Actor John Wayne loved both land and sea. However, he took his love for the water to another level when he purchased a boat that he spent a lot of time on. The Wayne houseboat is a beautiful piece of history that fans continue to admire long after the actor’s death. Here’s a look inside of Wild Goose.

John Wayne owned a WWII houseboat called ‘Wild Goose’

The Daze with Jordan the Lion YouTube channel takes viewers on a tour inside of the Wayne houseboat. The actor spent a lot of time on the houseboat and owned it for 18 years. However, he sold it shortly before he died in 1979. Jordan explained that Wayne had some of his favorite moments of all time on the Wild Goose. He even convalesced on the boat after he knew that he was going to die.

The Wayne houseboat was a decommissioned World War II Naval minesweeper. However, he wasn’t the original owner. Billionaire Max Wyman purchased the boat, but he wanted to sell it when he grew tired of it. Wayne purchased it off his hands and had to have the ceilings raised to accommodate his height without bumping his head.

Jordan went to the other side of the boat to take a quick look at the kitchen, where the Duke had meals prepared for him. Next, he went into the engine room. The host explained that the ship’s engine was originally a locomotive or train engine that they repurposed when the military had the ship. The ladder at the end of the room leads to the bar area.

The host exited the engine room to head to the second level of the ship, using gold-detailed stairs to get there. He explored a second Bride room, where guests can purchase Wayne and Wild Goose merchandise. Jordan explained that the Wayne houseboat’s captain is still alive and participates in the dinner cruises.

Few actors compare to John Wayne, both in terms of ability and popularity. Here are The Duke’s most memorable movies.John Wayne or simply “The Duke” is one of the greatest actors of all time, appearing in over 150 movies and starring in over 70 movies during his career. He was brilliant in every single role, whether he was a cowboy, a marshal, a colonel, or any other type of character. Fans of all ages love The Duke for his commanding presence on-screen and good heart off-screen.

1: The Green BeretsJohn Wayne plays a Green Beret colonel in “The Green Berets”Despite its critical failure and protests about its subject matter, The Green Berets was a commercial success when it was released in 1968. Based on a 1965 novel, the movie was also directed by Wayne, who wanted to show the positive side of those who served in South Vietnam at the time.

Wayne plays the colonel of a Green Beret unit who’s sent to Vietnam to support various operations. He’s joined by a cynical newspaper reporter, played by David Jansen. His unit goes on an espionage mission and shores up a front-line camp with help from a character portrayed by George Takei.

2: The Searchers“The Searchers” is considered one of the most classic movies made.John Ford’s The Searchers was not only a commercial success when it premiered in 1956. It also became one of the most influential films of the 20th century. It has been named one of the best Westerns and top movies of all time.

Wayne plays a Civil War veteran who goes on a hunt for his niece, played by Natalie Wood. He’s joined by his adoptive nephew, who is played by Jeffrey Hunter. Along the way, the pair encounters numerous obstacles in their search.

3: Red RiverJohn Wayne and Montgomery Clift in “Red River.”Gunslinging wasn’t the only thing John Wayne did in his Westerns. For the most part, that was a small part. The rest of these films focused on the human condition and how they conquered the harshness of the land at that time.

Red River is an example of this type of film. Directed by Howard Hawkes, it’s loosely based on the first cattle drive from Texas to Kansas along the Chisholm Trail. Most of the tension comes from the relationship between Wayne’s character and his son, played by Montgomery Clift. The movie was preserved by the National Film Registry thanks to its historical significance.

4: StagecoachJohn Wayne was beginning to get his acting chops in the 1930s, working as an extra and starting to star in a few B movies. In 1939, he got his break as Ringo Kid, a young outlaw out for revenge for his father and brother’s death in John Ford’s Stagecoach.

Stagecoach focused on a diverse group of individuals who were all aboard the same stagecoach and are forced to go through several trials and tribulations together, including the birth of a baby. The role set the young actor on a path to success and Wayne soon became a household name.

5: El DoradoThe 1960s were full of great western actors such as John Wayne, Steve McQueen, James Stewart, Clint Eastwood, and Robert Mitchum. Having John Wayne and Robert Mitchum in the same movie proved to be a wise decision, with 1966’s El Dorado became a huge hit among western fans.

John Wayne played Cole Thorton, a gunslinger for hire, who returns to the town of El Dorado as he was hired by wealthy landowner Bart Jason. But when Cole realizes he would have to fight his old friend the drunken sheriff, J.P. Harrah played by Robert Mitchum, he turns down the offer. Cole joins forces with J.P. to protect the town from the bully Bart Jason.

6: The ShootistJohn Wayne had a career that spanned for 4 decades, with his big break coming in 1939 as Ringo Kid in Stagecoach and his last role being J.B. Books in the 1976 film The Shootist. J.B. Books is an old gunslinger who finds out he has cancer, but this old gunfighter isn’t going out without a fight.

The American hero, John Wayne, passed away in 1979, only a few years after filming his final movie. That said, his legacy will never be forgotten. As they say, “when the legend becomes fact, print the legend.”

If I’m being honest, when choosing to settle down with a good old western, I usually choose to pick the more stylised, epic works of Sergio Leone or more grittier fare like Sam Peckinpah’s open exit wound of a movie, The Wild Bunch. However, it would be hideously remiss of me to ignore the more stately classics that forgore the blood and dust in favour of honour and dignity; furthermore it would also mean losing out on a sizable chunk of the filmography of the legendary John Ford and that of the Duke himself, the one and only John Wayne.Arguably one the best of their collaborations (if not one of the best westerns of its generation) is The Man Who Shot Liberty Valance, a movie that fuses old school, six shooter heroics with a genuine attempt to bring civility to a lawless land.

A movie of staggering nobility, you wouldn’t be a million miles off suggesting that The Man Who Shot Liberty Valance is the Western equivalent of Casablanca. After all, both ultimately hinge on a cynical man who knows how to follow the rules of a lawless society who gives up his meager dreams in order to help a rival in love for a cause bigger than himself, but Ford weaves politics into the story to suggest that the act of bringing down a chronic ass-hat like Valance is imperative for cilivised life to get its first toe hold in a town like Shinbone – something that ironically is the very opposite of what the upright Stoddard is trying to achieve.Both men, Stoddard and Doniphon, are forced to face ideals directly opposed to their cherished world views while Valance (played by the typically angry brows of a swaggering Lee Marvin) is a symbol of a time that has to pass if the world is to move on – even if it takes one last cold blooded act of the old world to galvanise it into being.Wayne is almost a supporting player as he stares bemused at the idealistic Stoddard’s refusal to give up in the face of Valance’s petty tyranny, but he’s a perfect counterpoint to the passionate decency that James Stewart always seemed to project so well and it is he who is actually the gatekeeper who allows al.ost everything to occur even if it means that his way of life is slowly rendered obsolete by it. It’s a stubbornly subtle performance lurking under Wayne’s usual trademark bluster but it’s incredibly affecting as he plows the moral road in secret in order for the greater good to flourish.

However, despite giving us a western that contains precious little of the kind of action you’d usually expect to see from a movie with “shot” in the title, the movie ends up being riveting stuff and Ford loads the movie with eccentric townsfolk who are every bit as three dimentional as the leads. Be it Peabody, the drunkenly verbose newspaper reporter or Link, the cowardly marshal whose belly makes him look like a giant capital D, everyone has a part to play and even the smallest of roles has significance (hello Lee Van Cleef as one of Valance’s henchmen).

In fact, if you need even further proof as to how well The Man Who Shot Liberty Valance hits you right in the feels with its deadshot aim, it’s all there in the opening scene. As everyone sits by Tom’s coffin, we have no idea how any of them got here or even who the hell Tom actually is and yet you’re utterly gutted even before the film has truly started. If that wasn’t enough, John Ford ballsily tells us that no matter what we’re about to see, we’ll already know that both Stoddard and Doniphon will not only both survive but Hallie ends up with the younger man – and yet even though we know everyone’s eventual destination, we are still utterly hooked on their journey; now if that isn’t the mark of true storytelling genius, I don’t know what is….

At one point someone utters the legendary phrase, “when the legend becomes fact, print the legend”, which are arguably the most relevant words I’ve ever heard spoken in a Western (well, that and everytime Wayne calls someone “Pilgrim”), and that’s exactly what The Man Who Shot Liberty Valance is – the Old West forcibly dragging itself into the modern world off the back of it’s own legend – but when it comes to sheer, cinematic decency that’ll rock you to your emotional core, Ford’s classic can easily match Casablanca and To Kill A Mockingbird to the draw…