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Steve McQueen: We didn’t get along,Brynner came up to me in front of a lot of people and grabbed me by the shoulder

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YUL BRYNNER famously feuded with everyone from Steve McQueen to Ingrid Bergman, with an ego to match The King of Siam. His temper was legendary, his affairs were numerous – with men and women – and he famously flaunted his body in nude pictures. Even the reason behind his famous bald head was part of the man and the myth.

Whether thundering across the screen in The Magnificent Seven or scowling at the world in the King and I, Brynner was a unique screen presence. The self-proclaimed “Mongolian” star fought his way up from being an immigrant circus performer and loved to elevate himself to epic levels. When asked about his various conflicting dates of birth, he grandly replied, “Ordinary mortals need but one birthday.” He liked it to be known that he prepared breakfast in a silk kimono, other stars commented how he was “never far from a mirror” and his on-set demands and dramas were legendary. But then, his whole life had been extraordinary, from nearly dying in a youthful trapeze accident to numerous bisexual affairs along the way to becoming more famous than the Siamese king he played so many times on stage and screen.

Brynner’s iconic look was even a calculated ploy. He did not lose his hair but kept his head shaved because he enjoyed the attention he got for it when he debuted The King and I on Broadway in 1951. After that, he also demanded that he was never photographed with another bald man so that he always stood out in pictures.

The musical made his name but he chafed at taking second billing behind Gertrude Lawrence. When she died in 1952, he notoriously wept – but with joy because it meant his name would, at last, be top of the bill.

It was somehow fitting that he died just on October 10, 1985, just a few months after performing The King and I on Broadway – his 4,625th time taking the stage in his regal, spotlight role. For an actor who was obsessed his whole life with having top billing, he would have been far less pleased to know that he passed away on the same day as Orson Welles, and so was overshadowed in his final hour.
Brynner had grafted hard for his success and fought even harder to keep it. Raised in Beijing and abandoned by his father, his mother fled with her children to Paris in 1932, where talented acrobat Yul became a trapeze artist with the Cirque d’Hiver.
A horrifying fall in 1937 broke many bones in his body and left him unable to walk for eight months. He turned his attention to the stage and set sail for America in 1940.
During that first Hollywood decade of bit parts and odds jobs, he had an affair with handsome heartthrob Hurd Hatfield, who starred in 1945’s The Picture of Dorian Gray, as well as 1961’s El Cid opposite Charlton Heston.
Married four times, he also had affairs with men and women alike, from Marlene Dietrich, Joan Crawford and Judy Garland to artist Jean Cocteau.
Brynner’s enormous success on Broadway brought him back to Hollywood as a star and he was determined to impress in every way. His obsession with his own appearance meant that he increased his work-out regime when he learned he was playing Pharaoh Ramses II opposite Heston’s Moses in 1956’s The Ten Commandments, so as not to be overshadowed by the strapping actor.
This meant he was in phenomenal shape when he starred as King Mongkut of Siam in the film version of The King and I that same year, going on to win the Best Actor Oscar.
His impressive physique was also bared for all to see when pictures surfaced of a naked shoot he had down with gay photographer George Platt Lynes.
In turn, Brynner was an accomplished photographer himself, taking noted snaps of famous friends like Frank Sinatra, Elizabeth Taylor, Anthony Quinn, Sophia Loren, Mia Farrow and Audrey Hepburn.
From the mid-1950s he instantly became established as a major Hollywood star, with roles, salary and ego to match. Unfortunately, he did not have the corresponding physical height, which lead to two of his most infamous showdowns with fellow Tinseltown legends.
Bergman was over an inch taller in flat feet than his own 5ft 6½in. When the Swedish actress politely asked him if he would like to use any props to stand on, Brynner hissed back: “I am not going to play this on a box, I’m going to show the world what a big horse you are.” Horselike or otherwise, the actress went on to win her own Oscar for that role, her second of three in total.
Brynner’s behaviour hit new “heights” on the 1960s sets for The Magnificent Seven, particularly centering on a running battle with co-star Steve McQueen, who wasn’t particularly tall himself at 5ft 8in.
Whenever they were shooting outside, Brynner would scuff the earth and dirt into low mounds for him to stand on. McQueen, in return, would causally flatten them as he walked past.
Increasingly amused and irritated by Brynner’s behaviour, McQueen would also play with his hat or belt whenever his co-star was talking in a scene to subtly pull focus. All those iconic shots of the square-jawed
star taking off his hat to shade his face or using it to scoop up water from river were mainly shameless scene-stealing tactics.
He later said: “We didn’t get along. Brynner came up to me in front of a lot of people and grabbed me by the shoulder. He was mad about something. He doesn’t ride well and knows nothing about guns, so maybe he thought I represented a threat. I was in my element. He wasn’t. When you work in a scene with Yul, you’re supposed to stand perfectly still, 10 feet away. Well, I don’t wBrynner even hired an assistant with the sole job of monitoring McQueen’s misdemeanours and counting how many times he fidgeted during scenes, playing his hat, belt or gun. The antics increasingly infuriated the rest of the cast, leading to considerable friction on set. Decades later, dying of cancer, McQueen called to apologise. Brynner forgave him but Charles Bronson never did.
That said, Brynner’s own notorious behaviour never changed. In his early days of stardom, he insisted a special lift was installed at the Broadway theatre where The King and I was playing. Not just for him, but big enough for his white limousine – so he could drive in and out without being bothered by fans.
In 1965, he starred with Marlon Brando in the World War II ocean-bound action thriller Morituri and managed to eclipse his co-star by demanding a landing pad be built onboard the ship where they were filming, so his private helicopter could fly him back at the end of each day while his castmates were left, literally, all at sea..
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Donald Sutherland : I was lying on my back on the bed when Jane came out of the bathroom

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Donald Sutherland still remembers an intimate moment they shared fifty years ago . He said she “seduced” him but he was left “eviscerated” when their passionate two-year affair suddenly ended.

While filming Klute in 1970, Sutherland fell in love with fellow star and activist Jane Fonda, even though both were married at the time. In the 1960s and 70s he was at the heart of Hollywood activism, alongside an on-screen career that included provocative and seminal films like Don’t Look Now and The Invasion of The Body Snatchers. They were matched body, mind and soul. For the next two years, they were together at the forefront of Hollywood support for the civil rights movement and opposition to the Vietnam War. The pair were just as passionate in private and Sutherland still dwells (often in no holds barred detail) on their intimate moments together.

Klute started filming in 1970. Fonda had been together with husband Roger Vadim, who directed her in 1968’s Barbarella, since 1963. When rumours started spreading in 1970 that they had separated, her official spokesman quickly denied it.

However, Sutherland later described how it was his beautiful co-star who made all the moves on him: “We’d already been cast but had not started shooting, and one day, she made it very clear, via a somewhat provocative suggestion, that I should come home with her. And I just said… Ok.’”

It would mark the end of the actor’s own second marriage to Shirley Douglas, which had produced twins Kiefer and Rachel
Kiefer revealed in 2014 that they had never discussed the affair but he imagined his father would say: “‘I fell in love.’ I understand that. People do. And when they’re falling in love, they believe in everything so strongly and passionately, this kind of heightened experience, that it’s very hard to judge somebody for it.”
His father frequently and famously has talked about the love and the lust, famously declaring: “She had, at the time, the most beautiful breasts in the world.”
Apparently, he followed that description with an anecdote so explicit it was not suitable for print. He did, however, wax lyrical in another interview about a naked moment that still has the power to stop his breath decades later.
Sutherland told GQ: “I was with Jane Fonda at the /Chelsea Hotel in 1970, maybe ’71. It was a room with a big bed and, to the right, four or five stairs to a landing that led to the bathroom. There was a little oval window on the landing and there was a street light shining through that window though it seemed more like moonlight, so maybe it was the moon, I like to think it was the moon.
“I was lying on my back on the bed when Jane came out of the bathroom. She, too, was naked, and when the moonlight caught her perfect breasts I stopped breathing. Everything stopped. And then it started again. Now, when I see it in my memory, I stop breathing again.”
It’s easy to believe. The actress has maintained her extraordinary figure through the decades, although this year she finally allowed her natural grey hair to shine.
The affair was passionate and intense, although Fonda has been less vividly ‘descriptive’ over the years.
She said in her autobiography that he had, “Something of the old-world gentleman about him.” The actress added that she found his “rangy, hangdog quality and droopy, pale blue eyes especially appealing.”
Alongside both their successful Hollywood careers, the pair performed together at benefits for soldiers who opposed the Vietnam War and found themselves on CIA watchlists.
Although they seemed perfectly matched, the affair would suddenly burn out as abruptly as it started – leaving Sutherland devastated.
He said: “We got together shortly before we made Klute and then we were together until the relationship exploded and fell apart in Tokyo. And it broke my heart.
“I was eviscerated. I was so sad. It was a wonderful relationship right up to the point we lived together.”
However, in 1972, Sutherland married French Canadian actress Francine Racette, after meeting her on the set of the Canadian pioneer drama Alien Thunder. It remains one of the longest and most stable marriages in Hollywood, and has produced three sons – Rossif Sutherland, Angus Redford Sutherland, and Roeg Sutherland.
After three high profile marriages to Roger Vadim, activist Tom Hayden and media tycoon Ted Turner, Fonda dated music producer Richard Perry until 2017 and has said she is now happily single.
The actress has also battled cancer three times. Last week she announced that, after undergoing multiple rounds of chemotherapy to treat Non-Hodgkin lymphoma, her cancer is now in remission.
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Life, Career, best s.xy actress movies..Carmen Electra

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Tara Leigh Patrick (born April 20, 1972), professionally known as Carmen Electra is an American glamour model, actress, television personality, singer, dancer and sex symbol. She gained fame for her appearances in Playboy magazine, on the MTV game show Singled Out, on the TV series Baywatch, and dancing with the Pussycat Dolls, and has since had roles in the parody films Scary Movie, Date Movie, Epic Movie, Meet the Spartans, and Disaster Movie.

Electra was born in Sharonville, Ohio, the daughter of Patricia, a singer, and Harry, a guitarist and entertainer. She attended Ann Weigel Elementary School and then studied dance at Dance Artists dance studio under Gloria J. Simpson, in Western Hills, a neighborhood of Cincinnati. Her mother died of a brain tumor in 1998. Her older sister Debbie died from a heart attack, also in 1998. Carmen graduated from Princeton High School in Sharonville. Carmen Electra also attended the School for Creative and Performing Arts (SCPA) in the Cincinnati Public School District. She has Irish, German, and Cherokee ancestry.

Electra started her professiona

l career in 1990 as a dancer at Kings Island amusement park in Mason, Ohio in the show “It’s Magic”, one of the more popular shows in the park’s history. In 1991, she moved to California and met Prince. Soon after meeting Prince, Electra signed a recording contract with Prince’s Paisley Park Records and began a short-lived singing career.During her time at Paisley Park Records, she officially became known as Carmen Electra.Electra on June 3, 2008.

In 1995, Electra started appearing in television programs. In May 1996 she was featured in a nude pictorial in Playboy magazine, the first of several. This exposure led to higher profile television appearances, including Baywatch (cast member from 1997–1998, as Leilani “Lani” McKenzie) and MTV’s Singled Out. She returned to Baywatch for the 2003 reunion movie, Baywatch: Hawaiian Wedding.
Electra was featured in Playboy four more times, with her second appearance in June 1997, third in December 2000, fourth in April 2003 and her fifth in the January 2009 anniversary issue. She was on the cover three times, in December 2000, April 2003 and on the 55th anniversary Issue in January 2009.
Electra has appeared in films such as American Vampire (1997), Good Burger (1997), The Mating Habits of the Earthbound Human (1999), the horror spoof Scary Movie (2000) and also appeared in Meet the Spartans (2008), Scary Movie 4 (2006), Epic Movie (2007), Date Movie (2006), Disaster Movie (2008), the remake of the 1970s TV show Starsky & Hutch (2004) and Cheaper by the Dozen 2. She won an MTV Movie Award (best kiss) for Starsky & Hutch. She also appeared in an episode of House in which she portrayed herself as an injured golfer and an injured farmer, playing out House’s fantasy.

In 1999, she appeared in the Bloodhound Gang’s music video of “The Inevitable Return of the Great White Dope.” In 2005, she joined the voice cast of the animated series Tripping the Rift, replacing Gina Gershon as the voice of the sexy android “Six”. Also in 2005, she began the Naked Women’s Wrestling League, acting as the commissioner for the professional wrestling promotion. In late 2006, Carmen began to be featured in commercials by Taco Bell.
BEST 10 ACTRESS MOVIES
1.Scary Movie
Carmen Electra, Anna Faris
Released: 2000
Directed by: Keenen Ivory Wayans
Scary Movie is a 2000 horror comedy spoof film directed by Keenen Ivory Wayans. It is an American dark comedy that heavily parodies the horror, slasher, and mystery genres. Several

Meet the Spartans
Carmen Electra, Method Man
Released: 2008
Directed by: Aaron Seltzer, Jason Friedberg
Meet the Spartans is a 2008 American parody film directed by Jason Friedberg and Aaron Seltzer. Similar to past movies, such as Scary Movie, Date Movie, and Epic Movie, it directs..

Scary Movie 4
Charlie Sheen, Shaquille O’Neal
Released: 2006
Directed by: David Zucker
Scary Movie 4 is a 2006 American horror comedy parody film and the fourth film of the Scary Movie franchise, as well as the first film in the franchise to be released under The Weinstein..

Starsky & Hutch
Snoop Dogg, Carmen Electra
Released: 2004
Directed by: Todd Phillips
Starsky & Hutch is a 2004 American action comedy film directed by Todd Phillips. The film stars Ben Stiller as David Starsky and Owen Wilson as Ken “Hutch” Hutchinson and is a film..

Uptown Girls
Carmen Electra, Dakota Fanning
Released: 2003
Directed by: Boaz Yakin
Uptown Girls is a 2003 teen comedy film directed by Boaz Yakin, who was working from a screenplay which Julia Dahl, Mo Ogrodnik and Lisa Davidowitz had adapted from the story by..

Epic Movie
Carmen Electra, Jennifer Coolidge
Released: 2007
Directed by: Aaron Seltzer, Jason Friedberg
Epic Movie is a 2007 American parody film directed and written by Jason Friedberg and Aaron Seltzer and produced by Paul Schiff. It was the first film to be distributed by Regency..

2-Headed Shark Attack
Carmen Electra, Brooke Hogan
Released: 2012
Directed by: Christopher Olen Ray
2-Headed Shark Attack is a horror film by The Asylum, released on January 31, 2012 in the United States. The film stars Carmen Electra, Charlie O’Connell and Brooke Hogan. The film

Bedtime Stories
Adam Sandler, Courteney Cox
Released: 2008
Directed by: Adam Shankman
Bedtime Stories is a 2008 American family-fantasy-comedy film directed by Adam Shankman that stars Adam Sandler in his first appearance in a family-oriented film. Sandler’s production..

Date Movie
Carmen Electra, Alyson Hannigan
Released: 2006
Directed by: Aaron Seltzer, Jason Friedberg
Date Movie is a 2006 American parody film directed by Aaron Seltzer. Much of the story line was based on that of the romantic comedy My Big Fat Greek Wedding and Meet the Fockers. ..

My Boss’s Daughter
Carmen Electra, Ashton Kutcher
Released: 2003
Directed by: David Zucker
My Boss’s Daughter is a 2003 romantic comedy film starring Ashton Kutcher, Tara Reid and…

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Entertainment, Home, News At 69, Denzel Washington Announces Retirement Plans: A Bittersweet Farewell to Hollywood

After a remarkable career spanning over four decades, legendary actor Denzel Washington has confirmed he is preparing to step back from the big screen. Now 69, Washington revealed his intention to retire after completing a final slate of projects, marking the end of an era in Hollywood. In a recent interview with Australia’s Today show, Washington shared his evolving thoughts on retirement, hinting at a few last roles he’s eager to play before taking his final bow.

 

A Storied Career and Iconic Performances
Denzel Washington’s journey in the entertainment world began in 1977 with the made-for-television film Wilma and continued with his feature debut in Carbon Copy in 1981. Over the years, he solidified his reputation as one of Hollywood’s most respected actors, captivating audiences with powerful performances in films like Glory, Training Day, and Malcolm X. Washington’s body of work has earned him widespread critical acclaim, multiple Academy Awards, and a place among cinema’s all-time greats.

Reflecting on his career, Washington admitted, “I don’t know how many more films I’m going to make. Probably not that many.” His statement has left fans and industry peers both nostalgic and saddened at the thought of his retirement.

Final Roles: Revisiting Iconic Characters
Among Washington’s upcoming projects is a unique full-circle moment: he will reprise the role of Othello, a character he first portrayed at just 22 years old. “I’m about to play Othello at 70,” he disclosed, suggesting a fitting tribute to his roots in theater.

Washington also hinted at a collaboration with prominent filmmakers, including Steve McQueen and Ryan Coogler. Coogler, the visionary behind Black Panther, is reportedly crafting a role specifically for Washington in the next installment of the franchise, a project that has generated considerable buzz among fans. In addition, Washington mentioned his interest in tackling King Lear, a role that would add another Shakespearean classic to his resume.
 
Hollywood Farewell: Why Washington is Ready to Step Away
Washington’s decision to retire reflects a deeply personal choice to step back on a high note. “There are very few films left for me to make that I’m interested in, and I have to be inspired by the filmmaker,” he explained. After years of carefully selecting roles that align with his passion and values, Washington is focused on choosing only the most meaningful projects.

Earlier this year, he shared his enthusiasm for joining the anticipated Gladiator II, a sequel to Ridley Scott’s 2000 classic. Washington’s interest in joining a sequel to such an iconic film highlights his continued dedication to working with inspiring filmmakers on high-quality projects, even as he prepares to exit the industry.
Legacy of an Acting Legend
Denzel Washington’s departure from Hollywood will undoubtedly leave a void. His impact on cinema goes beyond his award-winning roles; he has redefined what it means to be a leading man, combining depth, integrity, and passion in each performance. For decades, Washington has inspired audiences and fellow actors alike, creating a legacy of powerful storytelling that has shaped the landscape of modern film.

As Washington prepares for his final curtain call, fans, colleagues, and the film industry reflect on his invaluable contributions. The retirement of such an influential figure is bittersweet, but his enduring legacy will ensure that his work continues to inspire future generations.

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