Connect with us

Clint Eastwood

The Story Behind Clint Eastwood’s “Do You Feel Lucky, Punk?” From ‘Dirty Harry’

Like soundtracks, certain lines can conjure up memories of an entire movie with just a few noises. However, even the most iconic and well-recited quotes from films actually get recited incorrectly. The renditions people remember play more on what flows easier to obtain a cool vibe and even Clint Eastwood‘s line from Dirty Harry, “Do you feel lucky, punk,” falls victim to this.

Rather than succinctly asking, “Do you feel lucky, punk,” Eastwood has a bit more to say in that quote. The full line, and its relevant preamble, reads more like, “you’ve gotta ask yourself one question: “Do I feel lucky?” Well, do ya, punk?” How did we get here, then?

Ask yourself, do you remember this movie moment, punk?

The neo-noir action thriller Dirty Harry follows Clint Eastwood as Inspector “Dirty” Harry Callahan with the San Francisco Police Department. Callahan goes up against the worst baddies in the area while dipping into dubious practices himself. Some might call it monster vs. monster, but Callahan was pivotal in thwarting the murderous Scorpion and creating a new anti-hero template for officers in media.

Fittingly, one of his most memorable moments – and most quoted – came when he was embracing his less professional philosophy. Eastwood, as Callahan, had just thwarted a bank robbery. Callahan, armed, approaches a robber, who contemplates grabbing a gun of his own – but is Eastwood actually a threat right now with his magnum? It’s around this point audiences pick up “Do you feel lucky, punk?” But that’s actually a misquote. In full, Eastwood recites, “Uh uh. I know what you’re thinking. ‘Did he fire six shots or only five?’ Well to tell you the truth in all this excitement I kinda lost track myself. But being this is a .44 Magnum, the most powerful handgun in the world and would blow your head clean off, you’ve gotta ask yourself one question: “Do I feel lucky?” Well, do ya, punk?”

‘Dirty Harry’ was a disarming asset to Eastwood’s career

The robber lets himself remain disarmed by a cop who had no bullets in his gun, as it turns out. But by this point, Eastwood’s Callahan has his victory. And, indeed, so did Eastwood and his career. Dirty Harry would become one of his most famous roles. It spawned quotable lines for and from Eastwood and solidified his image as a rough, gruff action hero, both willingly and grudgingly.

In fact, some people expect Eastwood to just naturally be like his Dirty Harry counterpart. He mused, “All the movies you make, all these roles you take, and there are certain ones that people really hold on to. Harry is the one I hear about the most from the people on the street. People are disappointed when they walk up to me and ask to see the gun and I tell them that, well, I don’t really carry guns.”

While he clears up this misconception easy enough, there’s no easy way to un-learn the shorthand version of how we know that “Do you feel lucky, punk” line. That’s because our brains like to re-wire moments like that to fit our own frame of reference. Reciting it as we often do makes us that powerful, unstoppable force to be reckoned with. In this way, everyone could be Callahan and stop the bad guys in life.

Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Clint Eastwood

Clint Eastwood May Replace Steven Spielberg as ‘American Sniper’ Director

American Sniper – based on the late Chris Kyle’s memoir “American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History” – has attracted some big Hollywood talent, ever since Bradley Cooper’s 22nd & Indiana production company picked up the rights in 2012 (with Cooper attaching himself as the star and producer). Case in point, Cooper’s Silver Linings Playbook writer/director David O. Russell was reported as being the first serious contender in consideration for the helming job on Sniper.

Russell has decided to look elsewhere, where it concerns the possible followup to his next project: the true-story historical dramedy American Hustle (also starring Cooper). Steven Spielberg appeared to be all-ready to commit as director on American Sniper back in May of 2013, but he then dropped out around three months later.

Deadline is reporting that Warner Bros. wants American Sniper to begin filming by the first quarter of 2014. That could mean the studio intends to release the movie during the subsequent awards season; or, at least, have the Sniper adaptation ready in time to make an Oscar-qualifying limited theatrical run in December next year.

However, in order for that to be feasible, WB is going to need a director known for working fast, efficiently and effectively to captain the American Sniper ship – which may be part of the reason why the studio has begun “tentative negotiations” with Clint Eastwood, so as to have the Oscar-winning legend take the helm. If a deal is struck, then Eastwood will begin filming his Jersey Boys musical adaptation at the conclusion of this month (August 2013, at the time of writing this), before he wraps up production a couple months later and then jumps head-first into principal photography on Sniper.

Kyle’s American Sniper book – detailing how the former Navy SEAL went “from Texas rodeo cowboy to expert marksman and feared assassin” – has been adapted into movie script form by Jason Dean Hall. The latter’s artistic credibility took a hit this past week, due to the poor critical reception for Paranoia (which Hall co-wrote). I’m taking the time to note this because Eastwood has a tendency to direct scripts with potential – something that Hall’s American Sniper script draft clearly has (given the talent it has managed to attract).

Problem is, Clint the director is able to work faster because he skips on polishing or fine-tuning the scripts he works from, as has become increasingly noticeable in his more recent films (see: Invictus, J. Edgar) – meaning, he may not be the right guy to give Hall’s American Sniper script draft any necessary tweaks it needs to realize its full promise. Moreover, Eastwood’s no-budge directorial temperament often gives rise to a slow-paced and soulfully-morose final product – but is that the right approach to Kyle’s story, passing over how respectful Eastwood would be towards his subject?

How about it, then: Clint Eastwood to direct American Sniper, yay or nay?

Continue Reading

Clint Eastwood

Clint Eastwood to Direct ‘Jersey Boys’ Film?

These days, actor/director Clint Eastwood is best known as the filmmaker behind hard-hitting dramas like Million Dollar Baby and Mystic River. However, the former Dirty Harry has been looking to try his hand at a very different genre for quite a while – the musical.

For years, Eastwood has been developing a remake of A Star Is Born, which was most recently brought to the big screen in 1976 with Barbara Streisand in the lead. Eastwood’s version – which would be the third remake of the original 1937 production – was set to star Beyoncé Knowles. However, Knowles has since dropped out of the project, leaving it in a state of limbo for now.

According to The Hollywood Reporter, Eastwood will instead shift his focus over to another musical project with the film adaptation of the Tony Award-winning Broadway production Jersey Boys. The plot focuses on the rise and fall of musical group Frankie Valli and the Four Seasons and uses the group’s music to tell its story. Jon Favreau had previously been attached to direct the film.

If Eastwood takes on Jersey Boys, the film would likely be his next directorial project, followed (presumably) by A Star Is Born. The latter film is currently courting Grammy-winning jazz singer and bassist Esperanza Spalding to star, though the project has also faced difficulty in casting its male lead. Sean Penn is among the most recent crop of actors being discussed for the role.

Eastwood’s decision to move on from A Star Is Born is a wise one, considering that project looks like it will take a while to gain any traction. Besides, a filmmaker as accomplished as Eastwood can lend just the right amount of gravitas to something like Jersey Boys. After last summer’s Rock of Ages failed to score at the box office, audiences may need convincing to check out another “jukebox musical.”

Do you think Eastwood is a good fit for Jersey Boys? Let us know in the comments section below.

Stay tuned to Screen Rant for the latest news on the Jersey Boys movie as this story develops.

Continue Reading

Clint Eastwood

‘Trouble with the Curve’ Images: Clint Eastwood Returns to Acting

Clint Eastwood hasn’t appeared onscreen in four years, and the last time he acted under the direction of someone other than… well, himself was in 1993. The 82-year old Hollywood legend returns to the big screen in Trouble with the Curve from his protégé Robert Lorenz, who’s worked on-and-off as an assistant director and/or producer on Eastwood’s films (beginning with Bridges of Madison County).

Eastwood co-headlines Trouble with the Curve alongside three-peat Oscar-nominee Amy Adams. The supporting cast isn’t shabby either, including John Goodman, Justin Timberlake, Robert Patrick, Matthew Lillard (The Descendants), and semi-newcomer Joe Massingill.

Trouble with the Curve is a father-daughter relationship drama explored through the lens of an off-the-field sports drama. Newcomer Randy Brown’s script revolves around an Atlanta Braves scout (Eastwood) who on the verge of being put out to pasture, due to his diminishing eyesight and old-fashioned approach to recruiting players (obviously, he doesn’t subscribe to the Moneyball school of thought).

Eastwood’s character convinces his estranged daughter (Adams) to accompany and assist him on what could be his last assignment, to determine whether or not a promising power hitter (Massingill) has potential to make it in the big leagues. Timberlake plays a player-turned-scout who’s on good terms with Eastwood, but risks trouble when he starts getting too friendly with Adams.

Lorenz has the opportunity to demonstrate the directorial tricks he’s picked up on working with Eastwood over the years, while establishing himself as a reputable storyteller on Trouble with the Curve (his feature-length directorial debut). The two-time Oscar nominee certainly works as efficiently as his mentor, given the six-month turnaround between the film’s production start date and its release this fall.

Moreover, Trouble with the Curve could satisfy as a capstone to Eastwood’s acting legacy, much like Unforgiven did for his days working in the western genre; not to mention, Gran Torino served as a swansong to his career playing characters who’re rough around the edges (ex. Harry Callahan). If Eastwood turns in a performance deemed awards-worthy by his peers, well, that’s icing on the cake.

Continue Reading

Trending