Entertainment

The Man Who Dared to Fill John Wayne’s Boots – My Blog

The lanky, long-faced Mr. Cord actually bears a closer resemblance to Tom Tyler, who played the Ringo Kid’s gun-slinging nemesis, Luke Plummer, in the John Ford film, than he does to the towering, barrel-chested Wayne. Under Douglas’s direction, Mr. Cord creates a less charismatic but more approachable Ringo.In the original film, Ford introduces Wayne with a highly uncharacteristic visual flourish: the camera darts toward Wayne in a rapid dolly shot, as the actor, standing in front of what appears to be a projected background, twirls his rifle in a grand, theatrical gesture. The shot briefly goes out of focus as Ford’s cinematographer, Bert Glennon, struggles to keep up with the change in scale — an effect that may have been accidental, but which grants Wayne an almost supernatural aura, as his face emerges from the blur to fill the screen in a dominating close-up.This is mythmaking, pure and simple. Douglas, by contrast, discovers Mr. Cord’s Ringo sitting by the side of the road, in a roomy, wide-screen composition that fully integrates the actor with natural environment. In the background, a rushing waterfall imparts some of its strength and wonder to the character, but Douglas soon moves to a higher angle that eliminates the waterfall from the image, and actually seems to diminish Ringo’s stature by looking down on him, hemmed in by a cluster of trees.

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There’s no Homeric apotheosis here, just a frank appraisal of a man who lives within the limits of the natural world. The comparison illuminates the difference between two films and two filmmakers working from what is essentially the same script (although the rewrite, by Joseph Landon, expands some scenes and eliminates others, large passages of Dudley Nichols’s original dialogue are recycled).While Ford was indisputably the greater artist, Douglas has put his finger on one of the weaknesses of “Stagecoach”: Ford’s determination to make a sort of meta-western, a film that deals in archetypes rather than individuals, and epic themes rather than genre conventions. With “Stagecoach,” Ford’s return to the genre after 13 years of more “prestigious” material, the western achieves self-consciousness, an awareness of itself as America’s official foundation myth.
Douglas almost literally brings the material back to earth, shifting the action from the black-and-white, lunar landscape of Monument Valley (“Stagecoach” was the first film that Ford shot among its eerie promontories) to the fecund greenery of a Colorado mountain range. Ford, in Andrew Sarris’s famous phrase, keeps his eye on the horizon line of history; Douglas, whose sensibility is at once more pessimistic and humanistic than Ford’s, concentrates on the immediate problems facing the characters in the foreground.

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Mr. Cord with Ann-Margret, his romantic partner in the film.Credit…Twentieth Century Fox Home Entertainment

The 1966 “Stagecoach” is an intriguing anticipation of the disaster-film cycle that would begin in earnest with “Airport” in 1970. An all-star cast (for 1966, at least — Ann-Margret, Red Buttons, Mike Connors, Bing Crosby, Robert Cummings, Van Heflin, Slim Pickens, Stefanie Powers) faces an apocalyptic threat (provided in “Stagecoach” by some uncharacterized Indians, the weakest element in both movies) while trapped within a restricted environment, much like the casts of “The Poseidon Adventure” and “The Towering Inferno.”But what at first seems a threat becomes a sort of therapy, as some characters reveal their hidden weaknesses (Cummings’s smiling, sanctimonious banker has a satchel full of stolen cash), others discover their hidden strengths (Crosby’s alcoholic doctor sobers up long enough to deliver a baby), while the frayed social network pulls more tightly together.The 1970s disaster films would add a theological dimension (remember the inverted Christmas tree in “The Poseidon Adventure”?) that remains quite foreign to Douglas’s pragmatic personality. There is nothing metaphorical or metaphysical about the violence in “Stagecoach,” which retains the shocking, graphic immediacy that Douglas pioneered in films like “Kiss Tomorrow Goodbye” (1950) and “Them!” (1954).In Ford’s film, the great set piece is the Indian attack on the stagecoach as it crosses an open stretch of desert. Douglas, no doubt wary of trying to surpass one of the most famous sequences in film history, almost throws away the scene. He covers Ford’s epic vistas with a single helicopter shot and quickly moves the chase into a wooded area, where it ends, not with the magnificent sense of release and deliverance of Ford’s film, but in a squalid shootout.Instead, Douglas concentrates on Ringo’s last-reel showdown with Luke Plummer, a scene played so perfunctorily by Ford that it seems like an anticlimax (though a brilliant one, I think). For Douglas, the darkened western town, with its deserted streets and little pools of light, becomes an urban jungle right out of one of his early films noirs, and Ringo’s confrontation with a vigorously characterized, actively sadistic Plummer (Keenan Wynn) is brutal and personal.When John Wayne’s Ringo rides off with his newfound love (Claire Trevor, as the “saloon girl” with a heart of gold), Ford seems to imagine them as a new Adam and Eve, whose children will populate an American Eden of freedom and democracy. Alex Cord’s Ringo enjoys a more prosaic fate, but perhaps a less burdensome one: when he rides away with his saloon girl (a young and impossibly lush Ann-Margret), we see a couple of kids escaping an adult world that has become too corrupt and confining for them.“Stagecoach” did not make Cord a star, but it didn’t destroy him: he moved into Euro-westerns and television (including a long run as a star of the CBS series “Airwolf”) and today raises horses and writes novels. That seems to me a happy ending, too. (Twilight Time, available exclusively through screenarchives.com, $19.95)

Entertainment

See All the Stars Arriving on the Red Carpet at the 2025 Grammys: Fashion, Glamour, and Star Power!

The 2025 Grammys red carpet has officially rolled out, and it’s everything fans were hoping for and more! The annual event, known for bringing together the biggest names in music, has once again served as the ultimate stage for celebrity fashion, stunning glamour, and jaw-dropping moments. From couture gowns to dapper suits, the stars arrived in style, each one making a statement with their unique looks. The Grammys never disappoint when it comes to star power, and this year’s arrivals were nothing short of spectacular.

As the flashing lights of the paparazzi cameras captured every moment, music’s finest strutted their stuff on the red carpet, ready to dazzle the world with their bold fashion choices. The 2025 ceremony has already created a buzz due to the highly anticipated performances, the celebration of groundbreaking artists, and the unforgettable looks that came along with it.

One of the standout arrivals was none other than pop sensation Ariana Grande, who wowed the crowd in a breathtaking custom gown that combined old Hollywood glamour with a modern twist. Her look included intricate beading, a dramatic train, and a striking color that complemented her signature beauty. The crowd couldn’t get enough of her radiant energy and polished look.

Beyoncé, always a red carpet queen, showed up in a show-stopping golden ensemble that had heads turning from every direction. With an intricate design and regal accessories, her fashion game was as fierce as ever, proving why she’s a legend not only in music but in fashion as well.

Meanwhile, Harry Styles brought his eclectic flair to the red carpet in a tailored suit that blended classic sophistication with a hint of avant-garde. His bold patterns and playful accessories made sure that his look was anything but ordinary, reflecting his signature fearless approach to fashion.

The night also saw the return of several other fashion-forward celebrities, including Taylor Swift, Billie Eilish, Drake, and Doja Cat, each one showcasing their unique style. Whether it was a minimalist monochrome look or a vibrant pop of color, the stars really brought their A-game in terms of fashion. Swift made an impact with a sleek metallic dress that hugged her curves perfectly, while Doja Cat made waves in a futuristic outfit that had everyone talking.

As always, the red carpet was more than just a place to show off outfits—it was a reflection of each star’s personality, their artistic journey, and the bold choices they’re willing to make. The 2025 Grammys red carpet was no exception, with the night serving as a reminder that music and fashion go hand in hand.

From the glamorous gowns to the tailored suits, the stars at the 2025 Grammys truly proved that they know how to turn heads. Whether it’s through bold, daring outfits or timeless elegance, the fashion at this year’s event is sure to be remembered for years to come. The 2025 Grammys red carpet was an unforgettable display of talent, style, and pure star power!

Entertainment

Woman Attempting To Sleep With One Person From Every Country Shares The Worst Nationality In Bed

A woman has opened up about her sexual escapades and which country had the best (and worst) lovers

An adult entertainer who has slept with men from all over the world has spilled the tea on her worst and best lovers (so far).

Adult entertainer Coco Bae has slept with men from over 40 countries and counting.

Some of these include America, Canada, the UK, Israel, Australia, Haiti, and Coco wants to eventually cover all 195 countries.

As her mission continues, the adult star has been ‘collecting flags’ from each nationality she’s slept with to keep track of her sexual escapades.

“My rules are to count the country on his passport, not where the dude happens to be living at the time of our encounter,” she said.

Listing off the countries she’s ‘visited’ (if you get me), Coco went on to tell PerthNow:

“I’ve had men from America, Canada, the UK, Israel, Australia, Haiti, El Salvador, Holland, Norway, Greece, France, Belgium, Germany, Denmark, Ireland, Belize, Djibouti, Nicaragua, Italy, Guatemala, Switzerland and Argentina.”

“And then Honduras, Costa Rica, Thailand, Russia, Columbia? I’m not sure. Albania, Brazil. India, Spain, Peru, Lebanon, Algeria, Croatia, Serbia. Armenia, Scotland, Ukraine and New Zealand.” Impressive.

Coco also answered the question on everyone’s minds: which countries have so far been the best and worst in bed?

According to the adult star, Latinos are the most ‘intense’ in bed.

“My lovers from Brazil were the most enjoyable to be with,” she said.

“They were just up for having fun, whichever way it happens.”

Coco also revealed that men from more conservative countries are quite experimental when it comes to sex.

“Many of the conservative cultures enjoy the most ‘out there’ acts. For example, I have come across many Arab and Indian dudes who really like booty action in various forms,” said Coco.

As for the worst country in bed, apparently her most boring partners have been from Germany.

While they weren’t the best, Coco did praise German men being eager to please and how they apparently ask for feedback.

She also chatted to Australian radio hosts Kyle and Jackie O, where she shared what her experiences with Aussie men has been like.

“Australian men need to step it up a little bit,” she shared.

“You’re just not putting in any effort. And you need to wash your hands.”

Speaking of how much she loves a tradesman – a popular vocation in Australia – Coco encouraged guys to make sure they ‘scrub behind their fingernails’.

A fair point, if you ask me.

Entertainment

Kanye West Shares Provocative Video Of Wife Bianca In Bed And Fans Can’t Stop Pointing Out How Big It Is

It’s pretty common for Kanye West to post photos of his wife, Bianca Censori, and for fans to go wild over them.

The ‘Golddigger’ rapper has shared a lot of pictures and videos of his Australian wife.

These range from her daring, barely-there outfits to her strange, all-in-one body stockings.

Kanye is also known for making bold comments to get attention, like speaking out against critics.

Recently, the couple has stirred up even more buzz with a new social media post.

They shared a video from their bedroom, and there’s one detail that fans just can’t stop talking about.

On Instagram, Kanye posted a video showing Bianca lying on a bed surrounded by pillows.

She was dressed in all white, including white heels and a tight-fitting outfit.

It looked like she was on her phone, not paying much attention to Kanye, who was breathing heavily behind the camera.

The fans overlooked Bianca’s outfit and focused on the enormous size of the bed she was on.

It looked twice the size of a Super King bed, with enough room for more than five pillows.

One fan commented, “Bed can fit 5 [families] with 6 individuals.”

Another added, “It’s gotta be a nightmare trying to find a fitted sheet for that!”

A third fan mentioned that the huge bed resembled the one from Kanye’s 2016 music video for ‘Famous’.

Kanye soon deleted the video without giving any reason.

Even though the video is no longer available, Kanye is no stranger to sharing provocative content featuring his wife, whether in revealing outfits or suggestive poses.

Bianca seems to be on board with her husband’s posts.

However, not everyone is thrilled, especially her father, who has previously voiced his concerns about the content.

According to a source speaking to DailyMail.com, Bianca’s father, Leo, has asked Kanye to meet with him to talk about the explicit content being shared.

The source said, “Kanye has been invited to go to Australia, and Bianca is hesitant to allow this to happen because she knows how her father will react.”

“Her dad still plans to have a sit-down with Kanye, and Leo will not be intimidated by Kanye’s power or control. No one is expecting this to be all rainbows and family portraits.”

Despite this, Bianca is reportedly more than happy to go along with her husband’s ideas.

An insider told PageSix, “People are confusing Bianca’s creativity. She is a phenomenal personality, a phenomenal actor, who can entertain the public.”

“She’s a performance artist. Bianca is as much a performer as Ye is.”

Bianca and Kanye have been married since 2022, following Kanye’s high-profile split and divorce from his ex-wife, Kim Kardashian. Kanye has four children with Kim: North, Saint, Chicago, and Psalm.