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John Wayne

‘Gunsmoke’ Director Andrew McLaglen Went on to Make Westerns with John Wayne

Gunsmoke Director Andrew McLaglen had his good friend John Wayne to thank for his directorial run in Hollywood.

According to an interview with the Directors Guild of America, McLaglen got his start in the industry as an actor. He followed in the footsteps of his Oscar-winning father, Victor McLaglen. But after only two gigs, he realized he wanted to work on the other side of the camera as a director.

So once he graduated high school, he started working towards his dreams.

Eventually, McLaglen landed a job as the assistant director for the 1952 film Big Jim McLain, which starred John Wayne and James Arness.

At the time, the then 32-year-old already had a movie that he wanted to make. However, he had no way of funding the project. But once John Wayne recognized his talents, he decided to help McLaglen get his idea to theaters.

“Duke knew that I wanted to be a director,” McLaglen said. “And he called me aside one day and he said, ‘Listen Andy McSandy (did you read that in Wayne’s voice, too?), I’ll guarantee the loan. I know it isn’t a big picture. I’ll guarantee the loan and why don’t you go ahead and make an arrangement to make your movie.’”

And with that, Andrew McLaglen made his directorial debut. The project was the 1956 thriller Man in the Vault, which tells the story of a locksmith who gets caught up in a bank robbery.

That same year, he also released his first Western Gun the Man Down, starring James Arness.

Andrew McLaglen Went on to Work with John Wayne Five More Times

After working with McLaglen, Arness was so impressed that he got him a job directing an episode of Gunsmoke. And that job led to 95 more. Thanks to that series, McLaglen found his niche in Hollywood, and he went on to make dozens of Westerns.

Some of his works include The Way West with Kirk Douglas and Bandolero! with James Stewart and Dean Martin. He also reconnected with The Duke to direct McLintock!, The Undefeated, Chisum and Cahill U.S. Marshal. And he directed Wayne in his 1968 action-drama Hellfighters.

‘Gunsmoke’ Helped Make Burt Reynolds A Bonefied Hollywood Legend

Gunsmoke didn’t just help director Andrew McLaglen earn a place in Tinsel Town, it also helped turn Burt Reynolds into a legend.

Though Reynolds had a few jobs before finding a regular spot on the iconic Western, Gunsmoke was definitely his big break. And after a few episodes with the series, he started getting offers to star in major movies.

However, his obligations with the series made it impossible for Reynolds to take on too many side gigs. So while starring next to Will Arness and Amanda Blake got him noticed, it eventually held him back.

So one of his co-stars told him to quit, and he did.

“I enjoyed being on Gunsmoke,” Reynolds shared Cowboys and Indians. “But if it hadn’t been for Milburn Stone, this interview might not even be taking place.”

According to Reynolds, Stone told him that his movies were “taking off — get out of here.”

“I said, ‘Don’t you like me?’ He said—total gentleman that he was—’ I love your work. But it’s time to think about your movie career,” the actor continued. “I knew he was the smartest guy on the set — I always thought that. He was so wonderful. So I quit.”

John Wayne

Why John Wayne Turned Down the Chance to Work With Clint Eastwood

Clint Eastwood and John Wayne are the two biggest legends in the history of Western movies, however, they never worked together. The duo did have the opportunity to work together once in the 1970s. Here’s why the film never came to fruition.

How John Wayne responded when Clint Eastwood tried to work with him

Firstly, a little background. According to the book John Wayne: The Life and Legend, it all starts with Larry Cohen. Though Cohen is not a widely known director like Steven Spielberg or Quentin Tarantino, he’s a huge name to fans of B movies. He directed famous B movies like The Stuff, Q: The Winged Serpent, It’s Alive, and God Told Me To. He also wrote a script called The Hostiles shortly after Eastwood released his classic High Plains Drifter.

The Hostiles was about a gambler who wins half of an estate of an older man. The gambler and the older man have to work together despite the fact that they don’t like each other. Eastwood optioned the screenplay with the intent of playing the gambler alongside Wayne as the older man.

Eastwood sent a copy of the script of The Hostiles to Wayne. Although Eastwood felt the script was imperfect, he saw its potential. However, Wayne was not interested. Eastwood pitched the film to Wayne a second time and Wayne responded with a letter. Wayne’s letter complained about High Plains Drifter. Wayne was offended by the film and its portrayal of the Old West as a cruel, violent place.

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John Wayne

Ann-Margret Refused to Call John Wayne ‘Duke’ While Introducing 1 of His Movies

Ann-Margret once starred in one of John Wayne’s lesser-known movies. However, she refused to call him by his popular moniker Duke. Here’s a look at the film they made together — and why she declined to call him by a nickname.

The one time Ann-Margret and John Wayne made a movie together

Ann-Margret is probably most known for her work in musicals, specifically Bye Bye Birdie, Viva Las Vegas, and The Who’s Tommy. However, she also dabbled in the Western genre. She starred alongside Wayne in the mostly forgotten movie The Train Robbers.

Wayne was also known as The Duke or just Duke. According to USA Today, the nickname was derived from his childhood dog. It stuck with him for many years. It continues to be used today — even on the box covers of the DVDs for his movies.

John Wayne | Silver Screen Collection/Getty Images

During an interview with Interview Magazine, Ann-Margret explained why she didn’t refer to the Rio Bravo star by this famous name. “When I came to this country, first of all, mother and I didn’t know English,” she said. “I would curtsey, then say, ‘Thank you,’ and then when I was leaving, curtsey. For example, we went to Dallas to introduce a film I did with John Wayne. And I never called him Duke. I just couldn’t. That’s the way I was raised. When you meet someone, you say either Mr. or Mrs. or Miss. You stand up.”

Ann-Margret revealed she treated other famous people in much the same way. For example, she worked with director George Sidney on Bye Bye Birdie and Viva Las Vegas. She always called him Mr. Sidney.

What Ann-Margret thought about John Wayne

Ann-Margret refused to use Wayne’s most famous moniker. However, she had a positive view of the actor. During an interview with Fox News, she was asked what she expected when she met Wayne. “Oh, I didn’t know what to expect,” she revealed. “But when he hugged me, it’s like the world was hugging me. He was so big and wide with that booming voice. 

“We were shooting in Durango, Mexico and my parents came down to visit me,” she added. “He was so great with my parents. So absolutely welcoming and gentle with them. And anybody who was great to my parents was on a throne in my eyes.”

How the world reacted to ‘The Train Robbers’

Wayne starred in many classic Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance. However, The Train Robbers is mostly forgotten. It didn’t gain a cult following like Once Upon a Time in the West or Dead Man. It wasn’t a critical success either, garnering a 33% rating on Rotten Tomatoes. However, Ann-Margret had some fond memories of making the film — even if she refused to call Wayne by his famous nickname.

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John Wayne

True Crime on Amazon Prime: ‘Lorena’ Reexamines a 90s Tabloid Sensation

True crime might not be the first type of show that comes to mind when you think of the offerings on Amazon Prime Video. The perpetually buzzy genre is usually more associated with the likes of Netflix and HBO.

However, the streaming service boasts at least one standout docuseries from 2019. It’s one that can scratch the true crime itch for fans, but also give them a much needed new perspective on a well-worn tabloid sensation from the 1990s.

‘Lorena’ was produced by Jordan Peele of ‘Get Out’ fame

Jordan Peele, Head of Amazon Studios Jennifer Salke, and Lorena Gallo attend the 'Lorena' Premiere during the 2019 Sundance Film Festival.

Jordan Peele, Head of Amazon Studios Jennifer Salke, and Lorena Gallo attend the ‘Lorena’ Premiere during the 2019 Sundance Film Festival. | Rich Fury/Getty Images

Lorena, as the simple, to-the-point title suggests, chronicles the sordid story of Lorena and Jon Bobbit. The series was produced by Jordan Peele, the comedian-turned-director best known for Get Out and Us, and released on Amazon Prime Video in early 2019 following a premiere at the Sundance Film Festival.

In 1993, Lorena Bobbitt infamously cut her husband, John Wayne Bobbitt’s penis off in his sleep with a kitchen carving knife. She drove off with it, tossed it out the car window into a field, and eventually called 911 to report the incident. After a search followed by 9.5 hours of surgery, John Bobbitt was able to get his penis reattached and functioning normally.

Thanks in large part to the salacious and sexual nature of the Bobbittss story, it quickly became a tabloid and late-night talk show sensation. Sadly, as one might expect from a male-dominated culture, the media spectacle largely focused on John Bobbitt as a sympathetic victim and cast Lorena as a hysterical victim. John Bobbitt went on to become something of a cult figure for a time, even starring in two pornographic films.

Part of the mission statement of Lorena, the series, was to use the true crime format to recontextualize the Lorena Bobbitt story. Despite the prevailing perception of the incident beforehand, in reality, John Bobbitt had subjected Lorena to years of domestic abuse and rape, up to and including the night of her attack.

John Bobbitt was eventually acquitted on rape charges. Lorena Bobbitt was found not guilty by a jury for reasons of insanity.

“25 years later, Lorena is a groundbreaking re-investigation of the deep moral issues and painful human tragedies buried at the heart of this infamous American scandal,” Amazon’s official description of the series reads, as reported by Deadline. “Lost in the tabloid coverage and jokes was the opportunity for a national discussion on domestic and sexual assault in America.”

Lorena saw a positive reaction upon its release, currently boasting an 82% positive rating on Rotten Tomatoes. It was the biggest project yet from director Joshua Rofé, who previously helmed Lost for Life, a documentary about juvenile offenders sentenced to life in prison.

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