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30 Most Memorable Western Movies of All Time

Western films have been a staple of American cinema for practically as long as movies have been made.
Movies in the Western genre are set in the American West, typically between the 1850s to the end of the 19th century. While it has been a stable genre — no pun intended! — it has also been the starting ground for several hybrid genres like Western comedies, Western musicals and horror Westerns.
No other genre’s history goes back quite as far as that of Westerns. According to documentarian David Gregory, “It has been estimated that up to 40 percent of all films made before 1960 were Westerns.”

Although the category reached its greatest popularity in the early and middle decades of the 20th century, with several becoming cult classics, films continued to be made even through droughts for Westerns in the late ‘70s, ‘80s and ‘90s. Actors have also made their name starring in Western films, including Clint Eastwood, John Wayne, James Stewart and Jeff Bridges, to name a few.
In 2017, Bridges, the star of the Oscar-nominated genre titles True Grit and Hell or High Water, told The Hollywood Reporter, “Everything’s magnified: the struggle, the serious choices, what you do, the bravery, all those things. I like and appreciate the ambiguity of telling right from wrong,” in reference to Westerns.
While the genre may not be what it was in the early 20th century, Westerns have continued to evolve to remain a notable category in the industry, as seen in the last decade with True Grit, Hell or High Water and Django Unchained.
Find a list of the 30 most memorable Western movies of all time below.
‘The Great Train Robbery’ (1903)

Robbers hold up the train in GREAT TRAIN ROBBERY, 1903.


Robbers hold up the train in ‘The Great Train Robbery’ HOWARD MANDELBAUM/EVERETT COLLECTION

In one of the earliest Westerns in American cinema, the film depicts a group of outlaws who rob passengers on a train and threaten the operator. When trying to run away, they shoot a passenger. The sheriff and his men embark on a manhunt of the men.
‘Stagecoach’ (1939)

Andy Devine, George Bancroft, John Carradine, Donald Meek, Louise Platt, Claire Trevor, John Wayne in STAGECOACH.
Andy Devine, George Bancroft, John Carradine, Donald Meek, Louise Platt, Claire Trevor and John Wayne in ‘Stagecoach’ 20TH CENTURY FOX FILMS/ COURTESY: EVERETT COLLECTION

The two-time Oscar winning film, directed by John Ford, follows a collective group of passengers aboard a stagecoach, including a drunken doctor, two women, a bank manager who stole his client’s money and escaped outlaw Ringo Kid. As they make their trip across the wild west to New Mexico in the 1880s, they must face the threat of Geronimo in the area.
 
‘Red River’ (1948)

John Wayne and Montgomery Clift in RED RIVER, 1948.
John Wayne and Montgomery Clift in ‘Red River’ COURTESY EVERETT COLLECTION

After working 14 years to build his cattle ranch in Texas, Tom Dunston (John Wayne) is ready to drive them to the market, which is in Missouri. With the help of his trailhand, Nadine Groot (Walter Brennan), and protégé, Matthew Garth (Montgomery Clift), an orphan who Dunston took under his wing, they head out on their journey. But along the way, in the film directed by Howard Hawks and Arthur Rosson, stubborn Dunston and Garth begin to feud, leading to a tense voyage.
‘Winchester ’73’ (1950)

James Stewart, Millard Mitchell, and Tony Curtis in WINCHESTER '73 , 1950.
James Stewart, Millard Mitchell, and Tony Curtis in ‘Winchester ’73’ COURTESY EVERETT COLLECTION

Lin McAdam (James Stewart) finds himself chasing after a rifle that he won in a contest, but was stolen by the runner-up, Dutch Henry Brown (Stephen McNally). In the film, directed by Anthony Mann, McAdam pursues all efforts to retrieve the rifle, even ending up in a shoot-out.
‘High Noon’ (1952)

Gary Cooper in HIGH NOON, 1952.
Gary Cooper in ‘High Noon,’ 1952 CBS FILMS/EVERETT COLLECTION / EVERETT COLLECTION

The movie, directed by Fred Zinnemann, features Gary Cooper as former marshal Will Kane, who is preparing to leave a small town in New Mexico with his new wife, Amy, played by Grace Kelly. Before heading out, Kane learned the local criminal, Frank Miller, whom he turned in, has been set free and is seeking revenge. The marshal tries to recruit deputies in the town to help, but they turn on him, leaving Kane to fight Miller and his crew alone.
‘The Searchers’ (1956)

Harry Carey Jr., John Wayne, and Hank Worden in THE SEARCHERS, 1956.
Harry Carey Jr., John Wayne and Hank Worden in ‘The Searchers’ COURTESY EVERETT COLLECTION

The film, directed by John Ford, shows how one man will go through great lengths for his family. When Ethan Edwards (John Wayne) returned home to Texas after the Civil War, he learns members of his brother’s family have been killed or abducted by Comanches. He then embarks on dangerous mission to save the surviving members, including his neice and her adopted brother.
‘Rio Bravo’ (1959)

John Wayne and Dean Martin in RIO BRAVO, 1959.
John Wayne and Dean Martin in ‘Rio Bravo’ COURTESY EVERETT COLLECTION

When small-town sheriff John T. Chance (John Wayne) arrests gunslinger Joe Burdette (Claude Akins) for murder, he must face Burdette’s brother Nathan (John Russell) who wants him out of jail. But with the help of an elderly deputy, the town drunk and a young gunfighter, Chance makes a stand against Nathan, in the film directed by Howard Hawks.
‘The Magnificent Seven’ (1960)

McQueen, Coburn, Buchholtz, Brynner, Dexter, Vaughn, Bronson in THE MAGNIFICENT SEVEN, 1960.
McQueen, Coburn, Buchholtz, Brynner, Dexter, Vaughn, Bronson in ‘The Magnificent Seven’ COURTESY EVERETT COLLECTION

When a small Mexican farming village is terrorized by a band of outlaws every year, several of the townspeople hire seven American gunmen to defend them. The film, directed by John Sturges, follows the gunslingers as they train and prepare the village for the outlaws who will be arriving soon.
‘One-Eyed Jacks’ (1961)

Karl Malden in Marlon Brando in ONE-EYED JACKS , 1961.
Karl Malden and Marlon Brando in ‘One-Eyed Jacks’ COURTESY EVERETT COLLECTION

Following a bank robbery, outlaw Rio (Marlon Brando) and his partner, Dad Longworth (Karl Malden) are on the run from the law, but Dad has different plans. In the film, directed by Brando, Dad betrays Rio and takes off with the gold as Rio is captured. Years later, when Rio escapes from prison, he hunts down his ex-partner, who is now a sheriff, in California for revenge.
‘Ride the High Country’ (1962)

Mariette Hartley, Ron Starr, Joel McCrea, Randolph Scott in RIDE THE HIGH COUNTRY, 1962.
Mariette Hartley, Ron Starr, Joel McCrea, Randolph Scott in ‘Ride the High Country’ COURTESY EVERETT COLLECTION

In the film directed by Sam Peckinpah, retired lawman Steve Judd (Joel McCrea) hires his friend Gil Westrum (Randolph Scott) and his young protégé Heck to help transport a gold shipment from a bank through a dangerous area. But Gil and Heck devise a plan to steal the gold. Along the way, the three also get involved with a woman trying to escape her father and fiancé.
‘A Fistful of Dollars’ (1964)

Clint Eastwood in A FISTFUL OF DOLLARS, 1964
Clint Eastwood in ‘A Fistful of Dollars’ COURTESY EVERETT COLLECTION

As drifter gunman Joe (Clint Eastwood) enters the Mexican village of San Miguel, he learns of a power struggle between two gangs — John Baxter (Wolfgang Lukschy) and Ramón Rojo (Gian Maria Volontè). In the film, directed by Sergio Leone, Joe finds himself between the two sides, playing both for his own benefit.
‘The Good, the Bad and the Ugly’ (1966)

Clint Eastwood in THE GOOD, THE BAD AND THE UGLY, 1966.
Clint Eastwood in ‘The Good, the Bad and the Ugly’ COURTESY EVERETT COLLECTION

This Western classic, starring Clint Eastwood, follows three men on a tense journey, all vying for a stash of gold. In the film, directed by Sergio Leone, Blondie, The Good, who is a professional gunslinger, ruins his partnership with Tuco, The Ugly (Eli Wallach), who is a Mexican outlaw. As Tuco sets out to murder Blondie, along the way, they both learn of $200,000 worth of gold buried in a cemetery. But each man has different information on its location, so they must keep each other alive as they set out on a journey to find the gold. Along the way, Angel Eyes, The Bad (Lee Van Cleef), who is a hitman, learns about the gold, which leads to Blondie and Tuco teaming up once again, to get their hands on the gold before anyone else.
‘Once Upon a Time in the West’ (1968)

Henry Fonda in ONCE UPON A TIME IN THE WEST, 1968.
Henry Fonda in ‘Once Upon a Time in the West’ COURTESY EVERETT COLLECTION

A woman moves from New Orleans to Utah, just to find her new husband and family killed. When she learns the man responsible pinned it on a known bandit, Cheyenne (Jason Robards), she teams up with him to search for the real killer, henchman Frank (Henry Fonda). They also have help from a mysterious gunslinger on a mission to get even. The film is directed by Sergio Leone.
‘Butch Cassidy and the Sundance Kid’ (1969)

Robert Redford and Paul Newman in BUTCH CASSIDY AND THE SUNDANCE KID, 1969.
Robert Redford and Paul Newman in ‘Butch Cassidy and the Sundance Kid’ COURTESY OF 20TH CENTURY FOX FILM CORP./ COURTESY EVERETT COLLECTION

The film based on real-life outlaws is set at a time when the west starts to become more civilized. The leaders of a small gang, Butch Cassidy and The Sundance Kid, starring Paul Newman and Robert Redford, are on the run from a special posse who begins trailing them after their regular train robbery. No matter how far they go, the group seems to be right behind them. But when they finally escape them, their journey takes them to Bolivia, thanks to a suggestion from Butch. The film was directed by George Roy Hill.
‘True Grit’ (1969)

John Wayne and Kim Darby in TRUE GRIT, 1969.
John Wayne and Kim Darby in ‘True Grit’ COURTESY EVERETT COLLECTION

Nothing matters more than bringing her father’s killer to justice, so Mattie Ross (Kim Darby) sets out on a journey to seek vengeance. She hires U.S. Marshal “Rooster” Cogburn (John Wayne) to help her track the murderer Tom Chaney (Jeff Corey) down, and along the way, a Texas Ranger, La Boeuf (Glen Campbell) joins the manhunt, hoping to capture Chaney for the murder of a Texas senator. In the movie, directed by Henry Hathaway, they all embark on the dangerous trek together.
‘The Wild Bunch’ (1969)

Ben Johnson, Warren Oates, William Holden and Ernest Borgnine in THE WILD BUNCH, 1969
Ben Johnson, Warren Oates, William Holden and Ernest Borgnine in ‘The Wild Bunch’ COURTESY EVERETT COLLECTION

This Sam Peckinpah-directed film, set in 1913, follows a gang known as The Wild Bunch as they attempt one last robbery before retiring. Once outlaw Pike Bishop, played by William Holden, and his gang make it to Mexico for the job, they end up in a violent last stand against their enemies. The film also stars Ernest Borgnine, Warren Oates, Ben Johnson and Robert Ryan.
 
‘Buck and the Preacher’ (1972)

Harry Belafonte, Ruby Dee, Sidney Poitier in BUCK AND THE PREACHER, 1972.
Harry Belafonte, Ruby Dee, Sidney Poitier in ‘Buck and the Preacher,’ 1972. COURTESY EVERETT COLLECTION

Post-Civil War, Buck (Sidney Poitier), a soldier turned trail guide, is helping former slaves settle in the West. At one point, a con artist, Preacher (Harry Belafonte), joins the group and clashes with Buck. But the two must learn to put their differences aside when a group of bounty hunters, led by Deshay (Cameron Mitchell), tries to bring the freed slaves back to Louisiana. The film is directed by Sidney Poitier and Joseph Sargent.
‘The Outlaw Josey Wales’ (1976)

Chief Dan George and Clint Eastwood in THE OUTLAW JOSEY WALES, 1976.
Chief Dan George and Clint Eastwood in ‘The Outlaw Josey Wales’ COURTESY EVERETT COLLECTION

After Josey Wales’ (Clint Eastwood) family is killed by Union men led by Capt. Terrill (Bill McKinney), Wales seeks revenge by joining the Confederate Army. But when the war ends, he refuses to surrender and hand over his weapons. Josey then flees to Texas where he meets a group of settlers to start a new life, but with a bounty on his head. Eastwood also directed the film.
‘Dance With Wolves’ (1990)

Kevin Costner and Graham Greene in DANCES WITH WOLVES, 1990.
Kevin Costner and Graham Greene in ‘Dance with Wolves’ ORION PICTURES CORP/COURTESY EVERETT COLLECTION

Directed by and starring Kevin Costner, the film follows a Civil War soldier, Lt. John Dunbar, (Costner) as he develops a relationship with a Native American tribe. As he gets closer to them, he decides to leave his former life behind and join them. After getting the name Dances With Wolves, he is welcomed in as a member and stands with them in any fight. John also finds a surprising romance in the tribe.
 
‘Unforgiven’ (1992)

Clint Eastwood in UNFORGIVEN, 1992.
Clint Eastwood in ‘Unforgiven,’ WARNER BROS/COURTESY EVERETT COLLECTION

One of the many Westerns starring and directed by Clint Eastwood, Unforgiven sees a prostitute disfigured, narrowly escaping death, prompting co-workers to post a reward for the murder of those responsible. To the displeasure of the sheriff, two groups of outlaws head to Big Whiskey, Wyoming, one led by William Munny (Eastwood) and the other by English Bob (Richard Harris), in search of the men behind the crime.
‘Tombstone’ (1993)

Kurt Russell, Sam Elliott (n driver's seat), Bill Paxton in TOMBSTONE, 1993.
Kurt Russell, Sam Elliott (in driver’s seat) and Bill Paxton in ‘Tombstone’ BUENA VISTA PICTURES/COURTESY EVERETT COLLECTION

In the movie directed by George P. Cosmatos and Kevin Jarre, Wyatt Earp (Kurt Russell) and his brothers, Morgan (Bill Paxton) and Virgil (Sam Elliott), think they have left their gunslinger ways behind them as they settle down in Tombstone, Arizona. But things take a turn when trouble finds the trio once again, this time with a group of outlaws. The men team up with Wyatt’s best friend, Doc Holliday (Val Kilmer), to take on the gang of cowboys.
‘The Quick and the Dead’ (1995)

Russell Crowe and Gene Hackman in THE QUICK AND THE DEAD, 1995.
Russell Crowe and Gene Hackman in ‘The Quick and the Dead’ TRISTAR PICTURES / COURTESY EVERETT COLLECTION

A female gunslinger, Ellen (Sharon Stone), rides into a small frontier town looking for revenge for her father who was killed by the town’s mayor, Herod (Gene Hackman). While there, she enters a violent competition with other outlaws all there with their own motive. In the film directed by Sam Raimi, Ellen fights to the death to get justice. The movies also stars Leonardo DiCaprio and Russell Crowe.
 
‘Lone Star’ (1996)

Chris Cooper in LONE STAR, 1996.
Chris Cooper in ‘Lone Star’ SONY PICTURES CLASSICS/COURTESY EVERETT COLLECTION

When local sheriff Sam Deeds (Chris Cooper) is called to investigate a 40-year-old skeleton found in the desert in Rio County, Texas, he starts to uncover the town’s dark secrets. In the movie, directed by John Sayles, Deeds begins to learn more about his father, former legendary sheriff Buddy Deeds, all while trying to solve the mystery murder and expose the town’s secrets. Along the way, he also rekindles an old high-school romance.
‘Open Range’ (2003)

Kevin Costner, Robert Duvall, and Diego Luna in OPEN RANGE, 2003.
Kevin Costner, Robert Duvall and Diego Luna in ‘Open Range’ TOUCHSTONE/COURTESY EVERETT COLLECTION

In this Western, directed by Kevin Costner, Boss Spearman (Robert Duvall), Charley Waite (Costner), Mose Harrison (Abraham Benrubi) and Button (Diego Luna) have a close friendship as they drive their cattle across the West. But when Mose finds his way to a small town, he encounters a corrupt sheriff (James Russo) and rancher Denton Baxter (Michael Gambon) who run the village with fear and violence. When Mose doesn’t come back, Boss and his men head out to find. Along their journey to rescue Mose, they face everything from heated exchanges, violence and an unexpected romance.
‘3:10 To Yuma’ (2007)

Alan Tudyk, Christian Bale, Russell Crowe, Peter Fonda, Lennie Loftin in 3:10 TO YUMA, 2007.
Alan Tudyk, Christian Bale, Russell Crowe, Peter Fonda, Lennie Loftin in ‘3:10 To Yuma’ LIONS GATE/COURTESY EVERETT COLLECTION

Rancher Dan Evans (Christian Bale), who heads into Bisbee, Arizona, captures famed outlaw Ben Wade (Russell Crowe) who has been terrorizing the area. The film, set in the 1800s, follows Evan as he escorts Wade to the train so he can be brought to trial. Throughout their tense journey in the movie, which was directed by James Mangold, they face danger at every turn on their way to the 3:10 to Yuma train.
 
‘The Assassination of Jesse James by the Coward Robert Ford’ (2007)

Brad Pitt as Jesse James, Casey Affleck as Robert Ford in THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD, 2007.
Brad Pitt and Casey Affleck in ‘The Assassination of Jesse James by the Coward Robert Ford’ WARNER BROS./COURTESY EVERETT COLLECTION

Jesse James (Brad Pitt) is a famed outlaw with many after him to collect the reward placed on his head. But as Jesse continues his ways and plans his next big heist, two of his own recruits have other plans. As Robert (Casey Affleck) and Charley Ford (Sam Rockwell) grow jealous of Jesse, they decide to try and kill him, but things don’t go as planned, in the film directed by Andrew Dominik.
‘Appaloosa’ (2008)

Viggo Mortensen and Ed Harris in APPALOOSA, 2008.
Viggo Mortensen and Ed Harris in ‘Appaloosa’ NEW LINE CINEMA/COURTESY EVERETT COLLECTION

It’s the 1880s Southwest, and Virgil Cole (Ed Harris) and Everett Hitch (Viggo Mortensen) are traveling into lawless towns desperate for them to bring justice. Along the way, they learn the mining town of Appaloosa is being terrorized by Randall Bragg (Jeremy Irons), a newly arrived rancher and a gang. In the film, directed by Ed Harris, Virgil and Evertt must work together to bring them down, but when a mysterious widow (Renee Zellweger) arrives to town, their bond is tested.
‘Rango’ (2011)

Rango (voice: Johnny Depp), Beans (voice: Isla Fisher) in RANGO, 2011.
Rango (voiced by Johnny Depp) and Beans (voiced by Isla Fisher) in ‘Rango’ PARAMOUNT/COURTESY EVERETT COLLECTION

This animated Western follows the story of a pet chameleon named Rango (voiced by Johnny Depp) who embarks on a lifestyle change following an identity crisis. Rango accidentally finds himself in a frontier town as the new sheriff, where he ends up taking on the hero role and faces thrilling encounters. The film is directed by Gore Verbinski.
 
‘Django Unchained’ (2012)

Jamie Foxx in DJANGO UNCHAINED, 2012.
Jamie Foxx in ‘Django Unchained’ ANDREW COOPER/©WEINSTEIN COMPANY/COURTESY EVERETT COLLECTION

With quite the ensemble, including Jamie Foxx, Christoph Waltz, Leonardo DiCaprio and Kerry Washington, the pre-Civil War film follows Django (Foxx), a slave who joins a German bounty hunter, Dr. King Schultz (Waltz), on a mission to find two men. Once they are found, Schultz offers to help Django find his long-lost wife, Broomhilda von Shaft (Washington), if he agrees to be his partner. The two embark on a journey to find her when they learn she was sold to a plantation in Mississippi. They work together to come up with a plan so that the owner, Calvin Candie (DiCaprio), welcomes them into his home so they can save his wife.
‘Hell or High Water’ (2016)

Ben Foster and Chris Pine in HELL OR HIGH WATER, 2016.
Ben Foster and Chris Pine in ‘Hell or High Water’ LOREY SEBASTIAN/CBS FILMS/COURTESY EVERETT COLLECTION

In the film directed by David Mackenzie, Toby Howard (Chris Pine) is a divorced father who is about to have his family ranch foreclosed on. In an attempt at making a better life for his sons, Toby and his brother Tanner (Ben Foster), who is an ex-convict, plan several heists at the bank that’s foreclosing the ranch. At the same time, Texas Ranger Marcus Hamilton (Jeff Bridges), who’s close to retirement, is out to stop them

John Wayne

‘The Shootist’ Star Ron Howard Recalled the Nerve-Wracking Experience of Meeting John Wayne

Today, we know Ron Howard as an actor and producer with more than 60 years of experience. Back in 1976, however, Ron Howard was a young actor of 22, just breaking out of his reputation as the child star who played Opie Taylor on The Andy Griffith Show and Richie Cunningham on Happy Days.

After landing a lead role in the coming-of-age film American Graffiti, Ron Howard moved on to The Shootist, the story of a gunfighter’s battle with cancer. Being cast in this film came with an exciting opportunity: to star alongside legendary western star John Wayne. Though thrilled by the chance to work with the icon, Ron Howard recalls feeling terrified ahead of meeting his co-star John Wayne.

In an interview with The Oklahoman, Ron Howard recounted the nerve-wracking experience. “That was kind of strange,” Howard says. “I went into The Shootist expecting not to have a great time. Wayne was notorious for not getting along with young actors.”

“I went to meet him with (director) Don Siegal,” Howard continued. “Somebody had given Wayne that week’s copy of TV Guide. My picture was on the cover. He looked at it, looked at me, and said, ‘Ah, here’s the big shot.’ I thought, ‘Uh-oh, I’m in trouble.’ But he couldn’t have been nicer. He talked a lot about television, about how it’s such a good training ground sort of like the one- and two-reelers Wayne made when he was young.”

“I’ll never forget the fact that he never, ever made me feel like a kid. He treated me like a pro…one pro working with another.”

Meeting John Wayne Taught Ron Howard the Value of Hard Work

An actor from the age of 5, Ron Howard is no stranger to hard work. That said, meeting and working with a nearly 70-year-old John Wayne was still an inspirational experience for Ron Howard. In an interview with Men’s Journal, Howard described what he learned about work and manhood.

“John Wayne used a phrase, which he later attributed to John Ford, for scenes that were going to be difficult,” Howard said. “‘This is a job of work,’ [John Wayne would] say. If there was a common thread with these folks – Wayne, Jimmy Stewart, Glenn Ford – it was the work ethic. It was still driving them. To cheat the project was an insult. To cheat the audience was damnable.”

Ron Howard also credits Clint Eastwood with certain viewpoints he holds today. Specifically, having the confidence to avoid comparing himself to other people. “We’re all constantly keeping score. You can’t help it,” Howard said. “But trying to pit ourselves against other people in some measurable way is largely a waste of time.”

“Look at Clint Eastwood and Ridley Scott, two guys who, at least creatively, inhabit their space in a way that I admire. I don’t know them well, but I don’t think they are looking over their shoulders and wondering what people will think of them.”

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John Wayne

John Wayne’s Co-Star Remembered Awkward Moment With Casting Director Who Didn’t Know Who the Duke Was

John Wayne’s co-star, Chris Mitchum, worked closely beside the Duke (a nickname Wayne went by) before his passing. In a 2019 interview, Mitchum shared all sorts of anecdotes from his time working with the legend. He even says he has John Wayne to thank for getting him a role in “Rio Lobo.”

The film ended up being Wayne’s last. However partly in thanks to his kindness, Mitchum was able to continue to get roles. While the two were working on the film “Chisum”, Wayne opened the door to an unforgettable opportunity for Mitchum. Mitchum describes how exactly it went down. “He [John Wayne] said, ‘Howard Hawks is coming down to talk to me about my next film, I’d like to introduce you to him.’ That’s how I got the part in ‘Rio Lobo.’ I went up and met with Hawks, it was about an hour meeting. He read me, then we talked awhile. Then he totally did a 180 on the character to see if I could take direction.” 

Mitchum Has John Wayne to Thank For His Role in “Rio Lobo”

Mitchum adds, “I see why he did that, ‘cause he totally changes things when you’re shooting. I did the reading again, he said ‘Can you come in in 2 days on Thursday and screen test?’ I said ‘sure.’ I actually went in for the part that Jorge Rivero ended up playing, and they switched the roles. [Hawks] was there, he’s a very hands-on guy.”

However, casting for actors now is worlds different than what Mitchum experienced in his youth. The actor shared that years later, he went in for an interview for a role. He learned quickly that the casting director didn’t really know who John Wayne was. “When you grow up with that kind of experience, where you’re interviewed by the director, and then years later you go in and [it’s different],” Mitchum explains.

Casting Looks Different These Days

 “The last interview I had…there was a chair on one side and a camera and a chair on the other side with two kids that looked younger than my children. They said ‘sit in the chair, here’s your lines.’ I said ‘okay.’ He said, ‘I’m gonna read here off camera’, and I said ‘okay.’ He says ‘Slate yourself.’ I said, ‘Slate myself?’ [He said] ‘Yeah, say ‘I’m Chris Mitchum for the part of..’ So we did that, I go through the line. He’s looking at my resume, He said, ‘Oh, you were in a couple of films with a guy named John Wayne, was he any relationship to THE John Wayne?’,” the actor shares.

“I realized, Duke [John Wayne] had died before these kids were born! I thought, ‘What am I doing here?’,” the actor laughs. He adds, “I basically just dropped out, I couldn’t deal with that kind of thing. Now, you don’t even meet the would-be second or third casting director, you send it in on the internet.”

Mitchum’s last project was his role of Harald Rosenberg in the 2018 movie “Goy.” However, his newest project has been announced. Although there is no release date set quite yet, the film is titled “Mainland to Oahu”. We can’t wait to see it!

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John Wayne

How ‘Yellowstone’ Prequel ‘1883’ Is Taking a Page Out of John Wayne Collaborator’s Book

Citing another legendary filmmaker, Yellowstone creator Taylor Sheridan is relying on “Old Hollywood” filmmaking for his newest epic, 1883.

“I don’t build a world with visual effects,” Sheridan begins for Entertainment Weekly. The trade just hit Yellowstone fans with an exclusive first-look at the show’s sprawling sequel, 1883, and the buzz is palpable.

Right off the bat, the Yellowstone creator doubles down on his penchant for practical effects, too. It’s something fans have come to expect through the first three seasons of his flagship show. And we can expect much of the same for its first spinoff, period-correct Western 1883.

“I go shoot these corners of the world that people haven’t seen,” Sheridan continues for EW. “The audience today is so experienced. They’ve seen so much, so to move the audience becomes more and more difficult. It’s incredibly expensive and very difficult.”

Yet it doesn’t have to be. As Sheridan cites: “We can do it as John Ford did it. When you need 50 wagons, you’re going to see 50 [real] wagons.”

As Outsiders know, the Yellowstone mastermind is citing legendary director John Ford. “Legendary” is an understatement, too. In a career spanning 1913 to 1971, Ford would direct over 140 films. But it’s his work with John Wayne that would create the Hollywood Blockbuster and change the industry forever.

‘1883’ Creator Taylor Sheridan Cites John Ford as a Driving InfluenceAs Taylor Sheridan notes, Ford was a master of utilizing practical effects. He had no choice, as special effects as we know them weren’t a thing yet. There was no relying on CGI or heavy-retouching in post. Effects could be hand-drawn and painted over film (and were to great use), sure, but if you needed 50 moving wagons in a Western, as Sheridan says, then you moved those 50 wagons across the actual West.

Much of Ford and Wayne’s influence can be felt in Yellowstone proper, too. The widely-influential Modern Western feels as close to that bygone era of filmmaking as anything we’ve seen in decades. It’s certainly the only Western, modern or not, to approach the impact of these late legends’ work. And this is exactly why Sheridan brought back Yellowstone‘s brilliant production design “trio” of production designer Cary White, set decorator Carly Curry and art director Yvonne Boudreau for 1883.

The group is responsible for Yellowstone‘s recent – and only – Emmy nominations. And each has proven themselves as much a stickler for perfection as Sheridan.

“Taylor is shooting this with 30 wagon trains, going across America,” 1883‘s Executive Producer David Glasser detailed this summer, echoing Sheridan’s distaste for relying on special effects. “The Duttons travel with other families and pick up other groups along the way. It’s like a moving city. Taylor didn’t want to do it CGI, where you could have built 10 wagon trains and with the world we’re living in today, you could have added 20… We’re taking 30 wagon trains across America, and he’s re-creating everything.”

1883’s team is building everything “top to bottom.” The way it should be, Glasser concludes.

1883 unfolds come December 19 on Paramount Network.

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