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Steve McQueen: We didn’t get along,Brynner came up to me in front of a lot of people and grabbed me by the shoulder

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YUL BRYNNER famously feuded with everyone from Steve McQueen to Ingrid Bergman, with an ego to match The King of Siam. His temper was legendary, his affairs were numerous – with men and women – and he famously flaunted his body in nude pictures. Even the reason behind his famous bald head was part of the man and the myth.

Whether thundering across the screen in The Magnificent Seven or scowling at the world in the King and I, Brynner was a unique screen presence. The self-proclaimed “Mongolian” star fought his way up from being an immigrant circus performer and loved to elevate himself to epic levels. When asked about his various conflicting dates of birth, he grandly replied, “Ordinary mortals need but one birthday.” He liked it to be known that he prepared breakfast in a silk kimono, other stars commented how he was “never far from a mirror” and his on-set demands and dramas were legendary. But then, his whole life had been extraordinary, from nearly dying in a youthful trapeze accident to numerous bisexual affairs along the way to becoming more famous than the Siamese king he played so many times on stage and screen.

Brynner’s iconic look was even a calculated ploy. He did not lose his hair but kept his head shaved because he enjoyed the attention he got for it when he debuted The King and I on Broadway in 1951. After that, he also demanded that he was never photographed with another bald man so that he always stood out in pictures.

The musical made his name but he chafed at taking second billing behind Gertrude Lawrence. When she died in 1952, he notoriously wept – but with joy because it meant his name would, at last, be top of the bill.

It was somehow fitting that he died just on October 10, 1985, just a few months after performing The King and I on Broadway – his 4,625th time taking the stage in his regal, spotlight role. For an actor who was obsessed his whole life with having top billing, he would have been far less pleased to know that he passed away on the same day as Orson Welles, and so was overshadowed in his final hour.
Brynner had grafted hard for his success and fought even harder to keep it. Raised in Beijing and abandoned by his father, his mother fled with her children to Paris in 1932, where talented acrobat Yul became a trapeze artist with the Cirque d’Hiver.
A horrifying fall in 1937 broke many bones in his body and left him unable to walk for eight months. He turned his attention to the stage and set sail for America in 1940.
During that first Hollywood decade of bit parts and odds jobs, he had an affair with handsome heartthrob Hurd Hatfield, who starred in 1945’s The Picture of Dorian Gray, as well as 1961’s El Cid opposite Charlton Heston.
Married four times, he also had affairs with men and women alike, from Marlene Dietrich, Joan Crawford and Judy Garland to artist Jean Cocteau.
Brynner’s enormous success on Broadway brought him back to Hollywood as a star and he was determined to impress in every way. His obsession with his own appearance meant that he increased his work-out regime when he learned he was playing Pharaoh Ramses II opposite Heston’s Moses in 1956’s The Ten Commandments, so as not to be overshadowed by the strapping actor.
This meant he was in phenomenal shape when he starred as King Mongkut of Siam in the film version of The King and I that same year, going on to win the Best Actor Oscar.
His impressive physique was also bared for all to see when pictures surfaced of a naked shoot he had down with gay photographer George Platt Lynes.
In turn, Brynner was an accomplished photographer himself, taking noted snaps of famous friends like Frank Sinatra, Elizabeth Taylor, Anthony Quinn, Sophia Loren, Mia Farrow and Audrey Hepburn.
From the mid-1950s he instantly became established as a major Hollywood star, with roles, salary and ego to match. Unfortunately, he did not have the corresponding physical height, which lead to two of his most infamous showdowns with fellow Tinseltown legends.
Bergman was over an inch taller in flat feet than his own 5ft 6½in. When the Swedish actress politely asked him if he would like to use any props to stand on, Brynner hissed back: “I am not going to play this on a box, I’m going to show the world what a big horse you are.” Horselike or otherwise, the actress went on to win her own Oscar for that role, her second of three in total.
Brynner’s behaviour hit new “heights” on the 1960s sets for The Magnificent Seven, particularly centering on a running battle with co-star Steve McQueen, who wasn’t particularly tall himself at 5ft 8in.
Whenever they were shooting outside, Brynner would scuff the earth and dirt into low mounds for him to stand on. McQueen, in return, would causally flatten them as he walked past.
Increasingly amused and irritated by Brynner’s behaviour, McQueen would also play with his hat or belt whenever his co-star was talking in a scene to subtly pull focus. All those iconic shots of the square-jawed
star taking off his hat to shade his face or using it to scoop up water from river were mainly shameless scene-stealing tactics.
He later said: “We didn’t get along. Brynner came up to me in front of a lot of people and grabbed me by the shoulder. He was mad about something. He doesn’t ride well and knows nothing about guns, so maybe he thought I represented a threat. I was in my element. He wasn’t. When you work in a scene with Yul, you’re supposed to stand perfectly still, 10 feet away. Well, I don’t wBrynner even hired an assistant with the sole job of monitoring McQueen’s misdemeanours and counting how many times he fidgeted during scenes, playing his hat, belt or gun. The antics increasingly infuriated the rest of the cast, leading to considerable friction on set. Decades later, dying of cancer, McQueen called to apologise. Brynner forgave him but Charles Bronson never did.
That said, Brynner’s own notorious behaviour never changed. In his early days of stardom, he insisted a special lift was installed at the Broadway theatre where The King and I was playing. Not just for him, but big enough for his white limousine – so he could drive in and out without being bothered by fans.
In 1965, he starred with Marlon Brando in the World War II ocean-bound action thriller Morituri and managed to eclipse his co-star by demanding a landing pad be built onboard the ship where they were filming, so his private helicopter could fly him back at the end of each day while his castmates were left, literally, all at sea..
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Baby called ‘hideous’ is a gorgeous little girl now

Every person is beautiful in their own way, and the same goes for the newborn babies.

When a baby girl named Angelica was born in 2018, her family was overjoyed. She had beautiful facial features and a heart-shaped port wine stain which made her even more special. Sadly, not everyone saw the beauty of her unique mark.

According to Angelica’s mom, her family accepted her the way she is and even love her birthmark, but there have been those who give themselves the right to comment on this girl’s looks.

“The worst comment online that I’ve gotten is when someone asked if her face had been pushed onto a skillet. Basically, saying her face looked grilled,” Angelica’s mom, Marianna Bowering told the Mirror.

Marianna further said that there were times when her daughter was labeled “hideous” and a “defect.” This affected the family in a negative way and only added to the challenged they faced, but they were determined to overcome the negative effects of the mean words and comments.

No matter what others said, Angelica’s family taught her to love herself the way she is.

In order to help her daughter feel better, Marianna decided to paint her face with what resembled a birthmark just like the one of Angelica.

“I got the idea from vascular birthmark awareness day, where they encourage people to paint a heart on the cheeks,” the mom said, according to The Epoch Times. “Initially I just did the heart with my makeup look but then I thought why don’t I go all out and do Angelica’s port wine stain.”

Whenever someone tried to ‘comfort’ Marianna that her daughter’s mark would eventually fade away or that she could hide it with makeup once she gets older only crushed this mother even more as she couldn’t help but wonder if Angelica would be forced to hide her natural beauty instead of embracing it.

It was a reminder that societies have these norms about what a person needs to look like in order to fit the group and be accepted.

 

Her family has always told Angelica that she should love herself for who she is. There were times when Marianna would cover her daughter’s wine port stain with glitter so that it could shine bright.

“Thankfully, we’ve done tests and Angelica is totally healthy,” Marianna said of her girl, referring to the fact that children with these types of birthmarks can develop other health conditions. “We just need to have regular check-ups, especially for her eyes as glaucoma can be a concern.”

 

We are glad Angelica is taught how to love herself and embrace her birthmark.

She is a very beautiful young lady, don’t you agree?

Please SHARE this article with your family and friends on Facebook.

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After 20 Years in Captivity, See a Circus Lion’s Emotional Reaction to Freedom (VIDEO)

The Sad Story of Mufasa: A Circus Lion’s Path to Freedom
For more than twenty years, a magnificent lion called Mufasa endured a life filled with unimaginable suffering. While part of a traveling circus in Peru, he found himself stuck in the back of an old, rusty pickup truck, chained up in a way that represented not just his physical confinement but also the freedom that had been taken from him. Mufasa went through some tough times that really stripped away the dignity and peace he should have had.

His story hit the headlines back in 2015 when Animal Defenders International (ADI) found him during a major rescue operation aimed at shutting down illegal circus activities in South America. Peru just put a ban on wild animals in circuses, but the enforcement is dragging, and a lot of animals are still suffering behind the scenes. Mufasa was among the final animals that ADI liberated through this initiative.

When the rescuers came across him, Mufasa was tied up tight in a truck bed, his body showing the toll of years of neglect and mistreatment. The truck had pretty much been his prison for most of his life, and he carried the scars from that tough experience. His story really highlights the harsh reality of how animals are often mistreated just for our entertainment.

But, sadly, his freedom didn’t last long. In late 2015, just a few months after being rescued, Mufasa sadly passed away from kidney failure and issues related to his old age and years of neglect. His rescuers were really upset, but they found some comfort in knowing that his last months were filled with care and compassion, something he hadn’t had for a long time.

Mufasa’s story really highlights the harsh reality of exploiting wild animals for our entertainment. Even though he went through a lot, his rescue and short experience of freedom really shine a light on how crucial groups like ADI are and the worldwide push to end the use of wild animals in circuses. His journey and freedom keep sparking demands for tougher safeguards and better enforcement against animal exploitation.

Rescuing them was quite the challenge. The circus folks were pretty hesitant at first, not wanting to let go of the lion they had been using for years. After weeks of back-and-forth and some serious legal maneuvering, ADI finally managed to get him out. After being freed, Mufasa was taken to a wildlife sanctuary, where he could enjoy his remaining days in a natural setting—so different from the chains and confinement that had marked his life before.

Mufasa’s first moments in the sanctuary are captured on video, showing him carefully checking out his new digs. After decades without it, he finally felt the grass under his paws, the trees providing shade, and the vast open sky overhead. His eyes, which used to look so dull and resigned, now sparkled with a fresh sense of curiosity and peace. After more than two decades, Mufasa finally got to live the life that every wild animal should enjoy.

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They are waiting at the bus stop

A husband and wife, accompanied by their nine children, wait at a bus stop. Shortly after, a blind man joins them. When the bus arrives, it’s overcrowded, allowing only the wife and the nine kids to board. As a result, the husband and the blind man decide to walk.

As they walk, the husband becomes irritated by the tapping sound of the blind man’s stick on the sidewalk. He suggests, “Why not put a piece of rubber at the end of your stick? That ticking sound is driving me crazy.” In response, the blind man retorts, “If you had put a rubber at the end of YOUR stick, we’d be riding the bus, so shut the hell up.”

Sadržaj se nastavlja nakon oglasa

More jokes like this ;

A woman is at the grocery store with her two kids when a man walks up and says, “Wow, you’ve got your hands full!” The woman replies, “You think that’s full? You should see my shopping list!” The man chuckles and says, “Maybe you should have put a rubber on the end of that list!” The woman smirks back, “If I had done that, I wouldn’t be here arguing with you in the first place!”

A man is jogging in the park when he sees a woman walking her dog. He smiles and says, “Nice dog! Does he bite?” The woman laughs and replies, “No, but if you had put a leash on your ambition, you wouldn’t be running in circles!” The man grins and shoots back, “If I’d put a rubber on my ambitions, I’d be sitting at home instead of getting fit!”

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