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John Wayne

Who Is John Wayne? Meet The Iconic Cowboy of Western Films

John Wayne’s actual name is Marion Robert Morrison. He’s nicknamed Duke in the entertainment industry and was an American actor and filmmaker. John was one of those late actors whose career started in the 1920s silent era and pioneered the Golden Age of Hollywood. Eventually, he was the forerunner of the American New Wave of film and television. The cowboy icon has appeared in an impressive total of 179 films and television productions. This has established him among the top box office draws in three decades.

Early Life

Born on May 26, 1907, at Winterset, Iowa, John Wayne’s birth was featured in Winterset Madisonian on page 4 of May 30, 1907 edition, where it was reported he weighed 13 lbs. (around 6 kg). The actor claimed that his middle name, Robert, was changed to Michael because his parents decided to name his brother Robert, but no legal documents supported his claim.

His grandfather was an American Civil War veteran named Marion Mitchell Morrison, while his father is Clyde Leonard Morrison, a pharmacist. Meanwhile, his mother’s name was Mary “Molly” Alberta Brown, who had Scottish, English, and Irish ancestry. He was raised in Presbyterian.

John Wayne initially wanted to attend the U.S. Naval Academy, but he was not accepted. Instead, he went to the University of Southern California (USC) and majored in pre-law. John went to play on the USC football team but lost his athletic scholarship when he got injured in a bodysurfing accident. Because of this, he had no funds for schooling, thus had to leave the university.

Acting Career

The unfortunate incident of his university life was the push John Wayne needed to start his career in entertainment. He was first hired as a prop boy and extra as a recommendation by silent western film star Tom Mix to his director John Ford. Later on, he moved to support roles in a movie when he established a longtime friendship with Ford. 

Moreover, the first time he was given on-screen credit as “Duke Morrison” happened in the 1929 film Words and Music under Fox Film Corporation. His first big break was in The Big Trail in 1930 when the director Raoul Walsh saw him moving furniture in the studio as a prop boy and cast him as a starring role. He did well on that project, and so, the Fox Studios chief Winfield Sheehan discussed his screen name. The actor suggested “Anthony Wayne,” but Sheehan rejected the idea because it sounded “too Italian.” The second suggestion was “John Wayne,” which was approved, and then his pay was raised to $105 a week.

Thanks to the Stagecoach film in 1939, John Wayne became a household name. The film, directed by John Ford, shot John in mainstream stardom. Even with the breaking out of World War II, John’s career soared, and he won several awards in the 1970 Academy Awards as Best Actor. 1953, 1966, and 1970 Golden Globe Awards gave him Henrietta Award, Cecil B. DeMille Award, and Best Actor for Motion Picture Drama, among other notable accolades.

Marriages And Personal Life

The actor was married three times and divorced twice. His first wife was Josephine Alicia Saenz, his second wife was Esperanza Baur, and his third wife, Pilar Pallete. He had seven children, four from Josephine and three from Pilar. According to reports, his first child Michael Wayne didn’t take his divorcing and new wives lightly because their relationship became harsh at some point. Several of John Wayne’s children worked in film and television. His children also contributed a lot to the productions.

Moreover, the biographer of John Wayne, Michael Munn, chronicled the actor’s drinking habits. This has affected his performance, and some shooting schedules were aligned to it. Sam O’Steen’s Cut to the Chase memoir wrote how the studio directors knew to shoot John’s scene before noon comes as he’s practically a mean drunk by the afternoon. Besides drinking problems, he had been a chain smoker of cigarettes since he’s a young adult and was diagnosed with lung cancer in 1964. Furthermore, he underwent successful surgery to remove his entire left lung and four ribs. Five years later, he was declared cancer-free.

Death

John Wayne was declared cancer-free, but then he still died of stomach cancer on June 11, 1979. His remains were buried in the Pacific View Memorial Park found in Newport Beach. According to Patrick Wayne and his priest grandson Matthew Munoz, Wayne converted to Roman Catholicism before he died.

Strangely, many cast and crew from the film The Conqueror in 1956 developed different forms of cancer at various times, including the stars like John Wayne, Agnes Moorehead, Susan Hayward, Pedro Armendariz, and director Dick Powell. It was shot in southwest Utah, to the east and downwind of recent US government nuclear weapons tests in southeastern Nevada.

John Wayne is an American actor who may have the ups and downs in life, but he’s still a Cowboy icon of Western films, no doubt.

John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

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John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice. 

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.

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John Wayne

True Crime on Amazon Prime: ‘Lorena’ Reexamines a 90s Tabloid Sensation

True crime might not be the first type of show that comes to mind when you think of the offerings on Amazon Prime Video. The perpetually buzzy genre is usually more associated with the likes of Netflix and HBO.

However, the streaming service boasts at least one standout docuseries from 2019. It’s one that can scratch the true crime itch for fans, but also give them a much needed new perspective on a well-worn tabloid sensation from the 1990s.

‘Lorena’ was produced by Jordan Peele of ‘Get Out’ fame

Jordan Peele, Head of Amazon Studios Jennifer Salke, and Lorena Gallo attend the 'Lorena' Premiere during the 2019 Sundance Film Festival.

Jordan Peele, Head of Amazon Studios Jennifer Salke, and Lorena Gallo attend the ‘Lorena’ Premiere during the 2019 Sundance Film Festival. | Rich Fury/Getty Images

Lorena, as the simple, to-the-point title suggests, chronicles the sordid story of Lorena and Jon Bobbit. The series was produced by Jordan Peele, the comedian-turned-director best known for Get Out and Us, and released on Amazon Prime Video in early 2019 following a premiere at the Sundance Film Festival.

In 1993, Lorena Bobbitt infamously cut her husband, John Wayne Bobbitt’s penis off in his sleep with a kitchen carving knife. She drove off with it, tossed it out the car window into a field, and eventually called 911 to report the incident. After a search followed by 9.5 hours of surgery, John Bobbitt was able to get his penis reattached and functioning normally.

Thanks in large part to the salacious and sexual nature of the Bobbittss story, it quickly became a tabloid and late-night talk show sensation. Sadly, as one might expect from a male-dominated culture, the media spectacle largely focused on John Bobbitt as a sympathetic victim and cast Lorena as a hysterical victim. John Bobbitt went on to become something of a cult figure for a time, even starring in two pornographic films.

Part of the mission statement of Lorena, the series, was to use the true crime format to recontextualize the Lorena Bobbitt story. Despite the prevailing perception of the incident beforehand, in reality, John Bobbitt had subjected Lorena to years of domestic abuse and rape, up to and including the night of her attack.

John Bobbitt was eventually acquitted on rape charges. Lorena Bobbitt was found not guilty by a jury for reasons of insanity.

“25 years later, Lorena is a groundbreaking re-investigation of the deep moral issues and painful human tragedies buried at the heart of this infamous American scandal,” Amazon’s official description of the series reads, as reported by Deadline. “Lost in the tabloid coverage and jokes was the opportunity for a national discussion on domestic and sexual assault in America.”

Lorena saw a positive reaction upon its release, currently boasting an 82% positive rating on Rotten Tomatoes. It was the biggest project yet from director Joshua Rofé, who previously helmed Lost for Life, a documentary about juvenile offenders sentenced to life in prison.

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