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John Wayne opens up on the two scenes he’d ‘cut’ from The Alamo – My Blog

JOHN WAYNE revealed which two scenes he should have ‘cut’ from his western The Alamo in archived footage about the film.

The Oscar-winning hit The Alamo was the first film silver screen icon John Wayne produced and directed. While the film was a success, the actor opened up about the length of the western and the two sequences which could have been ‘cut’ from the final edit in an episode of BBC’S Talking Pictures. 
Wayne starred in the 1960s film alongside Richard Widmark and Laurence Harvey.
In 1960, Wayne was in the UK for its opening, and he spoke to Robert Robinson on the programme Picture Parade, starting with the subject of the movie’s length.

Wayne was asked if the film needed to be more than three hours long and he explained the reasoning for the runtime.
The screen legend replied: “Well, I felt that it needed to be that long.
Talking Pictures: John Wayne directed and produced The Alamo (Image: GETTY)
John Wayne The Alamo

Talking Pictures: The screen icon died in 1979 (Image: GETTY)
“We wanted to develop each character, particularly the Travis character, who was not well-known to audiences.
“Naturally, they’ve heard of Bowie and Crockett, and they’ve developed a picture of him.
“But in order to set Travis – [he] was played by Laurence Harvey and we thought he was magnificent in the picture.
He added: “Actually, now that we’ve seen Ben-Hur out and Spartacus and they’re saying, ‘Too long, too long, too long,’ perhaps we should have tempered the time, cut it down.”
John Wayne The Alamo
Talking Pictures: The actor became a household name for his western films (Image: GETTY)
John Wayne The Alamo
Talking Pictures: John Wayne was born in Iowa in 1907 (Image: GETTY)
Wayne revealed he used his own baby in the film and admitted he gave her a “little too much footage” for sentimental reasons. 
He continued: “And I had a sequence in which I wanted to set the tenor of a feeling of the men at the end, and I had Parson’s death. But the Parson was not too well-known to the audience.
“So, actually, I feel that maybe those two sequences we could have done without them, and we may cut them.”
The actor also opened up on a big concern he had while filming The Alamo, which left him “spending a night shaking”.
He explained how he did not realise whether the characters would have good chemistry on screen. 
The star said: “I’ll tell you something. When you first start, you’re kind of a lamb, you know, in a thing like this.
“And I just assumed that I would have no troubles. About halfway through the picture, I realised that although I had known my crew for years, and knew each personality, I hadn’t known Mr Harvey and I hadn’t known Mr Widmark, and whether or not we would chemically adjust to each other.
“And about halfway through, when everything was going well, and I realised how well it was going.

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‘Black movie queen’ Maureen O’Hara – a close colleague of John Wayne passed away in front of the audience’s mourning. – My Blog

The star of the movie “Miracle on 34th Street”, a familiar co-star of actor John Wayne, has passed away due to old age and weakness. Maureen O’Hara, an Irish star, was once known as “the queen of movies. color”, died at his home in Boise, Idaho, USA, on October 24, at the age of 95.

The information was confirmed by Johnny Nicoletti, her long-time manager. “She passed away in the loving arms of her family, as well as on the soundtrack of the movie The Quiet Man that she loved so much,” one Maureen O’Hara’s relatives shared.

During her illustrious career, O’Hara had five times played the screen lover of actor John Wayne. She appeared in many classic Hollywood films, such as The Hunchback of Notre Dame (1939), How Green Was My Valley (1941), Miracle on 34th Street (1947), Rio Grande (1950), The Quiet Man (1952). , Our Man in Havana (1959) and The Parent Trap (1961).

However, she never received an Oscar nomination. A year before Maureen O’Hara’s death, the Academy of Motion Picture Arts and Sciences decided to present her with an honorary Oscar for her service to Hollywood.

During the 1940s, when color film began to flourish, Maureen O’Hara appeared in a series of compelling works such as To the Shores of Tripoli (1942), The Black Swan (1942), The Spanish Main (1945). and The Quiet Man.

Possessing fair skin, red hair, as well as green eyes, she “shines like the sun on a silver screen,” as the New York Times described it. It was Dr. Herbert Kalmus, the inventor of color film, who gave Maureen O’Hara the nickname “color film queen”.

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The reason why John Wayne is labeled ‘Draft Dodger’ in Wor ւ ԁ War II . – My Blog

When actor John Wayne visited American soldiers in Vietnam in the summer of 1966, he was warmly welcomed. As he spoke to groups and individuals, he was presented gifts and letters from American and South Vietnamese troops alike. This was not the case during his USO tours in 1942 and ’43.According to author Garry Wills’ 1998 book, “John Wayne’ America: the Politics of Celebrity,” the actor received a chorus of boos when he walked onto the USO stages in Australia and the Pacific Islands. Those audiences were filled with combat veterans. Wayne, in his mid-30s, was not one of them.

Around the time the Japanese attacked Pearl Harbor in December 1941, Wayne was not the big-name actor we remember him being today. He was fresh off the box-office success of the 1939 film “Stagecoach.”Being drafted or enlisting was going to have a serious impact on his rising star. Depending on how long the ԝаr lasted, Wayne reportedly worried he might be too old to be a leading man when he came home.

Other actors, both well-established and rising in fame, rushed off to do their part. Clark Gable joined the Army Air Forces and, despite the studios’ efforts to get him into a motion picture unit, served as an aerial ɡսոոеr over Europe. Jimmy Stewart was initially ineligible for the draft, given his low weight, but like some amazing version of Captain America, he drank beer until he qualified.In his 2014 book, “American Titan: Searching for John Wayne,” author Marc Eliot alleges Wayne was having an affair with actress Marlene Dietrich. He says the possibility of losing this relationship was the real reason Wayne didn’t want to go to ԝаr.

But even Dietrich would do her part, smuggling Jewish people out of Europe, entertaining troops on the front lines (she crossed into Germany alongside Gen. George S. Patton) and maybe even being an operative for the Office of Strategic Services.Wayne never enlisted and even filed for a 3-A draft deferment, which meant that if the sole provider for a family of four were drafted, it would cause his family undue hardship. The closest he would ever come to Worւԁ Wаr II service would be portraying the actions of others on the silver screen.

With his leading man competition fighting the ԝаr and out of the way, Wayne became Hollywood’s top leading man. During the ԝаr, Wayne starred in a number of western films as well as Worւԁ Wаr II movies, including 1942’s “Flying Tigers” and 1944’s “The Fighting Seabees.” According to Eliot, Wayne told friends the best thing he could do for the ԝаr was make movies to support the troops. Eventually, the government agreed.

At one point during the ԝаr, the need for more men in uniform caused the U.S. military brass to change Wayne’s draft status to 1-A, fit for duty. But Hollywood studios intervened on his behalf, arguing that the actor’s star power was a boon for ԝаrtime propaganda and the morale of the troops. He was given a special 2-A status, which back then meant he was deferred in “support of national interest.”The decision not to serve or to avoid it entirely (depending on how you look at the actor) haunted Wayne for the rest of his life. His third wife, Pilar Wayne, says he became a “super-patriot for the rest of his life trying to atone for staying at home.”

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John Wayne Wanted to Make His Home Alarm a Hilarious Tape Recording of His Voice: ‘I See You, You Son of a B****’

John Wayne Wanted to Make His Home Alarm a Hilarious Tape Recording of His Voice: ‘I See You, You Son of a B****’

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