John Wayne Film ‘The Man Who Shot Liberty Valance’ Includes Surprisingly Little Screen Time for The Duke
The 1962 John Wayne film The Man Who Shot Liberty Valance is widely regarded as his greatest creation. It included everything you could want in a Western: dastardly outlaws, plenty of gunfights, and a larger-than-life hero, John Wayne. The John Ford film also birthed the iconic line, “when the legend becomes fact, print the legend.”
John Wayne plays Tom Doniphon, an unsung hero who’s already dead at the start of the film, while his co-star, James Stewart, is the perfect foil in slimy politician Ransom “Ranse” Stoddard. Senator Stoddard took credit for Doniphon’s defeat of Liberty Valance, a ruthless criminal terrorizing the frontier town of Shinbone.
The film was an adaptation of a 1953 short story of the same name by Dorothy M. Johnson. As John Ford was tasked with turning a short story into a feature film, The Man Who Shot Liberty Valance wasn’t exactly a mirror image of the original tale.
In the John Ford biography Print the Legend, author Scott Eyman describes the differences. “The point of the story is basically the same point as the film,” Eyman said. “The execution is quite different. Ford and his writers altered one crucial aspect.”
“In the story, the John Wayne character is kind of the fairy godfather to the Jimmy Stewart character, keeps nudging him along on the road from frontier lawyer to United States senator, constantly showing him the way and helping him out.”
“That doesn’t happen in the film,” Eyman continued. “Basically, the John Wayne character in the film commits two acts that alter Ransom Stoddard’s life and that’s all and that’s enough. So it made the Wayne character a little less proactive in the film as opposed to the story.”
John Wayne Wasn’t the Main Character in ‘The Man Who Shot Liberty Valance’
The Man Who Shot Liberty Valance is a breathtaking film and an extremely memorable role for John Wayne. Because of the changes made to the story in the adaptation process, however, John Wayne wasn’t the main character of the story.
Given how important the film is to John Wayne’s career, and the fact that many consider The Man Who Shot Liberty Valance to be a John Wayne film, The Duke has surprisingly little screen time. In fact, it’s probably John Wayne’s most important role with the least amount of screen time.
James Stewart is the clear star of the film and plays the character the majority of the movie is centered around. It’s John Wayne, however, who took the film to legendary status, giving it that extra dash of Western magic. For Western fans, The Man Who Shot Liberty Valance is a must-watch.
Because of John Wayne’s incredible performance, the end of the film is a true tearjerker. You know it has to end with Ranse taking credit for the heroic actions of Tom Doniphon. But it doesn’t make the final moments sting any less.
When it becomes clear that Doniphon will never receive his flowers, a newspaper editor who could’ve published the truth gives the line that’s now cemented in cinema history. “This is the West, sir. When the legend becomes fact, print the legend.”
Why John Wayne Turned Down the Chance to Work With Clint Eastwood
Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.
How John Wayne responded when Clint Eastwood tried to work with him
Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.
The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.
Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.
Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies
Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.
The one time Ann-Margret and John Wayne made a movie together
Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.
Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.
John Wayne | Silver Screen Collection/Getty Images
During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”
Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.
What Ann-Margret thought about John Wayne
Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.
“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”
How the world reacted to ‘The Train Robbers’
Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.
True Crime on Amazon Prime: ‘Lorena’ Reexamines a 90s Tabloid Sensation
True crime might not be the first type of show that comes to mind when you think of the offerings on Amazon Prime Video. The perpetually buzzy genre is usually more associated with the likes of Netflix and HBO.
However, the streaming service boasts at least one standout docuseries from 2019. It’s one that can scratch the true crime itch for fans, but also give them a much needed new perspective on a well-worn tabloid sensation from the 1990s.
‘Lorena’ was produced by Jordan Peele of ‘Get Out’ fame
Jordan Peele, Head of Amazon Studios Jennifer Salke, and Lorena Gallo attend the ‘Lorena’ Premiere during the 2019 Sundance Film Festival. | Rich Fury/Getty Images
Lorena, as the simple, to-the-point title suggests, chronicles the sordid story of Lorena and Jon Bobbit. The series was produced by Jordan Peele, the comedian-turned-director best known for Get Out and Us, and released on Amazon Prime Video in early 2019 following a premiere at the Sundance Film Festival.
In 1993, Lorena Bobbitt infamously cut her husband, John Wayne Bobbitt’s penis off in his sleep with a kitchen carving knife. She drove off with it, tossed it out the car window into a field, and eventually called 911 to report the incident. After a search followed by 9.5 hours of surgery, John Bobbitt was able to get his penis reattached and functioning normally.
Thanks in large part to the salacious and sexual nature of the Bobbittss story, it quickly became a tabloid and late-night talk show sensation. Sadly, as one might expect from a male-dominated culture, the media spectacle largely focused on John Bobbitt as a sympathetic victim and cast Lorena as a hysterical victim. John Bobbitt went on to become something of a cult figure for a time, even starring in two pornographic films.
Part of the mission statement of Lorena, the series, was to use the true crime format to recontextualize the Lorena Bobbitt story. Despite the prevailing perception of the incident beforehand, in reality, John Bobbitt had subjected Lorena to years of domestic abuse and rape, up to and including the night of her attack.
John Bobbitt was eventually acquitted on rape charges. Lorena Bobbitt was found not guilty by a jury for reasons of insanity.
“25 years later, Lorena is a groundbreaking re-investigation of the deep moral issues and painful human tragedies buried at the heart of this infamous American scandal,” Amazon’s official description of the series reads, as reported by Deadline. “Lost in the tabloid coverage and jokes was the opportunity for a national discussion on domestic and sexual assault in America.”
Lorena saw a positive reaction upon its release, currently boasting an 82% positive rating on Rotten Tomatoes. It was the biggest project yet from director Joshua Rofé, who previously helmed Lost for Life, a documentary about juvenile offenders sentenced to life in prison.