John Wayne Could Only Film ‘Rio Lobo’ Using 1 Side of His Body
John Wayne is a Western film icon and starred in many notable films during the Hollywood Golden Age. For over 30 years, fans saw his name attached to Westerns and war movies and couldn’t wait to see what he was filming next. But that doesn’t mean filming came easy for the superstar, especially in regard to injuries. Wayne suffered numerous physical difficulties through the years, and while filming Rio Lobo, he couldn’t use one side of his body. Here’s why.
John Wayne had difficulty filming ‘Rio Lobo’ due to a torn shoulder
John Wayne in ‘Rio Lobo’ | CBS via Getty Images
Rio Lobo, a remake of Rio Bravo and El Dorado, came out in 1970 and featured John Wayne as the lead. Wayne played Cord McNally, a Civil War veteran searching for two traitors who caused McNally’s unit to go down. McNally travels to the town of Rio Lobo to unearth a shocking discovery.
Rio Lobo was director Howard Hawks’ last film, and it was far from the first time he worked with Wayne. “The last picture we made, I called him up and said, ‘Duke, I’ve got a story,’” Hawks said in 1971, according to Express.co.uk. “He said, ‘I can’t make it for a year, I’m all tied up.’ And I said, ‘Well, that’s all right, it’ll take me a year to get it finished.’ He said, ‘Good, I’ll be all ready.’ And he came down on location and he said, ‘What’s this about?’ And I told him the story. He never even read it, he didn’t know anything about it.”
Ultimately, Rio Lobo bombed, and Hawks blamed it on Waynes being too old and out of shape for the movie to succeed. But Waynes had other difficulties on set. Before filming, he fractured three ribs while filming The Undefeated and gained weight for True Grit. He also tore a ligament in his shoulder. Filmmakers had to film only one side of Wayne’s body because he couldn’t move one arm.
Wayne’s torn shoulder was particularly difficult when it came to navigating the fight scenes in the film. Hawks had to utilize stand-in actors, and Wayne could only be seen from certain angles. Mounting and getting off of the horse smoothly also proved near impossible.
John Wayne had just previously gained weight for ‘True Grit’
John Wayne and Glen Campbell in ‘True Grit’ | Silver Screen Collection/Getty Images
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As stated before, John Wayne was asked to gain weight for True Grit before filming Rio Lobo. Producer Hal Wallis hired Henry Hathaway to direct True Grit, and Hathaway requested that Wayne gain weight for the role of Marshal Reuben J. Cogburn. Wayne was reportedly overjoyed with the request.
The role came with another request that Wayne didn’t want to give into, though — and that was the eye patch. Wayne worried that an eye patch would have his fans turn against him, as it wasn’t the image they were used to seeing. But Wallis requested the eye patch remain.
However, Wallis and Wayne did compromise on one other aspect of Wayne’s appearance as Cogburn, though. They both agreed that Wayne didn’t have to have a mustache to play the character.
He didn’t understand why filmgoers wanted to watch ‘tough and bleak’ Westerns
While John Wayne is known for filming classic, gritty Westerns, he reportedly didn’t understand their appeal.
“I was getting anxious because there was this young guy called Clint Eastwood making Westerns in Italy and having tremendous success with them,” Wayne said at the end of the 1960s. “All of a sudden, the studios all wanted Eastwood to come and make Westerns for them, but they were not the kind of Westerns I’d been making. They were tough and bleak. I don’t get it. What do people see in these films?”
With that said, True Grit won Wayne Best Actor at the Academy Awards in 1970. Unfortunately, Rio Lobo didn’t win him the same accolades.
In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.
From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.
While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.
So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!
Why John Wayne Turned Down the Chance to Work With Clint Eastwood
Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.
How John Wayne responded when Clint Eastwood tried to work with him
Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.
The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.
Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.
Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies
Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.
The one time Ann-Margret and John Wayne made a movie together
Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.
Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.
John Wayne | Silver Screen Collection/Getty Images
During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”
Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.
What Ann-Margret thought about John Wayne
Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.
“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”
How the world reacted to ‘The Train Robbers’
Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.