John Wayne
John Wayne’s rage at famous True Grit co-star exploded into furious fight on set
JOHN WAYNE’s anger and frustration at the behaviour of his famous True Grit co-star boiled over behind the scenes in an explosive confrontation. It was a foolish man who provoked The Duke.
True Grit, based on Charles Portis’ 1968 novel of the same name, brought Wayne a much longed-for Oscar in 1969. As soon as he had read the book, the actor actively lobbied for the lead role of grizzled, eye-patched US Marshall Rooster Cogburn.
Despite his legendary status, the Western legend wasn’t able to control the casting, unable to secure the role of Mattie for his daughter Aissa. However, his own preeminence had also meant that Elvis dropped out of the secondary role of La Boeuf after he was refused top billing.
Wayne himself had wanted Elvis and was deeply disappointed when negotiations fell through, but it was another actor who would cause him the greatest grief once filming started.
John Wayne fought with Robert Duvall on True Grit (Image: GETTY)
John Wayne almost punched Robert Duvall (Image: GETTY)
Duvall was 38 at the time, already established as a strong character actor, but not yet the leading man and headliner that he would become. He was also known for having a fiery temper.
In his early days in New York, he was boarding house roommates with fellow impoverished young stage actors Dustin Hoffman and Gene Hackman. All three were united by a love of elaborate practical jokes but Duvall and Hackman were also known for their short fuses, which led to explosive bar fights.
Hoffman has described how Duvall would also use his anger to fuel his performances, picking someone in the audience he imagined hated him – and then shouting “F**k you” at them as he left the stage after the curtain call.
True Grit star Robert Duvall enraged John Wayne (Image: GETTY)
Duvall’s temper did not apparently mellow through the decades, with Michael Caine saying it was “quite violent” when they were filming Secondhand Lions in 2003.
Duvall was also a Method actor, and his intense approach and irritation with anything that did not match up to it caused problems with Wayne and True Grit director Henry Hathaway.
This spilled over into loud and aggressive confrontations on set. Duvall recalled in 2015, “The director and I didn’t get along — I don’t get along with a lot of directors,” and another time, “Henry Hathaway… we won’t talk about him.”
Hathaway also had a very strong personality and was aggressively dictatorial on set, which Duvall did not respond well to.
The actor later recalled: “He’d say, ‘When I say, ‘Action!’ tense up, Goddam you.” It’s hard to work under that as a young actor.”
Wayne’s increasing irritation with the disruptions to his cherished project led to him also fighting with Duvall and finally threatening to punch him out if the other actor didn’t stop arguing with the director.
Duvall later spoke about the experience of working with the screen legend.
John Wayne and Robert Duvall clashed on True Grit (Image: GETTY)
He said: “Wayne wasn’t as bad as some supposedly serious actors I’ve seen who trained at the Actors Studio and all that… Wayne was interesting to be around. He was pleasant and outgoing…
“He was an institution unto himself, and that final film he did, The Shootist, it was wonderful what he did. So he was a good guy to work with, absolutely.”
Wayne, himself, was never happy with his work on True Grit. Even on the night, he won his Oscar, the veteran star took fellow nominee Richard Burton aside and told him he should have won for Anne of a Thousand Days. When Barbra Streisand, who won the previous year for Funny Girl, handed him the golden statuette, she later revealed he had whispered in her ear “Beginners luck.”
John Wayne
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John Wayne
Why John Wayne Turned Down the Chance to Work With Clint Eastwood
Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.
How John Wayne responded when Clint Eastwood tried to work with him
Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.
The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.
Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.
John Wayne
Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies
Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.
The one time Ann-Margret and John Wayne made a movie together
Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.
Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.
John Wayne | Silver Screen Collection/Getty Images
During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”
Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.
What Ann-Margret thought about John Wayne
Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.
“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”
How the world reacted to ‘The Train Robbers’
Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.
John Wayne famously stormed up to Douglas after a screening to rage: “Christ, Kirk, how can you play a part like that
She may have been great on Broadway, but she didn’t know a damn thing about making movies,” Wayne said. “I don’t know where some of these arty New York theater people get their manners
Of the firearms that John Wayne used the most in movies, nothing even comes close to the Colt 1873
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