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He took my hand mike and said into it, “Hi, this is John Wayne interviewing Dick Cavett – My Blog

I’ve been reminded that, in my earlier column on what to me were three glorious days spent in the company of John Wayne, I said that there is more to the story. Here’s what I meant:

I hurried through all my duties in shooting my special to hang with my new friend as much as possible. Just at this moment of typing I’ve identified the feeling I was having then. It was as if a 7th grader (me) had been befriended by the popular, big, tall, jock upperclassman. And wished everyone could see us together, maybe with his hand on my shoulder.
Here was a greatly talented, highly intelligent, college-educated, well-read man of immense personal charm and humor. I think we can agree that he knew.There’s a rough-going scene in which he asks Jimmy Stewart, playing his doctor, not to spare him the details of what will happen as the disease progresses. It’s fascinating, if true as some say that he had not been able to do this in life, but — by requesting that the script be sharpened in detail on this point — chose this route to the information.
If I had to pick 10 highlights of my life, one would be my arrival on the set at almost the instant this scene was shot in the doctor’s office. The crew knew their long-time friend was not well. There seemed to be more people than usual standing around watching. When Stewart delivered the line with the dread word in it — the one even doctors will euphemise, as in “ca. of the breast” — a burly stage-hand-type near me had to quickly cover his mouth, apparently fearing that the sort of tearful, involuntary snort he emitted might have been picked up by a mike, spoiling the take. Similar moments on the part of crew members could be seen all around.

A second consequence of my time on the set with John Wayne: It’s early afternoon on the Western town square set. Costumed extras relaxing, smoking, gossiping, strolling, reading trade papers, Wayne off somewhere resting, napping or playing chess during a long break. (I can eye-witness report this: during breaks he shed his boots and slipped into a chartreuse pair of those fluffy marabou slippers more associated with women. Ludicrosity rampant. Probably a custom-made joke gift from a colleague. Or taken off a very large lady.)
A lone horse was at the hitching post. A huge horse. I had a sudden semi-rational urge. “Is that Dollar?” I asked. And I got onto John Wayne’s horse. To my surprise I find that I’ve recounted this sorry tale before, in this very paper in 1998. Reading it again scares the chaps off me, so suffice it to say that by the time Dollar’s spine-punishing trot had escalated into something more hazardous, then de-accelerated from there, and I was returned, trembling, to terra firma, there’d been a great deal of yelling from the crew and scattering of sun-bonneted extras (one clarion voice sounded above the rest: “Who the —— is that on Duke’s horse?”) and I was in a position to state for the record that an eternity lasts about 45 seconds.
I had one more glorious day with Wayne. He had agreed to appear on my special, and as I sat beside him — he in full costume — on a buckboard, with me holding the reins, in one hand, he said, “Are we rollin’?” At “Yes,” he took my hand mike and said into it, “Hi, this is John Wayne interviewing Dick Cavett.” (Don’t let me awaken, I thought.) We had a good time, and I might be able to retrieve this one for a future column.
The sun was up and the sky still bright but it had gotten to the time in the afternoon when the light changes undesirably for color film. I asked if they had finished shooting for the day.
“Yeah, it’s gettin’ a little yella.” (I won’t force the symbolic poignancy of those words.)
When we parted, I told him as best I could what a good time we had had together and what it meant to me. I said I felt kind of foolish, asking for an autographed photo.
“That shouldn’t be any trouble.”
He called for one, wrote on it, and without showing it to me, put it in an envelope.
We talked for a while more, mostly about the current prices of Indian artifacts, which I had seen swoop suddenly upwards. I asked him if he owned the beautiful beaded and long-fringed plains rifle case — probably Sioux or Cheyenne — he carried in John Ford’s “The Searchers.”
“I wish you hadn’t said that,” he said, grinning. “I bet I’ve thought about it a hundred times. I can’t watch the picture because of it. I tried later to find it, but somebody smarter than I am must’ve gotten it.”
“Didn’t it occur to you, maybe on the last day, to just slip it into your duffle bag?”
“It does now.” (Laughter.)
Having said goodbye and still aglow, while driving on the freeway, I remembered the picture. Pulling over like a responsible citizen, I slipped it out of the envelope, hoping there might be more than just the traditional “Best wishes” and a signature.
It read: “To Dick Cavett from John Wayne.”
This, of course, was enough. But below it there was another line.
“We should have started sooner.”
You bet I cried.
BY DICK CAVETT

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Interesting things happen at the “Duketober” celebration at the John Wayne museum . – My Blog

The enduring legacy of actor John Wayne, America’s ultimate cowboy, was celebrated last month, fittingly enough, by the Cowboy Channel in association with the John Wayne: An American Experience museum in Fort Worth, Texas.


The “Duketober” celebration is a month-long airing of classic John Wayne movies via broadcast and streaming. It will culminate with a 50th anniversary live panel discussion on Nov. 3 in remembrance of Big Jake, the 1971 movie that bought Wayne together with sons Ethan and Patrick, who will participate in a discussion about his films and career.Wayne’s legacy has taken a few hits in the last couple of years.

A 50-year-old Playboy magazine interview outlining some of his controversial views on race surfaced, sparking his USC alma mater to remove an exhibit on him. There’s also a movement to remove his name from the Orange County airport. So far, that action has failed to gain ground . But Wayne’s cinematic legacy, particularly his western movies, continue to rank among the finest ever produced by Hollywood. Such films as The Searchers, True Grit, Stagecoach and Rio Bravo are considered classics of the genre.

“The John Wayne: An American Experience (JWAAE) museum in the Fort Worth Stockyards has created a perfect synergy for the Cowboy Channel to highlight this incredible western film legend and showcase many of his classic films for our audience,” said Cowboy Channel CEO Raquel Koehler Gottsch.

“Our fans absolutely adore John Wayne, and we couldn’t be happier to have a great relationship with his family and be able to share his movies with our audience and dedicate an entire month to such a western star legend.”“He would be thrilled to learn that so many people still cherish his films after all these years and I know he’s smiling somewhere,” said son Ethan Wayne.

The Cowboy Channel will also feature a Halloween movie marathon of Wayne films, and fans can tune-in to such classics such as Rio Grande, Sand of Iwo Jima, and The Shootist.

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James Caan shares a memorable collaboration with John Wayne on the set of El Dorado. – My Blog

In 1997, James Caan joined The Late Show with David Letterman to starred on John Wayne after they alongside one another on the hit movie El Dorado.While Wayne portrayed the noble elder gunfighter Cole Thorton, Caan plays his loyal friend, Mississippi. Furthermore, the movie was directed by esteemed producer Howard Hawks.


James Caan notes that the first big-name he worked with in Hollywood was John Wayne. Wayne was 33 years older than Caan and already had boomed success in the industry, so naturally, James Caan admired the Duke.“He was great because he could intimidate you,” explains Caan. “He’d stay on you forever, and you’d just crumble. I mean, he’d just try you.”However, on the set of El Dorado, James Caan recalls getting directions from Howard Hawks, also known as Coach.

“So this one night I remember I was between he and Mitchum and Howard Hawks was about 72 at the time, and we’re outside in this old Tucson. This big old western town and Hawks comes up and says, ‘now look, Kid, when you say that line, here’s what’s going to happen. Duke, you go down the middle of the road right down the center because we are going to surround this bar. Mitchum, you go around that way, and Kid, you go around.’ I said, ‘alright, Coach.’ because that’s what we called him, Coach.’

“He was coach,” notes Letterman. “John Wayne was Duke, and you’re the Kid.” After Hawk gave the instructions, he began walking back to the cameras. James Caan, who does a perfect John Wayne impression, reflected on when Wayne tried to offer the then-youngster a few tips.“So now he has to walk back up 50 yards back to the camera. There’s all kinds of extras, and he’s walking back, and the dude looks at me and goes, ‘now look, Kid.’ He says, ‘when you say that there line, I want you to turn around and give me that look you give me.’

“Give Me That Look That You Give Me.”The men begin to laugh hysterically because Jame Caan has no idea what John Wayne is talking about. Regardless, Caan still gave it a try.“I have no idea what he’s talking about. But the truth is that Mitchum explains me that I was laughing at him all the time. Every time he talked because you had to. How can you take him seriously? That ‘why did you do it’ look. So he said, ‘give me that look that you give me.’ I said, ‘alright. Alright Duke.’

At this point, it isn’t Wayne who is mad about Cann’s performance. It is Hawks. However, the Duke still offered his advice. James Caan must.“He gets behind the camera everything starts going, and they go ‘ACTION!’ and I send my one line and I take a step, and I turn around. Coach goes ‘CUT’. Comes running up, and he goes, ‘look, when you take the step. Don’t take the step. I want you to say the line and go. Just go!’ He starts to walk back to the camera, and Wayne goes, ‘now look, Kid. Don’t take a whole step, take a half a step and then turn around and give me that look you give me.’

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John Wayne’s words to his daughter before taking his last breath . – My Blog

John Wayne was in around 170 movies during his long career in the acting world. It’s hard to determine exactly how many because he had starred in so many early on in his career that was considered more obscure.


By the time he was done acting, fans heard him deliver hundreds of thousands of lines to the cameraWhile his acting career was the life he projected, Wayne also had a life outside of the set. He was married three times and divorced twice. In total, John Wayne had seven children during his life. Wayne will always be remembered as the epitome of the Western genre. The tough, macho man behind countless iconic films. He was in movies like “True Grit,” “The Shootist,” “The Cowboys,” and “El Dorado.”

John Wayne’s Last Words : When he was lying in his death bed, however, he wasn’t talking about the Old West or old-fashioned violence. Instead, family was his main concern. According to a Neatorama post from actor, comedian, and voiceover artist Eddie Deezen, Wayne spent his last days in a hospital bed in-and-out of consciousness. He passed away on June 11, 1979, surrounded by many family members.

His daughter, Aissa Wayne (born March 31, 1956) was at his bedside. She held his hand and asked if he knew who she was. He responded with his very last words ever, “Of course I know who you are. You’re my girl. I love you.”

Wayne passed away from stomach cancer. He had been suffering from poor health for several years at this point. Deezen described Wayne on the set of his last movie, “The Shootist” by saying he was often irritable and missed days on set due to poor health. He even had an oxygen tank on set.

Beyond the stomach cancer, John Wayne also had heart issues. He had a long life of smoking, drinking, and a questionable diet. He actually had a pig valve put into his heart. His last appearance would be at the 1979 Academy Awards where he was notably thinner and very sick. He even had a wetsuit on underneath his outfit to make him look bigger.

According to Mental Floss his grave in Corona del Mar, Newport Beach reads, “Tomorrow is the most important thing in life. Comes into us at midnight very clean. It’s perfect when it arrives and it puts itself in our hands. It hopes we’ve learned something from yesterday.”

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