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John Wayne

Every John Wayne and John Ford Movie Ranked, According to IMDb

Their presence in each other’s cinematic legacy will never be forgotten. Before the days of Wes Anderson, Quentin Tarantino, and the modern-day filmmaking duos, there were the Johns. Director John Ford and acting icon John Wayne were genre forces to be reckoned with. Stepping onset together 14 times from 1939 to 1963, the Johns were a dynamite pair that produced more than just Wild West, trailblazing movies.
Six of their double-digit pictures were written or co-written by screenwriter Frank S. Nugent. Ford and Nugent were just two examples within the Duke’s filmography where he collaborated multiple times. Wayne’s repeated use of supporting cast actors is one of the relationships that inspired a practice that today’s legendary filmmakers continue to be recognized for.
14‘The Wings of Eagles’ (1957)

john-wayne-dan-dailey-the-wings-of-eagles-1957Image via Warner Bros. 

IMDb Rating: 6.6/10
Alongside his iconic leading lady Maureen O’Hara, Wayne stars as Frank “Spig” Wead, a real-life Naval aviator paralyzed after a spine injury. Following his injury, Wead takes pen to paper and begins to write pro-military films, but the attack on Pearl Harbor leads him to reenter the Navy under special permission.
Ford decided to helm the project honoring Wead after recognizing he didn’t want anyone else to direct the project dedicated to his close friend. This project was a notable installment in Ford’s and Wayne’s careers.
13‘Donovan’s Reef’ (1963)

Lee Marvin next to John Wayne both soaking wet standing in a fish pond in Donovan's Reef

IMDb Rating: 6.7/10
The final film starring opposite each other, Lee Marvin and Wayne are pure entertainment in this breezy comedy. The pair star as two of three World War II Navy veterans, Donovan (Wayne), Doc (Jack Warden), and Gilhooley (Marvin), all of whom come to settle on a French Polynesian island as Doc’s share in his shipping company becomes threatened.
It’s a distance stretch from the past films Marvin and Wayne co-starred in, but Donovan’s Reefis a relaxed break from the gun-slinging and wartime pictures their audiences were used to. Audiences appreciated Ford’s light-hearted swing for his final collaboration with Wayne.
12‘The Long Voyage Home’ (1940)

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IMDb Rating: 6.9/10
Another feature centered on the backdrop of World War II, The Long Voyage Home finds the crew of an English cargo ship battling not only the loneliness of sailing but the thought that there may be a Nazi spy aboard their ship carrying dynamite. Wayne stars as Swedish crew member Olsen.
The supporting cast included actors like Ward Bond, whom fans would recognize in several later films Wayne would lead. This early partnership picture from Ford and Wayne earned six Oscar nominations, including Best Picture, but failed to take home a golden statue from the ceremony.
11‘Rio Grande’ (1950)

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IMDb Rating: 7.0/10
A story where everything converges all at once upon its leading man, Rio Grande remains one of Wayne’s memorable performances. Lieutenant Colonel Kirby Yorke’s past comes back to bite him when his estranged son arrives as a recruit at Yorke’s Texas cavalry post, and his equally estranged wife arrives to bring their son home. Furthering the trouble, Yorke is tasked with defending settlers against Apache raids across the river.
This movie is a follow-up from Fort Apache (further down the list) and features familiar faces and themes established in previous installments in the Johns filmography. Not the worst, not the best, Rio Grande is still a satisfactory Western.
10‘How the West Was Won’ (1962)

john-wayne-harry-morgan-how-the-west-was-won-1962

IMDb Rating: 7.1/10
Separated into five sequences directed by Ford, Henry Hathaway, and George Marshall, How the West Was Won is often not included when discussing the Johns Canon. With a big-name cast including stars like Spencer Tracy, Gregory Peck, James Stewart, Carroll Baker, and Debbie Reynolds, to name a few, this feature is close to three hours long, detailing the westward expansion of the 19th century.
Wayne stars as General William Tecumseh Sherman in the Civil War segment directed by Ford. Hollywood’s greatest stars of the period, Wayne, Stewart, and Henry Fonda, only starred this one time altogether; however, they were never in the same scenes.
9‘3 Godfathers’ (1948)

john-wayne-pedro-armendariz-harry-carrey-jr-3-godfathers-1948

IMDb Rating: 7.1/10
A deep dive for surface-level Wayne fans, 3 Godfathers was the original Three Men and a Baby. Alongside Pedro Armendáriz and Harry Carey Jr., Wayne completes the trio of outlaws who stumble upon a dying woman and her newborn after robbing a bank. The three men risk their safety and vow to return the baby to safety as they try to outrun the sheriff hot on their trail.
Audiences remembered this Ford production as a retelling of the Three Wise Men and resonated with the religious symbolism throughout the movie. It isn’t the pair’s most memorable film, but it solidifies its entertainment value.
8‘The Horse Soldiers’ (1959)

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IMDb Rating: 7.1/10
The Horse Soldiers is set against the backdrop of the Civil War as Union Colonel John Marlowe (Wayne) and his unit attempt to carry out their mission to destroy a Confederate railroad depot. Marlowe’s efforts become complicated after Miss Hannah Hunter (Constance Towers), a Southern belle, overhears the mission plans, forcing Marlowe to bring her along.
A mid-tier segment in their cinematic history, Ford and Wayne hold the audience’s attention despite having set such a high-bar standard for their films. Once again, audiences deliver the pair well-deserved respect for their efforts even if the plot left more to be desired.
7‘They Were Expendable’ (1945)

John Wayne, Geraldine Page and Robert Montgomery sitting next to each other in a jeep inThey Were Expendable

IMDb Rating: 7.2/10
Not only did Robert Montgomery co-direct the film (listed as uncredited), but he also starred as the leading man alongside Wayne. Taking place just before the attack on Pearl Harbor and carrying through to after, They Were Expendablefinds Naval Lieutenants Ryan (Wayne) and Brickley (Montgomery) questioning the viability of the new PT boats, putting them to the test against Japanese planes.
Nominated for two technical Oscars, this wartime drama is a well-respected feature. It was also co-written by The Wings of Eagles inspiration, Frank Wead. They Were Expendable is an admirable, right choice for a well-deserved break from the desolate West.
6‘She Wore a Yellow Ribbon’ (1949)

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IMDb Rating: 7.2/10
An Oscar-winner for Best Cinematography, She Wore a Yellow Ribbon signaled that Ford’s movies were worthy of critical acclaim. Just before retirement, Calvary Captain Nathan Brittles (Wayne) is tasked with mending relations between the Native American tribes after Custer’s Last Stand. The mission is complicated as Brittles manages the safe passage of the wife and niece of his superior officer.
Wayne wasn’t the only star Ford collaborated with consistently; She Wore a Yellow Ribbon also features Victor McLaglen,who starred in supporting roles for other films on this list like Fort Apache,Rio Grande, and The Quiet Man. Wayne fans also recognized stars Harry Carey Jr. and Ben Johnson from other movies led by the Duke.
5‘Fort Apache’ (1948)

John Wayne as Kirby York

IMDb Rating: 7.4/10
Fort Apachefeatures Wayne opposite legendary actor Henry Fonda. Young, level-headed Capt. Kirby York (Wayne) clashes with Civil War veteran Lieutenant Colonel Owen Thursday (Fonda) after Thursday returns to Fort Apache and begins to threaten war with the local tribes.
This installment in the Johns filmography also became the first in what came to be known as John Ford’s Calvary Trilogy, the succession films were She Wore a Yellow Ribbon and Rio Grande. Fort Apache arguably was the best of the three according to audiences and its IMDb rating.
4‘The Quiet Man’ (1952)

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IMDb Rating: 7.7/10
An Oscar-winning feat for Ford (Best Director), The Quiet Man was a departure for both Johns from the usual gritty Western story. Wayne plays retired American boxer Sean Thornton returning to his family’s homestead in Ireland. He falls for Mary Kate (Maureen O’Hara) there despite her brother’s refusal.
The movie is another excellent collaboration between Ford and Wayne and Wayne and his leading lady O’Hara. Like the title displays, The Quiet Man is a quiet romance beloved by critics and cinema-goers deserving of its seven Oscar nominations.
3‘Stagecoach’ (1939)

stagecoach

IMDb Rating: 7.8/10
The time-honored tale of strangers surviving circumstances, Stagecoach featured Wayne during his transition from B-list to A-list actor. An outlaw, Ringo Kid (Wayne) is among a group of passengers aboard a stagecoach traveling across the Wild West, the threat of Apache attacks looming over them all.
RELATED:How ‘Stagecoach’ Revolutionized The Western Genre
This is the first collaboration between Ford and Wayne. A career-evolving film for the pair, Stagecoach earned seven Oscar nominations, including Best Picture and Best Director (Ford’s second directing nomination). At the time, this movie excited Western fans for a dynamic relationship that was about to unfold before Hollywood’s eyes.
2‘The Searchers’ (1956)

The Searchers - 1956

IMDb Rating: 7.9/10
A dark installment for the cinematic duo, The Searchers still features the familiar faces of Wayne-film regular cast members. Determined to recover his kidnapped niece, Debbie (Natalie Wood), Ethan Edwards scours the Comanche nation after his brother’s family is slain.
A Civil War veteran, Ethan is calloused and cold, a far cry from the upbeat disposition of Wayne’s traditional roles, absent of the Duke’s iconic ear-to-ear grin. The Searchers is a cinematic gem that Wayne-Ford fans return to time and time again.

1‘The Man Who Shot Liberty Valance’ (1962)

Ranse Stoddard in The Man Who Shot Liberty ValanceImage via Paramount Pictures

IMDb Rating: 8.1/10
Directed during the height of his career, Ford assembled a trio of Hollywood acting royalty for The Man Who Shot LibertyValance. One of cinema’s most revered westerns, this feature stars James Stewartas Senator Stoddard relives through flashbacks the story of Stoddard’s unexpected friendship with Tom Doniphon (Wayne), recounting for a newspaper reporter their involvement and search for justice against local criminal Liberty Valance (Lee Marvin).
A feature about storytelling, The Man Who Shot Liberty Valance is concise and focused on the relationships between Stoddard and Doniphon rather than racing quests across a ruthless frontier. Highly revered within the genre, this is the best collaboration between Ford and Wayne.

John Wayne

The Legend Lives On: John Wayne is Still Alive!

In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.

From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.

While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.

So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!

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John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

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John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice. 

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.

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