Why John Wayne thought “disg*sting” movies would k**l Hollywood
As well as being the king of the Western genre during Hollywood’s Golden Age, John Wayne was also one of the most unapologetic characters in the history of cinema, and alongside his obvious talent, he came complete with an array of controversial views, regardless of him being a product of his era.
From supporting the Vietnam War to being extremely homophobic about the 1969 film Midnight Cowboy in a notorious Playboy interview, Wayne remains one of the most divisive figures in popular culture even some 43 years after his passing.
The poster boy of Republican America, Wayne wasn’t afraid of speaking his mind in the name of what he regarded as the righteous cause. In Carolyn McGivern’s 2001 biography John Wayne: A Giant Shadow, the actor’s opinions on the state of modern films were laid bare, which came with his idea of the image that he wanted Hollywood to convey.
Interestingly, he didn’t want a rating system for movies to inform parents of what their children were watching. Instead, he called for the industry to control its own censorship instead of outsourcing it.
Strangely though, he had a problem with what he labelled “perverted films”, such as Midnight Cowboy and Easy Rider, although he was an ardent opponent of censorship. The Rio Bravo star then proceeded to argue that because films were allowing more adult content, it was leading to families watching TV at home instead of heading to the cinema.
In the book, McGivern points out that Wayne wasn’t necessarily against sex in movies, but he was against certain portrayals of it, such as that of male sexuality, a clear indicator of the kind of views he held. Adding to this anti-modernist sentiment, he was also against the increased level of violence that was making its way into film.
“Don’t get me wrong, I’m awfully happy there’s a thing called sex,” Wayne explained. “I see no reason why it shouldn’t be in pictures. Healthy, lusty sex is wonderful, but when you get hairy sweaty bodies in the foreground, it becomes distasteful. I can remember seeing pictures in the thirties that were wonderfully risqué. They were done with intimation.”
Wayne then made an analogy between Hollywood and how banks operate, revealing his true thoughts on where he believed the industry was at the time, which he described as “shit” because it was forgetting the “magic” that it was founded on in favour of this new “vulgarity”.
He said: “When you think of the wonderful picture fare we’ve had through the years and then realize we’ve come to this shit, it’s disgusting. If they want to continue making these films, fine, but my career will have ended. I feel the business is going to fade out from its own vulgarity. When the curious go to see gore and violence they make the bankers think that is what the public want. They seem to forget the one basic principle of our business … illusion. We’re in the business of magic. Perhaps we have run out of imagination.”
In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.
From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.
While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.
So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!
Why John Wayne Turned Down the Chance to Work With Clint Eastwood
Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.
How John Wayne responded when Clint Eastwood tried to work with him
Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.
The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.
Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.
Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies
Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.
The one time Ann-Margret and John Wayne made a movie together
Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.
Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.
John Wayne | Silver Screen Collection/Getty Images
During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”
Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.
What Ann-Margret thought about John Wayne
Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.
“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”
How the world reacted to ‘The Train Robbers’
Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.