaker.
Robbins also received an Academy Award for Best Supporting Actor for his work here, representing a much-deserved win. As Dave, Robbins is the tragic and emotional heart of the story. The viewer feels instant empathy for Dave due to what he went through as a child, but you’re also left questioning everything when it seems like Dave could be the one who murdered Katie.
Robbins keeps you on your toes throughout, making you question his innocence while also seeing the tenderness in him as he interacts with his own child, who is just about the age he was when he was abused. As for Bacon, of the three male leads, he gives the most subdued performance, but it suits the character. He’s trying to make everything right and keep it all together. It’s a subtle performance that carries its own emotional weight.

Eastwood also makes the supporting roles worthy of attention. Marcia Gay Harding, as Dave’s wife Celeste, puts in powerful work here that earned her a Best Supporting Actress Oscar nomination, while Laura Linney more than holds her own with Penn as his second wife, Annabeth. In addition, Laurence Fishburne also fills in as Sgt. Whitey Powers in another excellent part.
Mystic River is a haunting and poetic motion picture that showcases a director laying it all out on the table. Eastwood gives the audience everything he has as a director and pours it out across the screen in a film that is just as powerful twenty years after its initial release.

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Clint Eastwood

Clint Eastwood’s Most Iconic Non-Western Role Was Only Possible Because Of This Actor

SUMMARY

 Clint Eastwood’s role in Dirty Harry is considered one of his most iconic, and the film is a classic in the crime genre.
 Paul Newman initially turned down the role of Harry Callahan in Dirty Harry but recommended Clint Eastwood for the part.
 Newman declined the role due to his liberal beliefs, and Eastwood’s portrayal of Callahan differed from Newman’s perspective, but both respected each other.

SCREENRANT VIDEO OF THE DAY

Although Clint Eastwood first built his impressive career on Western movies like The Man with No Name franchise and The Outlaw Josey Wales, the actor’s biggest non-Western role in Dirty Harry is one of his most iconic, and it might have never happened without this one actor. Clint Eastwood began acting in the 1950s, and over several decades, became a staple in the Western genre. What makes Eastwood stand out is the fact that he has not only appeared in countless films, but has also directed them himself. Films like Unforgiven and Gran Torino have defined his career. However, Dirty Harry is by far one of Clint Eastwood’s best films.

In 1971, Clint Eastwood starred in the neo-noir action film Dirty Harry. The film, and its adjoining sequels, follow Inspector “Dirty” Harry Callahan, a rugged detective that is on a hunt for a psychopathic serial killer named Scorpio. The Dirty Harry franchise lasted from 1971 to 1988, and has since been considered a classic. In fact, Dirty Harry was selected for preservation in the United States National Film Registry by the Library of Congress because of its cultural significance. However, this film might have been vastly different if Clint Eastwood had never been in it, and scarily enough, this definitely could have happened back in 1971.
Paul Newman Rejected Dirty Harry Before Suggesting Clint Eastwood For The Role

Dirty Harry 2

Dirty Harry went through many production challenges before it was actually made, and one of those included casting the iconic detective. In the film’s early stages, the role was offered to actors such as John Wayne, Robert Mitchum, Steve McQueen, and Burt Lancaster. However, for various reasons, including the violence that permeates the film, these actors all declined. For a time, Frank Sinatra was attached to the project, but he also eventually left the production. In reality, Clint Eastwood wasn’t even in the cards for portraying Dirty Harry, but his big break came when Paul Newman was offered and declined the role.

Paul Newman, like many amazing actors before him, was offered the role of Harry Callahan, but ultimately said no. However, what makes his refusal stand out among the rest is that he recommended another actor that could be perfect for the role: Clint Eastwood. At this time, Eastwood was in post-production for his first film Play Misty for Me, meaning his career was taking something of a turn. Also, unlike his predecessors, Eastwood joined up with Dirty Harry, just as Newman thought he would. Because of his Western roots, the violence and aggression that made up Dirty Harry didn’t bother Eastwood at all.

Why Paul Newman Turned Down Dirty Harry

Paul Newman holding a gun.

Paul Newman turning down the leading role in Dirty Harry may not seem too surprising considering the host of other actors that also declined the movie, but Newman definitely had his reasons. While previous actors had condemned the movie for its incredible violence and themes of “the ends justify the means,” Newman refused to take the role because of his political beliefs. Since Harry Callahan was a renegade cop, intent on catching a serial killer no matter the cost or the rules that would be broken, Newman saw this character as too right-wing for his own liberal beliefs.

Paul Newman was an outspoken liberal during his life. He was open about his beliefs, so much so that he even made it onto Richard Nixon’s enemies list due to his opposition of the Vietnam War. Other issues that Newman spoke out for included gay rights and same-sex marriage, the decrease in production and use of nuclear weapons, and global warming. As a result of his politics, Newman quickly denied the role of Harry Callahan. In an interview with Entertainment Weekly as reported by Far Out Magazine, Clint Eastwood commented that he didn’t view Callahan in the way Newman did, but still respected him as an actor and a man.

Would Dirty Harry Have Been So Successful Without Clint Eastwood?

Clint Eastwood as Dirty Harry Callahan

Ultimately, it’s hard to say whether Dirty Harry would have been successful without Clint Eastwood. Arguably, any big-time actor could have made the film succeed solely based on their fame. However, one aspect of Dirty Harry and its carousel of actors is that the movie had various scripts, all with different plots. So, if Dirty Harry had been in a different location with a different serial killer and a different lead actor, there’s a chance it wouldn’t have been nearly as successful. In the end, Dirty Harry is a signature for Clint Eastwood, and most likely, audiences are lucky that it was made the way it was.

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Clint Eastwood

The story of how Clint Eastwood prevented Ron Howard from embarrassment

A star of American cinema both in front of and behind the camera, Ron Howard is often forgotten when recalling the greatest directors of modern cinema, yet his contributions to the art form remain unmatched. Working with the likes of Tom Hanks, Chris Hemsworth, Russell Crowe and John Wayne, Howard has brought such classics as Apollo 13, A Beautiful Mind and Rush to the big screen.
Entering the industry in the late 1950s and 1960s, Howard started his career as an actor, making a name for himself in shows like Just Dennis and The Andy Griffith Show before his role in 1970s Happy Days would catapult him to national acclaim. His directorial debut would come at a similar time, helming 1977’s Grand Theft Auto, the ropey first movie in a filmography that would later become known for its abundance of quality.
Known for his acting talents, Howard wouldn’t become a fully-fledged director in the eyes of the general public until the 1980s, when he worked with Tom Hanks on 1984’s Splash and George Lucas for the 1988 cult favourite Willow.
With hopes of becoming the new Star Wars, Willow was instead a peculiar fantasy tale that told the story of a young farmer who is chosen to undertake the challenge to protect a magical baby from an evil queen. Starring the likes of Warwick Davis, Val Kilmer and Joanne Whalley, the film failed to make a considerable dent in pop culture at the time, largely being ridiculed by critics and audiences alike.
Screened at the Cannes Film Festival, the movie was spared humiliation by none other than Clint Eastwood, who saw the craftsmanship behind the picture, as described by Ron’s daughter, Bryce Dallas Howard.
Speaking to Daily Mail, the actor recalled: “My dad made a film called Willow when he was a young filmmaker, which screened at the Cannes Film Festival and people were booing afterwards. It was obviously so painful for him, and Clint, who he didn’t know at that time, stood up and gave him a standing ovation and then everyone else stood up because Clint did”.
Dallas Howard, who worked with Eastwood on the 2010 movie Hereafter, became very fond of Eastwood as a result, looking up to him as an exemplary Hollywood talent. “Clint puts himself out there for people,” she added, “As a director he is very cool, very relaxed, there’s no yelling ‘action’ or ‘cut’. He just says: ‘You know when you’re ready.’ I told my dad he should do that!”.
Take a look at the trailer for Howard’s 1988 fantasy flick below.

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