John Wayne Actually Invented a New Type of Punch for Films
John Wayne did establish himself as one of the greatest actors ever in Western films. But did you know that he invented a punch? The venerable actor did just that as he changed the narrative, so to speak. Before “The Duke” started duking it out with bad guys, the good guys usually were following the rules of fighting. Not with John Wayne.
John Wayne Always Packs A Punch For His Movie FansIn an interview, he once described how things changed with his mighty fists. “The hero could only knock the villain down politely and then wait until he rose,” Wayne says. “I changed all that. I threw chairs and lamps. (And) I fought hard, and I fought dirty. I fought to win.” He usually would come out on the winning end, too.
What about the punch? If you have seen him in The Searchers or Stagecoach, then you know he would fight to hold his ground. Wayne’s punches were in the form of a big arc or circle-like configuration. Doing so will send the puncher and the intended target off of their feet. They would look wobbly. John Wayne would make sure the moviegoers would see him in action. By doing this, they would get the full punching and fighting experience.
Martin Scorsese Remembers The First Time He Saw ‘The Searchers’Director Martin Scorsese, who has made a few good movies in his career, loves The Searchers. He once called seeing John Wayne in it “the greatest performance of a great American actor.” In an interview with the famed director, he recalled going to see the movie with some friends as a young man. Scorsese remembers seeing Ethan Edwards, Wayne’s character, for the first time.
“And, you sit there, and suddenly this character – this lonely character – comes out of the, out of the desert or something and he’s absolutely terrifying,” he says. “I mean he’s with all – well, he’s filled with – he just literally acts out the racism, the worst aspects of racism of our country, you know, and it’s right there. It’s right there. And you could see the hate. You could see it building. You could also understand how he could go that way. …”
When it comes to other actors loving this movie, put Sam Elliott in there, too. The venerable movie star and most recently cast member of 1883 was asked in an interview what were some of his favorite movies growing up. “Oh God, I’ve got a lot of them,” he said. “The Searchers was probably a favorite as I was growing up, along with Red River. And you know, I don’t just single out those two because John Wayne was in both of them.”
In a world where legends never fade, we can’t help but wonder: what if John Wayne, the iconic figure of American cinema, is still with us in spirit? The Duke, known for his larger-than-life roles and undeniable charisma, continues to inspire generations.
From his unforgettable performances in classics like “True Grit” and “The Searchers” to his indomitable spirit, Wayne’s essence is woven into the fabric of Hollywood and American culture. His rugged persona, moral fortitude, and unwavering courage resonate deeply, reminding us of the values he embodied.
While we may not see him on the silver screen today, Wayne’s legacy lives on through the countless actors he inspired and the stories he helped tell. His films are timeless, bringing joy and adventure to audiences around the world.
So, as we celebrate the enduring impact of John Wayne, let’s keep his spirit alive in our hearts. Whether you’re watching one of his classics or sharing a favorite quote, remember that the legend of John Wayne will never truly die. Here’s to the Duke—forever a part of our cinematic history!
Why John Wayne Turned Down the Chance to Work With Clint Eastwood
Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.
How John Wayne responded when Clint Eastwood tried to work with him
Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.
The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.
Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.
Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies
Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.
The one time Ann-Margret and John Wayne made a movie together
Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.
Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.
John Wayne | Silver Screen Collection/Getty Images
During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”
Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.
What Ann-Margret thought about John Wayne
Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice.
“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”
How the world reacted to ‘The Train Robbers’
Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.