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The Groundbreaking John Wayne Western You’ve Likely Never Seen – Old western – My Blog

There’s a reason John Wayne is thought of as the quintessential cowboy, from his breakthrough role in “Stagecoach” (1939) to his final movie, “The Shootist” (1976). Starring in 142 motion pictures spanning six decades, John Wayne’s movies have made him synonymous with the Old West. His Westerns embody the frontier history of the United States, and he’s often starred in many of the best Westerns of all time alongside the likes of James Stewart, Robert Mitchum, and Kirk Douglas. My personal favorite, “True Grit,” saw him take home the Academy Award for Best Actor in 1969 for the now-iconic role of U.S. Marshal Rooster Cogburn. But there’s one revolutionary John Wayne movie you’ve probably never seen.“The Big Trail” was released in 1930 and starred Wayne as Breck Coleman, a young trapper looking to avenge the death of his friend while scouting a caravan on the Oregon Trail. It was Wayne’s first leading role, with director Raoul Walsh first spotting him on set as a prop man moving heavy furniture. Eventually, Walsh cast him in the lead role, and the rest is history. But while “The Big Trail” was seen as a critical success, it was a box office bomb.That meant very few Western fans even saw the movie, despite its groundbreaking visuals.A New Widescreen Format Proved Beautiful But Costly

“The Big Trail” used a revolutionary film process — it was shot simultaneously on standard 35mm film as well as the early widescreen format, 70mm Grandeur. This meant there were two different versions of the same film, with the widescreen format creating more epic, sweeping shots while 35mm allowed for more intimate closeups.Screenwriter Hal Everts said of the 70mm format: “one may portray a couple making love in the foreground yet so universal is the focus that a cabin on a mountainside, miles away, shows up with microscopic distinctness.”The camera angles and cinematography are very different in both cases, with preferential treatment given to the 70mm version. Each version was edited independently, too, with some shots appearing in one version and not the other. The 35mm version of “The Big Trail” is 108 minutes, while the 70mm version is longer, at 122 minutes.Ultimately though, the world wasn’t ready for 70mm — and neither were theaters. Unwilling to invest in new widescreen technology, theaters failed to show “The Big Trail,” which went all-in on its widescreen release.Big Trail, Bigger ProductionWidescreen wasn’t the only thing to make “The Big Trail” so innovative — it also pushed the boundaries of size and scale when it came to the film’s production.“The number of actors used was staggering,” said Marilyn Ann Moss in her book, “Raoul Walsh: The True Adventures of Hollywood’s Legendary Director.” “Not to mention the extras, even animals needed for the shoot: 20,000 extras, 1,800 head of cattle, 1,400 horses, and 500 head of buffalo traveled with the production.”Production lasted several months, between April 20 and August 20, 1930, and was filmed in seven different states. It was undoubtedly one of the most ambitious Westerns ever made. “Walsh used 725 Native American [sic] extras from five separate tribes and almost enough props to warrant the movie documentary status, including the 185 wagons,” explained Moss. Additionally, Walsh is said to have researched every aspect of the film to ensure authenticity — even the food supplies carried by the caravan were said to be historically accurate.A Box Office Bust But a Critical SuccessOnly two theaters in the U.S. were capable of screening the 70mm version of “The Big Trail,” and with a hefty budget of $1.25 million the film turned out to be a box office catastrophe.Even Fox Film Corporation’s promise to help theaters with widescreen projection failed to entice them to invest. And so, one of John Wayne’s biggest, most groundbreaking movies went relatively unseen, even though the critics went crazy for it.“Often the scenes in ‘The Big Trail’ […] cause one to marvel at their naturalness and beauty,” wrote Mordaunt Hall in The New York Times in 1930. “It has an Indian [sic] attack on the camp of the white folks supposed to be journeying from the banks of the Missouri to the golden West a century ago, and while there have been many such conflicts shown in pictures, nothing to equal this particular Indian [sic] onslaught has been filmed.”“The Big Trail” currently holds a 100% rating on Rotten Tomatoes. It was even deemed “culturally, historically, or aesthetically significant” and inducted into the United States Library of Congress in 2006.But despite the film’s reception, it remains widely unseen, becoming one of the most underrated Westerns of all time.

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‘He knew he wasn’t going to be around when I was older’ – My Blog

Ethan Wayne, John Wayne’s youngest son, talks about what it was like growing up with his famous father and how he’s keeping his legacy alive today.

Ethan Wayne said a day at his friend’s house made him realize his father was different.
The now-56-year-old is the youngest son of late Hollywood legend John Wayne and Peruvian actress Pilar Pallete, his third and last wife. He’s currently the president of John Wayne Enterprises and director of the John Wayne Cancer Foundation. This year, he helped release a bourbon based on the patriarch’s own recipe.
“I can remember going to a friend’s house and his mom said, ‘Hey Brian, go get the mail,’” recalled Wayne. “I went out and there were three envelopes. I remember going, ‘That’s all the mail you got? That’s weird.’ The US postal service would drag those canvas bags with lots of mail to my house. It was strange.”

Gettin' back in the lane with John Wayne's youngest son | by Jeremy Roberts  | Medium


Despite Wayne having an iconic movie star for a father, he described his childhood as normal — one that involved living in then-small town Newport Beach, Calif. with other families in the same neighborhood, surrounded by oranges and strawberry farms.
There were no security or bodyguards. John answered his own door and telephone. He was an early riser who exercised alongside his son and studied his scripts before heading to work. He often spent his free time on his boat, admiring the great sea he loved. He would catch his own fish and cook it on the beach, as well as interact with locals.
John was 56 when Ethan was born — and he made sure his son never forgot to do chores around the house.
“I can’t pick up a broom to this day without thinking about him coming out and saying, ‘That’s not how you sweep, this is how you sweep!’” chuckled Wayne. “And it was with this big push broom. And he wasn’t very mechanical. He was great with his gun, he was great on a horse and he handled boats really well. But if a car got a flat tire, he’d just leave it. And I was very mechanical as a young boy for some reason. I really enjoyed taking stuff apart and putting it back together. He really didn’t get it. He didn’t like motorcycles, and I did.”
Wayne said that despite his father’s high-profile career, John, who was aware he might be gone by the time his son was a young man, was determined to be a hands-on parent. Wayne described growing up on film sets and learning about the hard work it took to bring Hollywood to life.
“He took with me on location,” Wayne explained. “I’d be homeschooled down on location in Mexico because he knew he wasn’t going to be around for me when I was older, and that he would probably lose me while I was young, teenage man. So he took me with him when I was little. And one of my jobs was to load the car with all the personal items that he wanted with him when he would make a film somewhere remote. Or if he went on his boat, the Wild Goose.
Gettin' back in the lane with John Wayne's youngest son | by Jeremy Roberts  | Medium
“He would take his own bourbon, and that bourbon was the heaviest thing that I would carry. Everyone wanted to have a drink with John Wayne. I would also carry his packs of candy, special food items, shoes, gloves, jackets. Definitely bags of hats.”
In his lifetime, John or “The Duke,” as he was called by fans, made more than 200 films in over 50 years. According to The New York Times, by the early 1960s, 161 of his films had grossed $350 million, and when he died in 1979 he had been paid as much as $666,000 to make a movie.
As an avid outdoorsman, both in front and behind the camera, he is still celebrated as one of the greatest figures of the Western genre.
“I was 10 when he was 66 years old,” said Wayne. “[And] he’s on a horse, he’s running at full speed across open country, with a herd of horses running with him… he was a bold, outgoing individual who was full of life, constantly moving forward… And nobody sits on a horse like John Wayne does.”
John Wayne's son recalls growing up with 'The Duke': 'He knew he wasn't  going to be around when I was older' | Fox News
Wayne wasn’t around when the Iowa native, a former football star in high school who worked as a truck driver, fruit picker, soda jerk and ice hauler, first embarked on his career as an actor. However, Wayne said the rugged persona he embodied on screen was very much the real deal.
“I read stories [of] when he was first starting out and how he was very uncomfortable and felt awkward,” said Wayne. “He didn’t like the way he moved, so he talked to John Ford and met Wyatt Earp… He started taking pieces of these guys and putting them together into a character that became John Wayne, who was definitely part of my father. There was also fantasy. He was a heck of a gunman and a horseman, but he also certainly knew the craft of film and storytelling. We were never in a gunfight.”
John passed away at age 72 from cancer. Wayne, who was 17 at the time of his father’s death, said he drove John to UCLA Medical Center when he wasn’t feeling well. John never came out alive.
Before his death, John stressed to his family that the doctors attempting to find a cure for cancer should never be forgotten. He left behind seven children from his marriages and more than 15 grandchildren.

Wayne credited stuntman Gary McLarty, a friend of his father’s, for taking him under his wing and helping him cope with his grief.
“He would take me on a motorcycle ride or racing sometimes,” said Wayne. “He was [later] the stunt coordinator for ‘The Blues Brothers.’ And for some reason, he hired me. And it was in a time when I’d missed the last part of my junior year with my dad. When my father was involved in my life, I was good at school and things went well. But afterward, I wasn’t very focused on school… [Gary] gave me a little direction that I didn’t have. I’m eternally grateful to him. It probably kept me from making some mistakes.”
John recently lassoed in headlines for a completely different reason. In 2016, The Guardian reported California lawmakers rejected a proposal to create John Wayne Day to mark his birthday after several legislators described statements he made about racial minorities.
Wayne said he was also aware of negative statements made against his father due to him being politically conservative. He insisted John’s beliefs have been misunderstood over the years
“He wanted to work with people who earned their place,” Wayne explained. “He didn’t think anybody should get a job because he was a man, because she was a woman, because they were gay, because they were straight, because they were Chinese, African-American or Mexican. He thought you should get a job because you were the right person to do that job. Because you had skill and talent and you would show up and get the job done. He didn’t care what you were.
“Somebody, a Latina representative up in Sacramento, shot down a bill for John Wayne Day because he was racist. [But] he was married to three Latin women. It’s just crazy how things get blown out of proportion because he was really an open, caring, loyal, supportive man.”
Wayne hopes his father will be remembered for what he was — an artist.
“People look at him and they think one thing or another, but he was out there representing real people,” said Wayne. “Whether they were guys who came out here and lived in the West or went to war. He played those characters. He represented them. And they liked him. They still do.”

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John Wayne’s Son Couldn’t Watch 1 of His Dad’s Movies After His Death – My Blog

John Wayne is a legendary actor who successfully personifies Western movies. He has a very loyal fan base, but some of his critics claim that he plays the same character in every movie. However, Wayne delivered several nuanced performances over the course of his career. His son, Patrick, had difficulty watching one specific movie after his father’s death.

John Wayne starred in over 160 full-length movies
Wayne entered the entertainment industry working as an extra, prop man, and a stuntman. He primarily worked for Fox Film Corporation, but ultimately got his first shot with Raoul Walsh’s The Big Trail. However, the film was a box office failure. Fortunately, Wayne’s huge success at the movies would later come to be.
Wayne ultimately starred in popular Western and war movies over the course of the 1940s onward. Some of his most notable performances include titles such as She Wore a Yellow Ribbon, True Grit, and Sands of Iwo Jima. All together, Wayne starred in over 160 full-length movies over the course of his extensive career.

John Wayne’s son, Patrick, couldn’t watch ‘The Shootist’ after his dad’s death


Jeremy Roberts interviewed Patrick via Medium to talk about what it was like growing up in the Wayne family. He talked about some personal stories involving his father, as well as the collection of Wayne movies. The interviewer asked him if he had any difficulty revisiting any of his dad’s movies after his death.
“I’d have to say no to that question with the exception of one film, The Shootist,” Patrick said. “I couldn’t watch that Western as it was so close to reality. He played an old gunfighter who was an anachronism dying of cancer.”
Wayne plays J.B. Books in The Shootist, who is an aging gunfighter diagnosed with cancer. He heads into Nevada at the turn of the 20th century. Books rents a room from a widowed woman named Bond Rogers (Lauren Becall) and her son, Gillom (Ron Howard). When people pursue Books with questionable motives, he decides that he isn’t going to die a silent death.
Patrick continued: “Too many of the elements in there were just too close to what actually happened to him in his real life, so that film took me about 10 years to watch again [of course I saw it when it was originally released in 1976].”
Patrick Wayne thinks ‘The Shootist’ is his dad’s ‘finest performance’

Wayne earned Oscar nominations for his movies Sands of Iwo Jima and The Alamo. However, he wouldn’t take home the gold statue until his work on True Grit. Patrick believes that the iconic film isn’t quite his father’s best work. He gives that title to Wayne’s work in The Shootist, which he didn’t even earn an Oscar nomination for.
Patrick said, “When I did finally watch it for the second time, I have to say that it’s probably his finest performance as a pure actor, using all his skills and being more than just a cardboard cutout, but more of a real human being — a vulnerable human being — and I think he pulled it off really well.”

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‘It Was a Pretty Miserable Experience’ – My Blog

John Wayne has worked in a wide variety of filming locations over the course of his career. However, they didn’t all provide comfortable conditions for the cast and crew. Wayne’s son, Patrick, once noted the “worst” film location of them all, calling one of his dad’s filming locations a “pretty miserable experience.” Nevertheless, he still enjoyed making movies with his father.

John Wayne’s son, Patrick, worked with his dad on film locations
'The Green Berets' filming location John Wayne pulling a wagon along


Patrick followed in his father’s acting footsteps. His first roles included uncredited roles at Wayne’s filming locations, which gained him momentum moving forward into bigger roles. Some of these include Rio Grande, The Searchers, The Alamo, and The Quiet Man. However, he later moved more into managing the John Wayne Cancer Institute, which pushes to advance research in the fight against cancer.

Patrick has a wide array of stories from the Wayne filming locations. His father remains one of the most iconic Western actors of all time. Patrick looked up to his dad, but they didn’t always have the best time on the set of the more grueling filming location.
‘The Green Berets’ was the ‘worst’ John Wayne film location for his son, Patrick

Jeremy Roberts interviewed Patrick for Medium about some of the iconic Wayne filming locations. He explained that there was one set, in particular, that he just couldn’t stand.
“That would have to be The Green Berets,” Patrick said. “We were on location at Fort Benning in Columbus, Georgia, which is located about 125 miles west of Atlanta. But it was nothing like Atlanta.”
Patrick continued: “Oh my God, it was pretty dreary. That’s fine but it started raining to the point of where we couldn’t even work. Boy, there was nothing to do except sit there and wait ’til it stopped raining. It was a pretty miserable experience from the weather aspect at that time [filming commenced on August 9, 1967]. It was past the worst part of the summer, so the humidity wasn’t that bad.”
Wayne’s difficult conditions on the Green Berets filming location makes sense for the movie’s story. It follows Col. Mike Kirby (Wayne), who selects two teams of Green Berets for a specific mission in South Vietnam. They must build and run a camp that the enemy seeks to capture, but that isn’t all. They must also kidnap a North Vietnamese General behind enemy lines.
‘The Green Berets’ is a controversial war movie

The Green Berets succeeded at the box office, but critics found the film incredibly controversial. They slammed the film for being heavy-handed and predictable. However, its war politics particularly upset a lot of critics. Nevertheless, The Green Berets easily sold tickets to audiences, making it a financial success.
Wayne went through some rough conditions on the filming location, but it proved to be worth his time. Despite its politics, the film made the legendary actor a large sum of money and remains a well-known war picture. It was also an opportunity for Patrick to work with his father on another film.

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