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John Wayne

John Wayne’s son recalls growing up with ‘The Duke’: ‘He knew he wasn’t going to be around when I was older’

Ethan Wayne, John Wayne’s youngest son, talks about what it was like growing up with his famous father and how he’s keeping his legacy alive today.

Ethan Wayne said a day at his friend’s house made him realize his father was different.

The now-56-year-old is the youngest son of late Hollywood legend John Wayne and Peruvian actress Pilar Pallete, his third and last wife. He’s currently the president of John Wayne Enterprises and director of the John Wayne Cancer Foundation. This year, he helped release a bourbon based on the patriarch’s own recipe.

“I can remember going to a friend’s house and his mom said, ‘Hey Brian, go get the mail,’” recalled Wayne. “I went out and there were three envelopes. I remember going, ‘That’s all the mail you got? That’s weird.’ The US postal service would drag those canvas bags with lots of mail to my house. It was strange.”

Gettin' back in the lane with John Wayne's youngest son | by Jeremy Roberts  | Medium

Despite Wayne having an iconic movie star for a father, he described his childhood as normal — one that involved living in then-small town Newport Beach, Calif. with other families in the same neighborhood, surrounded by oranges and strawberry farms.

There were no security or bodyguards. John answered his own door and telephone. He was an early riser who exercised alongside his son and studied his scripts before heading to work. He often spent his free time on his boat, admiring the great sea he loved. He would catch his own fish and cook it on the beach, as well as interact with locals.

John was 56 when Ethan was born — and he made sure his son never forgot to do chores around the house.

“I can’t pick up a broom to this day without thinking about him coming out and saying, ‘That’s not how you sweep, this is how you sweep!’” chuckled Wayne. “And it was with this big push broom. And he wasn’t very mechanical. He was great with his gun, he was great on a horse and he handled boats really well. But if a car got a flat tire, he’d just leave it. And I was very mechanical as a young boy for some reason. I really enjoyed taking stuff apart and putting it back together. He really didn’t get it. He didn’t like motorcycles, and I did.”

Wayne said that despite his father’s high-profile career, John, who was aware he might be gone by the time his son was a young man, was determined to be a hands-on parent. Wayne described growing up on film sets and learning about the hard work it took to bring Hollywood to life.

“He took with me on location,” Wayne explained. “I’d be homeschooled down on location in Mexico because he knew he wasn’t going to be around for me when I was older, and that he would probably lose me while I was young, teenage man. So he took me with him when I was little. And one of my jobs was to load the car with all the personal items that he wanted with him when he would make a film somewhere remote. Or if he went on his boat, the Wild Goose.

Gettin' back in the lane with John Wayne's youngest son | by Jeremy Roberts  | Medium

“He would take his own bourbon, and that bourbon was the heaviest thing that I would carry. Everyone wanted to have a drink with John Wayne. I would also carry his packs of candy, special food items, shoes, gloves, jackets. Definitely bags of hats.”

In his lifetime, John or “The Duke,” as he was called by fans, made more than 200 films in over 50 years. According to The New York Times, by the early 1960s, 161 of his films had grossed $350 million, and when he died in 1979 he had been paid as much as $666,000 to make a movie.

As an avid outdoorsman, both in front and behind the camera, he is still celebrated as one of the greatest figures of the Western genre.

“I was 10 when he was 66 years old,” said Wayne. “[And] he’s on a horse, he’s running at full speed across open country, with a herd of horses running with him… he was a bold, outgoing individual who was full of life, constantly moving forward… And nobody sits on a horse like John Wayne does.”

John Wayne's son recalls growing up with 'The Duke': 'He knew he wasn't  going to be around when I was older' | Fox News

Wayne wasn’t around when the Iowa native, a former football star in high school who worked as a truck driver, fruit picker, soda jerk and ice hauler, first embarked on his career as an actor. However, Wayne said the rugged persona he embodied on screen was very much the real deal.

“I read stories [of] when he was first starting out and how he was very uncomfortable and felt awkward,” said Wayne. “He didn’t like the way he moved, so he talked to John Ford and met Wyatt Earp… He started taking pieces of these guys and putting them together into a character that became John Wayne, who was definitely part of my father. There was also fantasy. He was a heck of a gunman and a horseman, but he also certainly knew the craft of film and storytelling. We were never in a gunfight.”

John passed away at age 72 from cancer. Wayne, who was 17 at the time of his father’s death, said he drove John to UCLA Medical Center when he wasn’t feeling well. John never came out alive.

Before his death, John stressed to his family that the doctors attempting to find a cure for cancer should never be forgotten. He left behind seven children from his marriages and more than 15 grandchildren.

Wayne credited stuntman Gary McLarty, a friend of his father’s, for taking him under his wing and helping him cope with his grief.

“He would take me on a motorcycle ride or racing sometimes,” said Wayne. “He was [later] the stunt coordinator for ‘The Blues Brothers.’ And for some reason, he hired me. And it was in a time when I’d missed the last part of my junior year with my dad. When my father was involved in my life, I was good at school and things went well. But afterward, I wasn’t very focused on school… [Gary] gave me a little direction that I didn’t have. I’m eternally grateful to him. It probably kept me from making some mistakes.”

John recently lassoed in headlines for a completely different reason. In 2016, The Guardian reported California lawmakers rejected a proposal to create John Wayne Day to mark his birthday after several legislators described statements he made about racial minorities.

Wayne said he was also aware of negative statements made against his father due to him being politically conservative. He insisted John’s beliefs have been misunderstood over the years

“He wanted to work with people who earned their place,” Wayne explained. “He didn’t think anybody should get a job because he was a man, because she was a woman, because they were gay, because they were straight, because they were Chinese, African-American or Mexican. He thought you should get a job because you were the right person to do that job. Because you had skill and talent and you would show up and get the job done. He didn’t care what you were.

“Somebody, a Latina representative up in Sacramento, shot down a bill for John Wayne Day because he was racist. [But] he was married to three Latin women. It’s just crazy how things get blown out of proportion because he was really an open, caring, loyal, supportive man.”

Wayne hopes his father will be remembered for what he was — an artist.

“People look at him and they think one thing or another, but he was out there representing real people,” said Wayne. “Whether they were guys who came out here and lived in the West or went to war. He played those characters. He represented them. And they liked him. They still do.”

John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

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John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice. 

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.

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John Wayne

True Crime on Amazon Prime: ‘Lorena’ Reexamines a 90s Tabloid Sensation

True crime might not be the first type of show that comes to mind when you think of the offerings on Amazon Prime Video. The perpetually buzzy genre is usually more associated with the likes of Netflix and HBO.

However, the streaming service boasts at least one standout docuseries from 2019. It’s one that can scratch the true crime itch for fans, but also give them a much needed new perspective on a well-worn tabloid sensation from the 1990s.

‘Lorena’ was produced by Jordan Peele of ‘Get Out’ fame

Jordan Peele, Head of Amazon Studios Jennifer Salke, and Lorena Gallo attend the 'Lorena' Premiere during the 2019 Sundance Film Festival.

Jordan Peele, Head of Amazon Studios Jennifer Salke, and Lorena Gallo attend the ‘Lorena’ Premiere during the 2019 Sundance Film Festival. | Rich Fury/Getty Images

Lorena, as the simple, to-the-point title suggests, chronicles the sordid story of Lorena and Jon Bobbit. The series was produced by Jordan Peele, the comedian-turned-director best known for Get Out and Us, and released on Amazon Prime Video in early 2019 following a premiere at the Sundance Film Festival.

In 1993, Lorena Bobbitt infamously cut her husband, John Wayne Bobbitt’s penis off in his sleep with a kitchen carving knife. She drove off with it, tossed it out the car window into a field, and eventually called 911 to report the incident. After a search followed by 9.5 hours of surgery, John Bobbitt was able to get his penis reattached and functioning normally.

Thanks in large part to the salacious and sexual nature of the Bobbittss story, it quickly became a tabloid and late-night talk show sensation. Sadly, as one might expect from a male-dominated culture, the media spectacle largely focused on John Bobbitt as a sympathetic victim and cast Lorena as a hysterical victim. John Bobbitt went on to become something of a cult figure for a time, even starring in two pornographic films.

Part of the mission statement of Lorena, the series, was to use the true crime format to recontextualize the Lorena Bobbitt story. Despite the prevailing perception of the incident beforehand, in reality, John Bobbitt had subjected Lorena to years of domestic abuse and rape, up to and including the night of her attack.

John Bobbitt was eventually acquitted on rape charges. Lorena Bobbitt was found not guilty by a jury for reasons of insanity.

“25 years later, Lorena is a groundbreaking re-investigation of the deep moral issues and painful human tragedies buried at the heart of this infamous American scandal,” Amazon’s official description of the series reads, as reported by Deadline. “Lost in the tabloid coverage and jokes was the opportunity for a national discussion on domestic and sexual assault in America.”

Lorena saw a positive reaction upon its release, currently boasting an 82% positive rating on Rotten Tomatoes. It was the biggest project yet from director Joshua Rofé, who previously helmed Lost for Life, a documentary about juvenile offenders sentenced to life in prison.

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