John Wayne

John Wayne Once Revealed His Favorite Western Scene He Ever Filmed

John Wayne is known as the gritty, rugged cowboy who will go to any length, including putting his own life at risk, to save his town or those he loves. Though his catalog isn’t wall-to-wall action films, the movies for which he’s best known involve shootouts, chasing outlaws on horseback, and plenty of high-stakes stunts.

Surprisingly, however, the scene The Duke calls his best involves neither a galloping steed nor a deadly gun battle. In fact, it breaks from his typically unwavering machismo entirely. Rather than a brave defense of the Alamo or a passionate sequence with a love interest, John Wayne’s favorite scene is a melancholy-filled moment in True Grit (1969).

In the film, a 62-year-old Wayne plays Rooster Cogburn, a one-eyed federal marshal who’s let himself go. The Duke’s favorite scene is a rare one for a John Wayne character. During a stakeout, Cogburn opens up about his failed marriage, his relationship with his son, and his days making ends meet as a bank robber. In that moment, all the stoic roughness melts away and is replaced by a touching wistfulness.

For John Wayne, the break from his typical strapping cowboy persona was welcome. “It’s sure as hell my first decent role in 20 years,” he said of True Grit in an interview with Roger Ebert. “And my first chance to play a character role instead of John Wayne. Ordinarily, they just stand me there and run everybody up against me.”

John Wayne Once Described Creating the Western Genre

The Western genre can’t be discussed without mentioning The Duke. The original cowboys, John Wayne and Clint Eastwood, changed the face of cinema forever, shaping Westerns as we know them today. For Wayne, that was something for which he felt an immense amount of pride. Even in 1969, he knew that he had built a legacy that would last forever.

“I’m very conscious that people criticize Hollywood,” Wayne explained to Roger Ebert. “Yet we’ve created a form, the Western, that can be understood in every country. The good guys against the bad guys. No nuances. And the horse is the best vehicle of action in our medium. You take action, a scene, and scenery, and cut them together, and you never miss. Action, scene, scenery.”

“When you think about the Western…ones I’ve made, for example,” he continued. “Stagecoach, Red River, The Searchers, a picture named Hondo had a little depth to it…it’s an American art form. It represents what this country is about.”

“In True Grit, for example, that scene where Rooster shoots the rat. That was a kind of reference to today’s problems. Oh, not that True Grit has a message or anything. But that scene was about less accommodation, and more justice.”

John Wayne

The Legend Lives On: John Wayne is Still Alive!

In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.

From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.

While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.

So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!

John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.