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Maureen was strong and tough and he probably didn’t think he could control her he married women he thought he could control – My Blog

John Wayne was a man of many contradictions.

America’s favorite film cowboy preferred sailing on his yacht, The Wild Goose, to a riding in a saddle. He was often awkward and shy with his on-screen love interests but when the cameras stopped rolling he was a brazen womanizer. And the nation’s most revered soldier on film put his career first during World War II and never served in the military.
Wayne became an airport, a postage stamp and a Congressional Medal, but the iconic screen actor was beset by demons: he drank copious amounts of alcohol, smoked four to five packs of unfiltered Camels every day and was an unrepentant philanderer, having multiple affairs throughout his three ill-fated marriages
‘The guy you see on the screen isn’t really me. I’m Duke Morrison, and I never was and never will be a film personality like John Wayne. I know him well. I’m one of his closest students. I have to be. I made a living out of him’, Wayne is quoted in a blockbuster book about the 6’4” American icon: John Wayne: The Life and Legend by Scott Eyman and published by Simon & Schuster.

‘I’ve found the character the average man wants himself, his brother or his kid to be. It’s the same type of guy the average wife wants for her husband’, Wayne said.
It was that embodiment of the perfect Everyman, the display of masculine charm that exuded from Marion Robert Morrison when he arrived in Hollywood in the late 1920s and began his career by lugging props before moving on to westerns that would make him box office gold.
But if the on-screen Wayne was the ideal mate, the reality was he was anything but. Wayne was married three times and had seven children, but none of his wives were good company for him and it was a mystery to his friends why he even married them.
He was playing around with other women throughout his marriage to his first wife, Josephine ‘Josie’ Saenz in 1933, a society girl from Pasadena, who was bored with his friends and with time spent on film sets.
Wayne tried to be a better husband, but that attempt failed when sultry German actress and singer, Marlene Dietrich sauntered into his life. She was hot off of her career-changing movie Destry Rides Again and ready to have a roll in the hay with Wayne.
Dietrich was always in the company of a masculine-looking lesbian, but that didn’t quell the couple’s long-term sexual ardor for each other.
When she first spotted the cowboy star in the Universal commissary before filming Seven Sinners in 1940, Dietrich told her director, Tay Garnett, ‘Daddy, buy me that’.
She would make the first move and invite Wayne into her dressing room.
When he asked her for the time of day, ‘Dietrich lifted her skirt to reveal a garter with a watch attached. She looked at the watch, then moved toward Wayne, saying, ‘It’s very early, darling. We have plenty of time’, according to the author.
Neither ever attempted to conceal their affair. When Wayne arrived daily on the movie set, Dietrich would leap into his arms and wrap her legs around him.
She had ice-cold champagne brought to the set for everyone and played the musical saw while waiting for the lights to be moved between takes. ‘She would open her legs, put a regular saw in it and with a violin bow, play ‘Annie Doesn’t Live Here Anymore’ with a wow in it’, writes Eyman.
Wayne never discussed his three-year affair with Dietrich, but later recalled, ‘She was great, just a German hausfrau. She used to cook pressurized beef to make beef bouillon for everybody. It may have been an act, but it brought her a great deal of enjoyment’.
During her affair with Wayne, the FBI was monitoring Dietrich’s sex life and her bank accounts, snooping to learn whether or not she was a Nazi sympathizer. They did learn she was sleeping with Wayne as well as with French film actor Jean Gavin who starred in Le Grand Illusion, German author Erich Remarque who wrote All Quiet on the Western Front and movie star Kay Francis who at one point was the highest-paid American film actress.
When asked about the single most exciting sexual episode in his life, he told his close friend, Cecilia Presley, the granddaughter of Cecil B. DeMille, ‘Rome. The Excelsior Hotel. Dietrich. I took her on the staircase’.
‘You can tell – the way they look, the way they talk to each other, the way they flirt. Of course, Marlene was double-gated, you know She had a very masculine-looking young woman that hung around the place a lot. But even so, Duke was quite taken with her and I could tell that Marlene was taken with him as well’, Eyman quotes the wife of actor Harry Carey.
The affair infuriated Josie and she asked her priest to counsel Wayne on his cheating ways.‘Wayne had been indulging himself with actresses for years, but Dietrich was very near the last straw’, Eyman writes. The actor promised he’d quit if Josie would stop bringing up Marlene’s name.
But as soon as the priest left the house, Josie went back to her rant. ‘That’s when I knew the marriage was over’, Wayne is quoted.
Wayne would later comment that in spite of the fact that they had four children together, Josie was cold and they had slept together four times in ten years.
Wayne would marry twice more – both times to Spanish women. In 1946, He married Esperanza Baur Diaz Ceballos, ‘Chata’ or ‘pug-nose’. His close friends tried to talk him out of his infatuation with the courtesan he had met south of the border but he was hot for the Mexican spitfire.Her mother was a madam and came out of the brothels of Mexico and she was regarded as actor Ray Milland’s port of call when he was in Mexico City. Director John Ford boycotted the wedding and asked Wayne, ’Why’d you have to marry that whore’?
Chata could keep up with Wayne drink for drink and was hot in bed but the relationship quickly deteriorated when she became a real alcoholic and they endlessly argued.
His third wife was a young actress from Peru, Pilar Pallete, the child of a Peruvian senator. She had a difficult time adjusting to Hollywood.
Throughout the years of turmoil with women, Wayne’s long love affair with film star, Maureen O’Hara was no secret.
He first met Maureen in 1941 at a party at the home of director John Ford.
‘Wayne would have to sing for his supper which caused great merriment because he couldn’t sing, Maureen said.’
‘He had credibility. He had manliness.He had the magic.’
‘They would meet in Arizona, at the ranch he owned with a friend. It went on for years, before and during his marriage to Pilar’, according to a friend.In the winter Wayne would set sail on his yacht, The Few people were allowed on the boat, The Wild Goose. Maureen was one of them
Christopher Mitchum, Robert’s son, who worked with them both in Big Jake stated, ‘Duke was truly in love with that woman.’And he didn’t marry her ‘because Maureen was strong and tough and he probably didn’t think he could control her. He married women he thought he could control. Then he found out he couldn’t.’

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Secrets John Wayne Revealed to Ron Howard About Filmmaking . – My Blog

Although they were celebrities for different reasons, Ron Howard worked with John Wayne on one of The Duke’s late-period movies. Howard said Wayne gave him some interesting advice. In addition, Howard revealed what made Wayne a little different from other actors.

As an actor, Howard is most known for his appearing in the sitcoms The Andy Griffith Show and Happy Days as well as George Lucas’ American Graffiti. However, he also appeared in Wayne’s final Western, The Shootist. The film also included James Stewart, Lauren Bacall, and John Carridine. With that cast, the film was almost like a roll call of Old Hollywood actors. Howard’s appearance in the film almost feels like a passing of the torch from one generation to the next.

In an interview with Men’s Journal, Sean Woods asked Howard if working with Wayne and Stewart taught him anything about manhood. “John Wayne used a phrase, which he later attributed to [film director] John Ford, for scenes that were going to be difficult: ‘This is a job of work,’ he’d say,” Howard recalled. “If there was a common thread with these folks – Wayne, Jimmy Stewart, Glenn Ford – it was the work ethic. It was still driving them. To cheat the project was an insult. To cheat the audience was damnable.”

What Ron Howard said John Wayne, Bette Davis, and Jimmy Stewart had in common : In a separate interview with the HuffPost, Howard also praised Wayne’s work ethic. “I always admired him as a movie star, but I thought of him as a total naturalist,” Howard said. “Even those pauses were probably him forgetting his line and then remembering it again, because, man, he’s The Duke.

But he’s working on this scene and he’s like, ‘Let me try this again.’ And he put the little hitch in and he’d find the Wayne rhythm, and you’d realize that it changed the performance each and every time. I’ve worked with Bette Davis, John Wayne, Jimmy Stewart, Henry Fonda. Here’s the thing they all have in common: They all, even in their 70s, worked a little harder than everyone else.”

How critics and audiences responded to ‘The Shootist’ : Howard obviously admired Wayne’s methods as an actor. This raises an interesting question: Did the public embrace The Shootist? According to Box Office Mojo, the film earned over $8 million. That’s not a huge haul for a film from 1976. However, the film is widely regarded as a classic among 1970s Westerns.

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How did Paul Koslo ever have a tense encounter with star John Wayne ? – My Blog

In 1975, the Canadian actor starring The Duke in Rooster Cogburn. At the time, Koslo was only 19 and still relatively green in the industry. So working with the Hollywood legend was a bit stressful.

During an installment of World on Westerns, Paul Koslo shared his experiences with John Wayne, including a time where he nearly stepped on Wayne’s lines.As the story goes, Wayne had a short 15 line monologue. And once he was finished, Koslo was supposed to respond. And as they were filming, Wayne said his part. But when it was Koslo’s turn, he froze.“The director said ‘Paul, why didn’t you say your lines?’” the actor remembered.

“And I said, ‘well, because I didn’t wanna cut him off because he hadn’t said all of his lines yet.’” Hearing the conversation, John Wayne jumped in saying, “who’s gonna? Nobody’s gonna cut me off. I can say whatever I want, you got it, kid?”Of course, the interaction made Koslo nervous, and the only response he could muster was, “okay, sir.”However, the actor admitted that the Western icon wasn’t as intimidating as the story made him sound.

Koslo shared that as long as his co-stars worked hard, Wayne was always their biggest supporter.“My impression of him was that if you did your stuff, and you were right on top of it, he was your best buddy. But if you were like a slacker, or you weren’t prepared, he could get on your case.”During the AWOW interview, Paul Koslo also shared some details behind the age-old feud between John Wayne and Katharine Hepburn.

“I mean, Kate and him, they were always like this,” said Koslo, while punching his fists together.According to Koslo, politics were behind the fight. Hepburn was a democrat and Wayne was a republican.“It seemed like… in a fun way. I don’t know if it was for real,” he admitted. “You know, she would be sitting on the hood of a truck going like a hundred feet down to the set where they were shooting, and how Wallis was having heart attacks. She was really a daredevil, and she was full of piss and vinegar.”

The actor also noted that he didn’t get to spend much time with the actress, so he couldn’t get a proper gauge on the so-called feud. Almost all his time was spent with The Duke.The only interaction Koslo had with Hepburn was while shooting an intense scene where they were “moving this nitroglycerin to another location because we were going to rob the U.S. Treasury with it, and [John Wayne’s] about to ambush us.”And that happened right before Paul Koslo nearly stepped on John Wayne’s lines.

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What John Wayne said in his angry letter to Clint Eastwood and how Eastwood responded. – My Blog

John Wayne and Clint Eastwood are the two biggest icons of the Western movies, however, Wayne wasn’t always a fan of Eastwood’s work. In fact, Wayne hated one of Eastwood’s Westerns so much he sent him a letter decrying the film. Here’s how Eastwood reacted to the letter — and how the public reacted to this movie.

This Clint Eastwood movie was a lot darker than John Wayne’s films : First, a little background. The Western was a staple of American cinema from its early days. It often presented a glorified view of American expansionism. During and after the civil rights movement, Westerns began to evolve, often presenting a critical or at least cynical view of the Old West. Movies like that became especially popular during the 1970s, but by the 1980s the genre was no longer an American staple.

One of the more famous dark Westerns from the 1970s was High Plains Drifter. The film is about a mysterious criminal who comes into town, to get revenge for his brother who was murdered as many of the townsfolk watched by idly. No one in the film is very sympathetic — they’re all either evil or passive in the face of evil. It’s a far cry from the more uplifting films which made Wayne famous.

What John Wayne said in his letter to Clint Eastwood — and how Eastwood responded : It’s very easy to see High Plains Drifter as a critique of the American West. According to the book Ride, Boldly Ride: The Evolution of the American Western, that’s how Wayne saw the film. In addition, he saw it as incorrect.Eastwood told Kenneth Turan “John Wayne once wrote me a letter saying he didn’t like High Plains Drifter. He said it wasn’t really about the people who pioneered the West.

I realized that there’s two different generations, and he wouldn’t understand what I was doing. High Plains Drifter was meant to be a fable: it wasn’t meant to show the hours of pioneering drudgery. It wasn’t supposed to be anything about settling the West.” According to the book John Wayne: The Life and Legend, Eastwood did not write back. How the public reacted to ‘High Plains Drifter’ : Clearly, Wayne was upset by the film. This raises an interesting question: Did High Plains Drifter resonate with the public?

According to Box Office Mojo, High Plains Drifter earned over $15 million. Even by the standards of the 1970s, High Plains Drifter was not a tremendous hit. For comparison, Box Office Mojo reports a less dark 1970s Western starring Eastwood called The Outlaw Josey Wales earned over $31 million.Regardless, High Plains Drifter has a bit of a legacy. It was the first Western that Eastwood directed himself. Eastwood would go on to direct several other Westerns including the Oscar-winning Unforgiven. Wayne wasn’t much of a fan of High Plains Drifter — and neither was the public.

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