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Of the firearms that John Wayne used the most in movies, nothing even comes close to the Colt 1873

John Wayne and His GunsWayne was an extra and played an unnamed American officer in the 1928 World War I silent film Four Sons, but he was never seen holding a firearm despite the film’s wartime setting. He continued to have bit parts, many of which were uncredited, until he starred in the 1930 film The Big Trail. Largely overlooked today, the film still deemed to be “culturally, historically, or aesthetically significant” by the United States Library of Congress in 2006 and was selected for preservation in the National Film Registry.

It also marked the first time Wayne carried a firearm on screen; in this case an Enfield Pattern 1853, a percussion fired rifled musket that saw use in the Crimean War and later in the American Civil War. In the film, Wayne’s character—a young trapper and scout—also carried a Remington 1858 New Army. He never used either weapon again, however.

The Single Action ArmyOf the firearms that John Wayne used the most in movies, nothing even comes close to the Colt 1873 Single Action Army Revolver, which appeared in some 25 films. While not the first to use the infamous revolver in a movie – that would be the unnamed “Bandit” in 1903’s The Great Train Robbery – Wayne was arguably the first household name to use the Single Action Army in a film, it was in 1931’s The Range Feud.

Over the nearly five decades following that film, the Duke carried Single Action Army Revolvers. He carried them in such films as The Trail Beyond (1934), Red River (1948), Rio Grande (1950), Hondo (1953) and The Sons of Katie Elder (1965).He also carried the revolver as Deputy U.S. Marshal Reuben J. “Rooster” Cogburn in his Oscar winning performance True Grit, as well as in the sequel Rooster Cogburn. It’s also fitting that his character carries a “Great Western Revolver”; it’s a specially engraved replica made especially for Wayne, in his final movie The Shootist (1976).
The Winchester Model 1892The Winchester Model 1892 was first seen in the 1939 film Stagecoach. Winchester’s rifle—notably the large lever loop version—has become practically synonymous with Wayne. The lever-action repeating rifle, which the legendary John Browning designed to be a smaller and lighter version of the large-frame Model 1886, is almost always an anachronism, but because of Wayne it was associated with Hollywood westerns for decades.
Wayne used the Winchester Model 1892 in a dozen films. The Saddle Ring Carbine version appeared about half of the time.
As with the Colt Single Action Army, Winchester’s rifle appeared in some of the Duke’s most remembered and beloved films. Those include Red River, The Searchers (1953), True Grit and The Shootist.
Only in a few films did Wayne ever use the more period correct rifles. A good example is the Winchester Model 1866 “Yellow Boy,” which appears in the 1948 film Fort Apache. Meanwhile, he used a Springfield Model 1873 Cavalry Carbine in Red River. However, those are the exceptions, and while not historically accurate, Wayne just seems correct carrying the Model 1892.
John Wayne With Military GunsIn addition to being known for playing U.S. Marshals and other lawmen—as well as gun fighters and cowboys—in countless westerns, Wayne’s character roster also included many war films. As noted, his first role was playing a U.S. military officer during the First World War. However, it was during the Second World War that he made the transition to portraying a modern soldier.
In 1944’s The Fighting Seabees, Wayne carried a Colt M1911A1 .45 pistol and Springfield M1903A3 rifle. Meanwhile, in 1949’s Sands of Iwo Jima he first carried and actually fired an M1 Garand. Wayne carried the M1 Garand again, but never fired it in the 1962 World War II epic The Longest Day.
The Green BeretsBy the end of the 1960s, John Wayne had the somewhat dubious distinction of appearing in The Green Berets. It was the only Vietnam War film to have the full support of the U.S. military.
The film essentially comes off as a western with the Viet Cong taking the role of the American Indians attacking a besieged frontier outpost. In the film, Wayne carries an XM16E1; it’s the Army variant of the original M16 (SP1).
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Robert De Niro and Joaquin Phoenix were at odds over a read-through during the production of ‘Joker’

Robert De Niro and Joaquin Phoenix Didn’t Get Along in ‘Joker’ — Here’s WhyRobert De Niro and Joaquin Phoenix were at odds over a read-through during the production of ‘Joker’ putting the director ‘between a rock and a hard place.’

Filming Joker may not be an experience Robert De Niro and Joaquin Phoenix look back on fondly … at least when it comes to the dynamic between them. The actors clashed on the set of the 2019 film. But it wasn’t about the storyline or a simple case of differing personalities. Rather, their conflicting approaches to filming caused friction between Robert De Niro and Joaquin Phoenix.Did Joaquin Phoenix get along with Robert De Niro?As Joker director Todd Phillips told Vanity Fair, a problem came up almost immediately as a result of Phoenix and De Niro’s acting methods. De Niro, he explained, liked doing read-throughs of the script from cover to cover prior to shooting. Whereas Phoenix adopted a looser, “let it happen” method.

It all started when Phillips got a call from De Niro asking him to relay a message to Phoenix. “Bob called me, and he goes, ‘Tell him he’s an actor and he’s got to be there. I like to hear the whole movie, and we’re going to all get in a room and just read it.’”

“And I’m in between a rock and a hard place,” Phillips said. “Because Joaquin’s like, ‘There’s no f***ing way I’m doing a read-through.’ And Bob’s like, ‘I do read-throughs before we shoot, that’s what we do.’”
Phoenix begrudgingly completed a read-through at De Niro’s Manhattan, New York, office. Then he turned down his co-star’s invitation to go somewhere and talk.
“He’s in front of Bob, and he goes, ‘I can’t, I gotta go home,’” Phillips said. “Because he felt sick after that read-through, he didn’t like it.”
After some encouragement from the director, however, Phoenix talked with De Niro. Ultimately, it ended with the About My Father star taking Phoenix’s face in his hands before kissing his cheek and saying, “‘It’s going to be OK, bubbeleh,’” Phillips recalled. “It was so beautiful.”
De Niro and Phoenix were OK not talking to each other much on the ‘Joker’ set
Despite naming De Niro as his “favorite American actor,” Phoenix confessed he and the Joker star weren’t particularly chatty. “The first day we said good morning,” he told the outlet. “And beyond that, I don’t know that we talked much.”
It wasn’t necessarily because of their different takes on how filming should go. Rather, both thought it was best for them and their characters.
“His character and my character, we didn’t need to talk about anything,” De Niro said, “We just say, ‘Do the work. Relate as the characters to each other.’ It makes it simpler, and we don’t [talk]. There’s no reason to.”
Additionally, Phoenix confessed fear might’ve played a role. “I was probably afraid that I would turn into a fan … So I couldn’t allow myself to think of him as De Niro.”
Who does Robert De Niro play in ‘Joker’?Bradley Cooper convinced him to join the cast
Although he didn’t star in Joker, Bradley Cooper did play a role in getting De Niro to sign on. The star served as a producer on Joker.
By the time the film headed for production, Cooper had developed a strong working relationship with De Niro. To date, the two have appeared in multiple movies together, such as Silver Linings Playbook and American Hustle.
Recalling how Cooper advised him to join Joker, De Niro noted in a 2020 interview how he admired Cooper’s work on A Star Is Born.
“I met [Joker director] Todd Phillips, and I liked him. I thought, ‘This will be an interesting project,’” De Niro said. “Bradley was one of the producers and he told me to do it. He’s really terrific.”
What he did with A Star Is Born, the way he worked on it quietly by himself, put it together, found the right actors, the right people,” he continued. “When you know what you want to do, that’s a great thing, and you know it’ll be special.”
So, that’s how De Niro wound up playing Joker’s Murray Franklin. The talk show host serves as something of an inspiration to Joaquin Phoenix’s Arthur Fleck. However, Fleck’s transformation into the Joker was cemented when he kills Murray Franklin on live television. Safe to say Robert De Niro will not be in Joker 2 coming in 2024.
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Taylor explained a bit about how he ended up getting the role on Gunsmoke i tried out for the Olympics, but I didn’t make the team…

Gunsmoke featured a ton of actors during its epic 20-year run. The TV series started out as a radio program before making the leap to television in the mid-1950s. From 1955 to 1975, the show kept the adventures of U.S. Marshal Matt Dillon (James Arness) alive and well, much to the delight of fans. As for his co-star Buck Taylor, his journey to the show meant other dreams couldn’t be realized

Although Taylor wasn’t one of the original cast members of Gunsmoke, he played a prominent role in the latter half of the show’s original run. In 1967, Taylor joined the show as Newly O’Brien. The character was among the characters to step in as acting deputies at various points. Burt Reynolds’ Quint Asper and Roger Ewing’s Thad Greenwood preceded Taylor in that regard.

As for Newly O’Brien, the character served as both a backup deputy and a doctor-in-training. Thanks to his uncle, he had some medical training. Taylor remained on the show from his introduction until the show finally came to a close in 1975. But before he became an actor, he was in pursuit of a very different passion: participating in the Olympic Games.

In an old interview, Taylor explained a bit about how he ended up getting the role on Gunsmoke. At the start of his career, he wasn’t yet an actor but a gymnast with ambitions of competing in the Olympics.
“I tried out for the Olympics, but I didn’t make the team. I think I worked out every day for about 12 years, very hard,” he explained in his interview with Bette Rogge for The University of Dayton. “Then when I started acting, I did a couple of saddle falls – stunt work – and I chipped my shoulder. So I had to give up the gymnastics.”
Thankfully, it all worked out in the end, as Taylor found great success in Hollywood. Gunsmoke was an integral part of what would become a very prolific career. Over the years, he particularly held great esteem in the Western genre on both television and in the movies.
Most recently, Taylor had a popular recurring role on the Paramount Network series Yellowstone. That show – which follows a family based out of the Yellowstone Dutton Ranch – stars Kevin Costner, Luke Grimes, and Kelly O’Reilly. Taylor played Emmett Walsh from 2018 to 2022, appearing in a total of eight episodes across the show’s first five seasons.
Yellowstone notably has helped reinvigorate the modern Western. The show has become such a runaway hit that it has expanded into a franchise for Paramount. With two spin-offs already behind it and another two on the way, Yellowstone is only the latest Western project to receive Taylor’s stamp of approval.
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Gregory Peck..He called his fellow actor an “authentic folk hero” who has contributed “inestimable value to American culture

Movie actor John Wayne had an undeniable fervor for America and the values he aligned with it. As a result, he defended them the best that he could on the silver screen and with his interactions with those who served. Wayne earned an award for “paying his dues” to America in his own way, as the U.S. government and his peers celebrated him for the same distinction given to George Washington and Thomas Edison.

Wayne had an image that was always associated with America, although it aligned with the conservative end of the political spectrum. Therefore, he alienated other moviegoing audiences who disagreed with his values and politics. However, the movie star earned an abundance of criticism after he didn’t follow his fellow Hollywood stars into the fray of World War II. Rather, Wayne stayed in America and continued to boost his career with a noticeable lack of male movie stars available to star in motion pictures.

Several different stories circulated as to why the actor didn’t serve, but he was the sole supporter of his family, which granted him an exemption. Even so, the damage was already done, and it harmed his image for the rest of his career and beyond.

Wayne doubled down on his fight for America when it came to defending its honor in other ways. According to 1979 U.S. Government Printing Office documentation, he was awarded the Congressional Gold Medal, which is Congress’ highest honor for achieving something substantial for the country. Congress bestowed this honor on very few people, with the list including Washington, Edison, and the Wright brothers.
While many members of the American public didn’t necessarily agree with this, there were some outspoken supporters across Hollywood.
Frank Sinatra honored him, writing that “No man’s lifetime or work has given more proof to the world that our flag is still there John Wayne is in truth a star-spangled man whom so proudly we hail.”
The Dirty Dozen filmmaker Robert Aldrich emphasized that he was a Democrat and didn’t share any political views with Wayne. Nevertheless, he honored the actor’s “courage, his dignity, his integrity … his strength as a leader, his warmth as a human being … he is entitled to a unique spot in our hearts and minds.”
Four-time Oscar-winning actor Katharine Hepburn said, “With a heart full of love for all concerned: ‘About time.’”
Oscar-winning actor Gregory Peck also voiced his support, even after earning the Top Western Star of the Year award, which left Wayne feeling upset. He called his fellow actor an “authentic folk hero” who has contributed “inestimable value to American culture.”
Wayne didn’t serve in WWII, but he did feel that he served America in his own way. He went on tours to visit soldiers serving, and he represented the U.S. itself on the silver screen. In his mind, this acted as a form of entertainment, but it was also a source of morale and built a sense of love for one’s country.
However, Wayne’s sense of nationalism also got him into trouble. He took great pride in making The Green Berets, which acted as a piece of war propaganda surrounding the Vietnam War. Famous film critic Roger Ebert tore the film apart for how it approached the war and represented soldiers overseas.
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