John Wayne Could Have Cost Harrison Ford His Chance To Work With Gene Wilder On The Frisco Kid
One of the most oddly fascinating chapters of a movie star’s career is Harrison Ford’s awkward three-year run in between “Star Wars: Episode IV — A New Hope” and “Star Wars: Episode V — The Empire Strikes Back.”
After a rough 10 years that saw him kicked out of Columbia Pictures’ New Talent Program, and relegated to smallish roles in films like George Lucas’ “American Graffiti” and Francis Ford Coppola’s “The Conversation,” Ford finally broke through as the dashing rogue Han Solo in Lucas’ blockbuster space opera. With the entire country mad for anything even tangentially related to “Star Wars,” it seemed like all of the actors were primed for superstardom. This was especially true of Ford, whose banter with Carrie Fisher’s unflappable Princess Leia drew the film’s biggest laughs.
Ford’s presence, delivery, and undeniable good looks should’ve had every major studio and director in Hollywood knocking on his door — and, to an extent, he was in high demand. But now that he’d hit it big, Ford was eager to make up for lost time. He wanted to prove to everyone who ever doubted him that he wasn’t just another pretty face, but a serious actor with a range that stretched far beyond a wisecracking intergalactic smuggler.
He was also smart enough to understand that he had to flick on that high-wattage leading man charm, which led him to Robert Aldrich’s comedic Western, “The Frisco Kid,” and into direct conflict with John Wayne.
A casting showdown with the DukeWarner Bros.“The Frisco Kid” was a fish-out-of-water buddy comedy starring Gene Wilder as Avrim Belinski, a Polish-Jewish immigrant who heads west from Philadelphia to San Francisco to become a congregation’s new rabbi. He’s in over his head until he’s befriended by Tommy Lillard (Harrison Ford), a savvy bank robber who gets him into and out of trouble.
According to Brad Duke’s biography, “Harrison Ford: The Movies,” the producers were about to offer Ford the part of Lillard when John Wayne suddenly expressed interest in the role. Even though the aging star had several decades on the much younger Ford, if you were making a Western and the Duke was interested, you had to consider him. Evidently, Aldrich — also nearing the end of his career — was particularly intrigued by the prospect of directing Wayne. When the Western icon ultimately passed, Ford believed Aldrich was disappointed. Per Duke’s book:
“Ford had always felt as though he was in competition with Wayne. Although Ford had played a plethora of cowboy roles during his episodic television years, his director jokingly harassed him with constant comparisons as to how Wayne would have done the job.
The film’s producer Mace Neufeld recalled, ‘I think Harrison always felt when Aldrich was shooting a scene, that Aldrich was looking at him and seeing the picture of John Wayne, and he gave him a pretty hard time on the film ….’”
Tom Selleck’s loss was Harrison Ford’s gainWarner Bros.As with just about every film Harrison Ford made in between his first two “Star Wars” gigs (aside from “Apocalypse Now”), “The Frisco Kid” was a box office disappointment. Though Ford and especially Wilder received kind notices from critics, the movie was deemed a forgettable mediocrity, and a sad, late-career misfire for the director of “Kiss Me Deadly,” “The Dirty Dozen,” and “The Longest Yard.”
Even with “The Empire Strikes Back” on the horizon, Ford had to be sweating it. “Heroes,” “Hanover Street” and “Force 10 from Navarone” were stale showcases for a guy who’d blown everyone’s doors off in “Star Wars.” It wasn’t unheard of for a surefire movie star’s career to get derailed by repeatedly choosing the wrong project. Just as industry professionals were beginning to wonder whether Ford was a one-trick pony, Tom Selleck was forced by his commitment to “Magnum P.I.” to drop out of Steven Spielberg and George Lucas’ rip-snorting adventure about a dashing archaeologist who battles Nazis while looking for the Ark of the Covenant.
Fortunately for all involved, Ford was available. His fifth and final go-round as Indiana Jones will hit theaters on June 30, 2023.
Read More: https://www.slashfilm.com/1136975/john-wayne-could-have-cost-harrison-ford-his-chance-to-work-with-gene-wilder-on-the-frisco-kid/
John Wayne Was ‘Disappointed’ He Didn’t Get an Oscar Nomination For His ‘Best Achievement’
John Wayne made it to the Academy Awards three times over the course of his career. However, he only ultimately won a single golden statue. Wayne was “disappointed” that he didn’t get an Oscar nomination for She Wore a Yellow Ribbon, which he considered his “best achievement” over the course of his career. Here’s a look at how that impacted the legendary Western star.
John Wayne played Capt. Nathan Cutting Brittles in ‘She Wore a Yellow Ribbon’
Ben Johnson as Sgt. Tyree and John Wayne as Capt. Nathan Cutting Brittles | Sunset Boulevard/Corbis via Getty Images
She Wore a Yellow Ribbon follows Cavalry Captain Nathan Brittles (Wayne) through the final job of his career before he retires. He seeks to settle an intense situation between the Cheyenne and Arapaho. However, he’s also busy transporting the wife (Mildren Natwick) and niece (Joanne Dru) of his superior. Brittles must do all that he can to stop an all-out war from taking place and get them to safety.
John Ford directs a screenplay written by Frank Nugent and Laurence Stallings. It’s the second installment in Ford’s Cavalry Trilogy, which also contains Fort Apache and Rio Grande. It was one of the most expensive Western movies of its time. Wayne plays a character much older than he was in real life, but Ford trusted him with bringing the character to life.
John Wayne was ‘disappointed’ that he didn’t get an Oscar nomination for ‘She Wore a Yellow Ribbon’
John Farkis’ Not Thinkin’ … Just Rememberin’ … The Making of John Wayne’s ‘The Alamo’ walks readers through the iconic actor’s career. Wayne wasn’t afraid to call out a bad film when he had them, but he also openly talked about the films that he was proud of. His performance as Brittles in She Wore a Yellow Ribbon remains a huge fixture of his career. However, he wasn’t the only one singing praises of his own performance.
“I feel strongly that Duke should have been nominated for an Academy Award for his role in She Wore a Yellow Ribbon,” co-star John Agar said. “He was just brilliant. Remember, too, I have a lot of scenes with him. He played a guy 20 years older. To me, Yellow Ribbon was the best thing Duke ever did.”
Public audiences even felt a similar way. The movie brought in a stunning $9.15 million at the worldwide box office, making it a huge hit. As a result, Wayne knew that he had something special here that kept him involved in acting.
“For the first time, Pappy was treating me like an actor, and he showed me great respect, which I appreciated,” Wayne said. “I felt that I’d worked hard and long to reach the stage of my career, having been thinking of giving it up.”
Wayne continued: “I was disappointed at not even being nominated for Yellow Ribbon. I had played a man 60 years old, which was 17 years older than I was. I have always believed that this was my best achievement in pictures.”
‘True Grit’ won an Oscar for Best Actor in a Leading Role
She Wore a Yellow Ribbon won an Oscar, but Wayne didn’t even get a nomination. Rather, the film won for Best Cinematography. However, the Academy Awards wouldn’t ignore Wayne forever. He would get two nominations and the eventual win.
Wayne earned his first Oscar nomination for Sands of Iwo Jima. Next, he got another nomination for The Alamo in the Best Picture category. Finally, he won his only Oscar for Best Actor in a Leading Role for his legendary performance in True Grit. However, he would prove to have a bigger effect on Hollywood than its top award, influencing fight sequences forever.
John Wayne Once Explained Why He Turned Down so Many ‘Petty, Mean’ Movies
Actor John Wayne is one of Hollywood’s most iconic figures to ever work in movies. However, he was very specific about the roles he would accept and the ones that he refused to involve himself in. Wayne once explained why he turned down so many potentially big movies that he described as “petty,” “small,” and “mean” through the evolution of Hollywood.
John Wayne played particular movie roles
L-R: Ron Howard and John Wayne | Bettmann / Contributor
Wayne has over 180 acting credits to his name, spread across movies and television shows. He became a household name for the Western and war genres, ultimately contributing huge star power to the projects later in his career. However, Wayne also wasn’t afraid to speak up when he didn’t like something about the movies that wanted him involved. This held true for both prospective projects and ones that he already signed on for.
The actor ultimately turned down projects that earned attention at the Academy Awards, including High Noon. However, it wasn’t always because he didn’t like the roles themselves. Rather, Wayne was a patriot, who didn’t want anything to do with movies that he deemed insulting to the American image.
John Wayne explained why he turned down so many ‘petty, mean’ movies at the time
Duke, behind the scenes on the set of The Shootist, discussing how he chose his movie roles 💪🏽 What did John Wayne's values mean to you? pic.twitter.com/Fd75E4BKHC
The official Wayne Twitter account shared a behind-the-scenes look at one of his movies, The Shootist. He talked about the state of violence in cinema, but he also touched on how he chose what to star in. The film hit theaters in 1976, so it’s worth taking the time period in mind for what he has to say about “modern” filmmaking.
“The whole idea of our business is illusion and they’re getting away from that,” Wayne said. “They’re putting electric squibs in livers and blowing them up in slow motion and then having blood all over everything. I mean, it’s not that there’s more violence in pictures today. It’s that it’s done with such bad taste that people turn their stomachs, not their emotional insides are affected. It turns their stomach. I just don’t want to play anything petty or small or mean. I don’t mind being rough and tough and cruel, but in a big way, no little petty things.”
The actor believed that cinema should be family-friendly
Wayne had a very firm stance when it came to violence in the movies. The rating board once even reached out to the actor to get his input. However, Wayne didn’t want any part in it because he didn’t think a rating system was necessary. He believed that Hollywood should make motion pictures aimed at the whole family.
Wayne starred in a wide variety of movies that included violence, but they never reached the extremes of what he talked about while filming The Shootist. Today’s filmmaking would certainly give him a shock if he were to see how much some movies push the boundaries and make audiences squirm.
John Wayne Once Confessed the ‘Stupidest Damn Thing I Ever Did in My Life’ Involving His Romance
Actor John Wayne had three wives over the course of his life. However, the couples would always go through various hardships. Wayne always publicly embraced family life and would combine his image as a father with his tough, Western one. The actor once confided in a friend and told them the “stupidest damn thing” he ever did over the course of his lifetime.
John Wayne married his second wife 3 weeks after his divorce became final
L-R: John Wayne and Esperanza ‘Chata’ Baur | Keystone/Hulton Archive/Getty Images
Marc Eliot’s American Titan: Searching for John Wayne touched on personal and professional aspects of the actor’s life. The divorce from his first wife, Josephine, was finalized on December 26, 1945. However, that certainly didn’t stop the actor from jumping into another relationship soon after. Wayne married Esperanza Baur, also called Chata, exactly three weeks after his divorce in the Unity Presbyterian Church of Long Beach, which is where his mother married her second husband, Sidney Preen. Actor Ward Bond was Wayne’s best man.
However, everything in Wayne’s life would change when he returned to Los Angeles after his honeymoon with his new wife. They purchased a new home in Van Nuys, California, and made sure to have a separate room for his mother-in-law. As a result, the newly-married couple started to have some difficulties.
John Wayne said that marrying Chata was the ‘stupidest damn thing I ever did in my life’
American Titan: Searching for John Wayne mentioned that Chata wanted to get a real role in a movie, but Wayne didn’t want her to have the life of a movie star. As a result, he told her that she belonged at home. Chata didn’t take this very well and turned to alcohol, developing an addiction.
Wayne ultimately turned to Bond to complain about Chata and his mother-in-law speaking Spanish and their desire for a bigger home. His new wife and her mother would often sleep in the same bed, forcing the actor to sleep on the couch in the living room.
Eliot wrote that Wayne took pride in his physical appearance and kept it in a specific condition for the camera. His ex-wife also took care of her physical appearance, but Chata refused to remove her facial hair, as she had a bit of a mustache. She also wouldn’t bathe very often and refused to shave her legs, which would make Wayne angry. Their arguments became increasingly frequent, which Wayne told Bond.
“Our marriage was like shaking two volatile chemicals in a jar,” Wayne said, admitting that marrying Chata was “the stupidest damn thing I ever did in my life!”
The actor would marry one final time
Wayne’s life moved on past Chata, as they divorced in 1954. Tragically, she died from a heart attack in 1961. Wayne married one final time to Pilar Pallete in the same year that he divorced Chata. They would ultimately remain married until the actor died in 1979, although they no longer lived together. The couple separated, but it was never legally so.
Meanwhile, Wayne became romantically involved with his former secretary, Pat Stacy, until his death.