John Wayne Saved His Young Co-Star From The Wrath Of John Ford On The Set Of Fort Apache – Old western – My Blog
John Agar never asked to be a movie star, but when the question is put to you by David O. Selznick, you say yes every damn time.Born in Chicago and raised in Los Angeles, Agar was a physical training instructor for the U.S. Army Air Corps when, in 1945, he found himself at a glitzy party rubbing shoulders with Hollywood’s heaviest hitters, as Shirley Temple’s date. Selznick, the legendary producer whose dogged determination brought Margaret Mitchell’s “Gone with the Wind” to the big screen, was struck by the handsome, twentysomething, 6’1″ man on the arm of filmdom’s most famous child star, and the filmmaker offered him a five-year contract at $150 a week — that’s twice what the Army was paying him. Though he’d never performed before, he signed on and began taking acting lessons.Three years later, Agar got a chance to prove himself as Second Lieutenant Mickey O’Rourke in John Ford’s cavalry Western “Fort Apache.” The untested young actor received fourth billing under John Wayne, Henry Fonda and, a bit of an eyebrow-raiser, Temple. As big-screen debuts go, this was a recipe for both failure and ridicule. Did he earn this part, or was he cast at the urging of Selznick and Temple?All that mattered for Agar was that he’d been asked to hold his own with two of Hollywood’s biggest Western stars in a John Ford picture. Unsurprisingly, the ornery director put the young amateur through the ringer, almost driving him from the set and his marriage.John Agar’s trial by movie star fire
According to Maurice Zolotow’s biography “John Wayne: Shooting Star,” Ford got after Agar for every lacking aspect of his performance: his line readings, his flubbing of dialogue, and his struggles with horseback riding. Agar, feeling singled out and overmatched by his veteran costars, finally had enough, and stormed back to his room to pack his clothes and walk away from everything, including his wife. He was just about out the door when Wayne appeared.Wayne was no stranger to Ford’s mind games and insults. He’d endured a decade of this before the director at last gave him his shot at a lead role (in “Stagecoach”). Per Zolotow, the Duke had taken a shine to Agar, and assured his co-star that this was par for the course with Ford:“Now hold on just a minute there,” Wayne drawled, as if he were in character. “Mr. Ford insulin’ you don’t mean he doesn’t admire you. He likes you or he wouldn’t insult you. Let me tell you what he did when I worked for him in ‘Mother Machree’ and ‘Stagecoach’ and a few other times, Johnny.”Agar calmed down and resolved to stick it out. His reward was a long career in movies. Long, but not entirely happy.John Agar was a creature feature superstarAgar was an alcoholic prone to womanizing and drunk driving. Temple divorced him in 1950 on the grounds of mental cruelty, at which point he segued from A pictures to B movies like “The Rocket Man,” “The Mole People,” “The Daughter of Dr. Jekyll” and “The Brain from Planet Arous.” Some of these films were pretty spiffy on their own terms (especially Jack Arnold’s “Tarantula!” and Virgil W. Vogel’s “The Mole People”), but Agar would never become the star Selznick envisioned.Despite his struggles, Wayne threw Agar some much needed work in ’70s Westerns like “Chisum” and “Big Jake.” Late in his career, he shined as Mare Winningham’s father in Steve De Jarnatt’s masterful thriller “Miracle Mile.” Agar was never up for an Academy Award, nor was he beloved by film critics of his era, but for those of us who grew up watching creature features on Saturday afternoon television, he was a welcome presence. He always looked the part, and we were thrilled whenever he showed up.
Restoration of John Wayne’s ‘The Searchers’ to Premiere at 2024 TCM Classic Film Festival – My Blog
John Wayne’s 1956 Western “The Searchers” will debut a new restoration as part of the 2024 TCM Classic Film Festival in April.This marks the second Wayne film to receive a premiere of a restored print at the yearly event that takes place on Hollywood Boulevard. Last year’s opening night feature was a 4K restoration of Wayne’s 1959 film “Rio Bravo.”This year’s festival theme is “Most Wanted: Crime and Justice in Film.” Alongside “The Searchers,” TCM announced that Frank Capra’s 1934 film “It Happened One Night,” Elia Kazan’s “On the Waterfront” and the 1974 musical documentary “That’s Entertainment!” will also screen as part of the four-day festival in April.It’s unknown if “The Searchers” will be the film’s opening night movie, though considering “Rio Bravo” was also a restoration last year it would make sense that Warner Bros. would continue to debut new 4K prints of their films as part of the event’s opening night.This year’s TCM Classic Film Festival marks the return of the event after the classic film network underwent significant changes behind the scenes this year. In June, TCM’s senior vice president of programming and content strategy Charles Tabesh, vice president of studio production Anne Wilson, vice president of marketing and creative Dexter Fedor and TCM Enterprises vice president Genevieve McGillicuddy were all laid off, alongside TCM’s general manager Pola Chagnon leaving the company after 25 years.From there, stories started to tumble out that the network was in the crosshairs of a series of cost-cutting measures implemented by Warner Bros. Discovery. In the wake of widespread outcry from fans, both Tabesh and McGuillicuddy were offered their positions back. It was also announced soon after that Warner Bros. Pictures heads Pamela Abdy and Michael De Luca would be overseeing the network, with input from world-class directors including Martin Scorsese and Steven Spielberg.The TCM Classic Film Festival enters its 15th year in 2024 and will also take place during the network’s 30th anniversary.The TCM Classic Film Festival will take place in Hollywood April 18-21.
John Wayne’s spanking of co-star ‘so authentic she had bruises for a week’ – My Blog
Back in 1963, John Wayne starred in a Western comedy loosely based on William Shakespeare’s The Taming of the Shrew.Duke played an ageing rancher called George Washington McLintock, a wealthy self-made man facing a number of issues.High-ranking government officials, his own sons and local Native Americans all want a piece of his huge farmstead.Meanwhile, his wife (played by regular collaborator Maureen O’Hara) who separated from him two years prior, is back on the scene demanding custody of their daughter.McLintock! celebrates its 60th anniversary this week, as celebrated by the John Wayne estate on Instagram.A recent post read: “Did you know? Although often seen as simply a knockabout comedy, John Wayne also intended the film to be a statement on his disapproval of the negative representation of Native Americans in previous westerns he had no creative-control over, and his disapproval of wife-beating and marital abuse from either spouse.”A film of its time, McLintock famously has a scene, as captured on its poster, of Wayne’s George publicly spanking his wife played by O’Hara.According to his co-star’s autobiography, this scene was “completely authentic” with Duke carrying it out with “such gusto”, that she “had bruises for a week.”
Martin Scorsese’s Favorite John Wayne Western – My Blog
SUMMARY
Martin Scorsese considers John Wayne’s The Searchers to be the best Western ever made, describing it as a masterpiece with a deeply painful core. The Searchers has had a significant influence on Scorsese’s movies, inspiring scenes and characters in films like Taxi Driver and Mean Streets. The Searchers is also a favorite among the “movie brats,” a group of influential directors including Spielberg and Lucas, who cited it as a major influence.
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Martin Scorsese’s favorite Western starring John Wayne has had a big influence on his career. Scorsese hasn’t made his passion for cinema or filmmaking a secret, and he is essentially a living archive of the medium’s history. He loves everything from the trashiest B-movie to the most highbrow drama, which is something that’s reflected in Martin Scorsese’s own movies. He has helmed everything from gangster epics to psychological horrors to biopics and everything in between.
One genre he hasn’t really dipped a toe into is a Western, which is likely down to the decline of the genre itself than Scorsese avoiding the genre. About the closest he’s come is his 2023 epic Killers of the Flower Moon, though far from being a black-and-white adventure about cowboys righting wrongs, it’s a devastating true-life drama. Scorsese has professed his admiration for a few classic Westerns (via Far Out) such as Ride the High Country or Marlon Brando’s sole directorial outing One-Eyed Jacks, but there’s one that holds a truly special place in his heart.Scorsese Believes John Wayne’s The Searchers Is The Best Western Ever Made
In 2013, Scorsese guest-reviewed a book about John Wayne Western The Searchers for THR, where he proclaimed it a masterpiece but that “Like all great works of art, it’s uncomfortable. The core of the movie is deeply painful.” The premise of the movie sees Wayne’s Civil War vet Ethan Edwards and his nephew Martin (Jeffrey Hunter) setting out to rescue his kidnapped niece. It might sound like the setup for a classic Western adventure, but John Ford’s The Searchers deals with some dark themes, with Wayne portraying the most ruthless character of his career as the deeply prejudiced and revenge-addicted Ethan.
Scorsese has often called The Searchers one of his favorite Westerns, in addition to being one of the greatest movies of all time, period. From the gorgeous cinematography, the evergreen themes and Wayne’s haunting central turn, it’s a film the director finds himself coming back to decades after he first watched it. The Searcher’s ending has been much discussed among film scholars too, with Scorsese himself feeling the shot of Ethan turning and leaving through the door turns it into a “ghost story;” the character has fulfilled his purpose but is now doomed to wander the deserts alone, like a spirit.The Searchers Inspired Scorsese’s Own Movies
The film made a major impression on Scorsese when he saw it as a boy, and its influence can be spotted in his own work. His debut Who’s That Knocking at My Door features a scene where protagonist J.R. (Harvey Keitel) talks about both John Wayne and The Searchers in great detail, while the Ford movie appears again in Scorsese’s crime drama Mean Streets from 1973. The Searchers was a direct influence on Scorsese’s Taxi Driver, with the journey of Robert De Niro’s Travis being a mirror of Ethan’s. He’s another loner filled with anger and hatred, looking to rescue a young girl in Jodie Foster’s Iris.The movie ends with Travis rescuing Iris in the bloodiest manner possible, and like Ethan, the movie leaves him on an ambiguous note. The influence of The Searchers can also be felt in the director’s attraction to anti-heroes and flawed protagonists, who may see themselves as fundamentally good men or heroic, despite the appalling acts of violence they commit or the selfishness they display.The Searchers Is A Favorite Of The “Movie Brats”
The Searchers was well-received upon its initial release, but it soon came to be recognized as an American classic. The late ’60s and ’70s saw the rise of the so-called “movie brats,” who were a group of talented young directors who were also nerds for the medium. Members of this group include Scorsese, Steven Spielberg, Francis Ford Coppola, George Lucas, John Milius, Paul Schrader and many more. What’s notable about this group is how many of them cited The Searchers as a favorite.
Breaking Bad creator Vince Gilligan also cited The Searchers as a major influence on Breaking Bad’s finale.
According to The Telegraph, Spielberg claims he rewatches The Searchers before starting work on a new movie, while Milius and Schrader – who penned Taxi Driver – have also sung its praises. The movie was a huge influence on Lucas’ Star Wars, which can be found in its basic promise – a young man and older mentor set out to rescue a young woman – its desert vistas and the sequence where Luke (Mark Hamill) discovers his burnt-out family homestead. Star Wars was a mash-up of many influences from samurai epics to movie serials, but Westerns like The Searchers played a particularly large role in the movie.
Source: Far Out, THR, The Telegraph
The SearchersRelease Date:1956-03-13Director:John FordCast:John WayneRating:pg-13Runtime:119minutesGenres:Western, DramaWriters:John FordBudget:$3.75millionStudio(s):Warner Bros. PicturesDistributor(s):Warner Bros. Pictures