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John Wayne

John Ford’s Claim Of ‘Discovering’ Monument Valley Didn’t Sit Well With John Wayne

There isn’t a more instantly identifiable movie location in the United States than Monument Valley. Situated at the Arizona-Utah border, the area provides a visually striking backdrop thanks to its series of buttes. John Ford made the valley famous via his groundbreaking Western “Stagecoach,” and revisited it throughout his legendary career. Over the last 74 years, filmmakers as diverse as Stanley Kubrick, Sergio Leone, Harold Ramis, Steven Spielberg, and Michael Bay have dropped in on the ruggedly beautiful locale with everything from hominins, Chevy Chase, and Transformers. It’s a cinematic sandbox every movie lover is desperate to visit. And we all have Ford to thank for this.
Or perhaps not.
One of Ford’s other major discoveries was a monument of a man named John Wayne. The tall, swaggering Iowan seemed consigned to a career as a star of B-Westerns until Ford decided he was literally ready for his close-up in “Stagecoach.” His portrayal of the lethally capable Ringo Kid was every bit as essential to the critical elevation of the genre as Ford’s thrillingly precise direction. Wayne owed everything to Ford, and the elder artist never let him forget it.
But The Duke had no shortage of pride, so whenever he spied the opportunity to call Ford out, he seized it and squeezed it like Ringo taking up his trusty Winchester rifle. Wayne’s biographer Maurice Zolotow learned this when he queried the star about Ford’s discovery of Monument Valley. According to The Duke, that discovery was all his.
How petty was my valley?
United ArtistsIn Maurice Zolotow’s “Shooting Star: A Biography of John Wayne,” the star claims he found Monument Valley a good decade before John Ford ever laid eyes on it. In Wayne’s telling he was “proppin’ and stuntin’” on a George O’Brien Western in 1929 when, in a fit of restlessness, he hopped in a car and drove around the Four Corners area of the U.S. Per The Duke:
“I went out on this Navajo reservation. It was comin’ on sunset. Then I came to this valley. I parked the car and got out and looked at it and, well, you know how it looks, and that evening it looked, well, kind of like it was another world. I said to myself this would be a fine location for a Western because the cloud formations were fantastic in this area. Those two buttes — I guess they’re over a thousand feet high — sure would frame a composition.”
A decade later, when Ford was seeking out unfamiliar locations for “Stagecoach,” Wayne recommended Monument Valley. The Duke says Ford had never heard of it. So when Wayne joined Ford and a small crew on a scouting expedition around the Utah-Arizona border, he was stunned when, upon encountering the valley, Ford boasted, “I have just found the location we are going to use.”
Wayne told Zolotow he never stopped being miffed about the petty slight. “He wanted to be the one who found it. I don’t know why he never wanted to give me credit for tellin’ him about Monument Valley.”
As for why Ford’s telling of this story has endured, Wayne could take cold comfort in the most famous line of dialogue from the last classic Western he made with the director: “When the fact becomes legend, print the legend.”
 

John Wayne

The Legend Lives On: John Wayne is Still Alive!

In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.

From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.

While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.

So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!

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John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

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John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice. 

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.

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